Deco Bed Quilt Going Back in Time Out Following Hand Quilting Experiments

Alright, I think I'm done with the hand quilting experiments on my Deco Bed Quilt and it's time for this project to get shoved back into a closet again -- after a quick recap for the benefit of Future Rebecca.

Hand Quilting in my Grace Square Lap Hoop

After trying both ways, hand quilting with and without a hoop, I definitely prefer the hoop.  It makes it so much easier to maintain consistent tension when you pull the thread through the fabric and it definitely makes it easier to mark quilting lines, if you feel like marking them.  I have had this Grace Square Lap Hoop for over twenty years, since I used it to hand quilt a much smaller throw size quilt for my husband.  My hoop is similar to this current Grace Hoop 2 from the Grace company, except that mine doesn't have that opening in the bottom that would let you attach it to a stand.  Here's the problem: my Deco quilt is a whopping 102" x 102", the quilt top fabrics are all those beefy Kona Solid fabrics, and I used a midweight Hobbs 80/20 black batting rather than one of the lower loft battings that are tailored for hand quilters.  These factors combined to create a tremendous weight and drag that felt cumbersome to me as I was conducting my hand quilting experiments on the sofa, and I was not keen on committing to spending a hundred or more hours wrestling with this giant quilt in my lap when I could be hand stitching appliqué or English paper piecing instead.  Enormous quilts like this one are why hand quilting FRAMES are a thing!  Now, I can see how the newer version of my hoop along with the optional stand would help manage the weight of a big quilt for hand quilting, but I'm not about to invest in a whole new hoop and stand setup for hand quilting at this time.  I would not be able to recline if my hoop was attached to a floor stand, the stand would be one more thing to store or to trip over next to the sofa, and I definitely wouldn't be lugging it around as a portable project.

Here's what the hand quilting was looking like so far:

Hand Quilting in Wonderfil 12 wt Fruitti Variegated Green Thread

I'm not giving up on the idea of ever hand quilting again, just not going to slog through trying to do it on such a big quilt.  So what you see pictured above in the green areas is 12 weight, 3-ply Wonderfil variegated cotton Fruitti in a variegated green color (this post contains affiliate links).  After trying different types and sizes of hand needles, I settled on a Bohin Size 7 Embroidery needle and I used the "stab stitching" method of using my non-dominant left hand on top of the quilt to push the needle down through the quilt, then my dominant right hand beneath the quilt grabbed the needle, turned it around and guided it (blind) back up through the quilt for my left hand to grab the needle.  This was initially awkward and clumsy, but it's amazing how quickly your fingers can learn what you want them to do with repetition.  After 30 minutes or so, the motions were becoming more automatic and I was getting a lot better at poking the needle up in the right spot on the first try.

End of February, Hello March: One Monthly Goal + Carrie's 2024 Philadelphia Temperatures Quilt Finish

Good morning, my lovelies!  It's the last day of February, time to take stock of what I did and didn't accomplish last month and make plans for the fresh, clean month ahead of me.  First, I'd like to share the quilt that I longarm quilted for my client Carrie.  This is the one I was having issues with thread breaking and shredding, prompting me to spend three days ripping out stitches and then requilt with a different kind of thread and a different quilting design, so I'm extremely relieved that it's done, off my plate, out of my house, and returned to Carrie:

Carrie's 60 x 76 Philadelphia Temperatures Quilt

If you're not familiar with "temperature quilts," the concept is to select fabrics across the color spectrum and assign one fabric color to each temperature range in a particular location, from the coldest temperatures of the year (the blues in Carrie's quilt) to the hottest temperatures (represented by the reds in this example).  Carrie has also used white and a silvery gray to represent snow or rain.  The edge-to-edge quilting design I used on this quilt was Whitney's Pearls Simple, which yields a similar look to the Raindrops On Water design we had originally selected, but without any backtracking quilting stitches that needed to stitch precisely over previously stitched lines of quilting.  Quilters Dream Wool batting is creating that beautiful dimensional texture without weight, making this a soft and snuggly quilt for cuddling despite the density of the quilting.  I used So Fine thread in color Genoa Gray.

Carrie Machine Embroidered Her Temperature Key At the Bottom

Carrie used foundation paper piecing to create the top border titling her quilt and machine embroidered her temperature key on the bottom border.  The many thick, overlapping seam allowances in the FPP top border may have been a contributing factor to the thread breaking constantly, but it wasn't the only culprit as the issue continued throughout the quilt.  I'm going to have my Bernina dealer out to check my hook for burrs before I attempt to quilt anything else.