Showing posts with label Bernina Embroidery Software. Show all posts
Showing posts with label Bernina Embroidery Software. Show all posts

Tuesday, October 16, 2018

Tuesday To-Do: Machine Embroidered Sawtooth Star Name Tag

Happy Tuesday morning, y'all!  I just have a couple of quick things I wanted to share with you:


Name Tag Embroidered and Sandwiched, Ready for Quilting!
This is an "orphan" 4" sawtooth star block leftover from my Paint Me A Story WIP (that quilt top is finished and waiting for me to quilt it).  When I joined the Charlotte Quilter's Guild last month I discovered that I need to make myself a nifty little name tag to wear at guild meetings.  Since I have plenty of projects in progress already, I decided to repurpose something that I had already made rather than starting from scratch.  Keepin' it simple!


Creating the Embroidery File in Bernina v8 DesignerPlus Embroidery Software
I used my Bernina DesignerPlus Embroidery Software v8 to digitize my name for machine embroidery.   This is a computer program that is separate from my sewing machine.  Although the software is capable of really advanced digitizing, I most often use it for quick and easy, down and dirty digitizing tasks like this one.  All I had to do was type my name, select one of the TrueType fonts already installed on my computer (the font I chose is Bradley Hand ITC) and resize it to fit the 2" square center of my sawtooth star.  Then I saved the embroidery design to a flash drive, plugged the flash drive into my sewing machine, and I was ready to go.


Ta-DONE!
Bernina embroidery software will default to the smallest embroidery hoop that will accommodate your design, which would have been the Small hoop in this cases, but I overrode that in favor of the Medium hoop because I didn't want to actually hoop my star block and risk "hoop burn" indentations or distortion.  Instead, I hooped two layers of lightweight tearaway stabilizer.  I marked the center of my star block with a chalk pencil dot, sprayed the back of the block with 505 Spray and Fix Temporary Spray Adhesive, and carefully positioned my block on top of the hooped stabilizer.  

Then I lightly sprayed a scrap of Sulky Solvy water soluble embroidery stabilizer with 505 Spray and Fix, and stuck that down on top of my block. (In my test stitchout of this design on a scrap of the same hand marbled fabric, the embroidery stitches were sinking into the fabric too much.  Using a topping stabilizer really helps with that). 


 


My Bernina 750QEE (predecessor to the current B 770QEE model) has an automatic basting feature that I absolutely love.  It's kind of tricky to find that option when I haven't done machine embroidery in awhile, but when you engage the automatic basting function the machine will baste a little box right around the area of the embroidery design, which is perfect for a situation like this where I'm floating my block and my topping rather than securing all layers in the hoop.  Those basting stitches hold everything in place so there's no shifting while the lettering is stitching out.  I believe the auto basting feature is on all of the current model Bernina embroidery machines, but if you have an older model Bernina you have a similar option.  There are basting files for each of the Bernina hoop sizes available for free on the Bernina web site that you can download and transfer to your sewing machine.  They are like embroidery design files that just stitch out a basting stitch around the perimeter of your embroidery hoop, so you would stitch the basting file first to secure your project in the hoop, and then stitch out the real embroidery design.


Embroidery Completed, Basting Stitches and Stabilizers Removed
So anyway, here's what my block looked like after I'd carefully removed the basting stitches, topping, and tearaway stabilizers.  I think it looks great.    I chopped off the corners of the block because I decided that an octagon-shaped name tag is more interesting than a square-shaped name tag, and I found a length of leftover black and white striped binding that I can use for this as well.  However, I cut into a precious floral fabric FQ from my stash for the backing, even though no one will see it.  I couldn't help myself!  So now my little embroidered block is layered with floral backing and a scrap of quilt batting, and it just needs to be quilted, bound, and possibly further embellished in some way...  And of course, I need to decide how I'm going to wear it.  I don't want long strings around my neck; I'm leaning towards magnets instead.


All Ready for Quilting!
And, since I'd already chopped a big hunk out of that fat quarter for my name tag backing, I took a moment to trace as many 9 1/2" clam shells as I could fit onto the rest of that fabric.  


Freshly Cut Giant Clam Shells On My Design Wall!
Won't those be fabulous?  (Pay no attention to the abandoned Jingle BOM project on the left side of the photo -- that's just a scale reference.  I'll get back to that one eventually, I promise!)


My Jumbo Clam Shell Acrylic Template, available on Etsy here
In case anyone's interested, I'm using an acrylic 9 1/2" finished clam shell template that I purchased from an Etsy seller here.  What I like most about this particular template is that there are lots of little holes along the concave and convex curves that will make it so much easier to align the edges correctly whenever I get around to piecing these together.  

Anyway, that's all I have for you guys today.  My Tuesday To-Dos for this week are:


  1. Finish my name tag
  2. Load and quilt the Outreach Cuddle Quilt that I showed in my last post
  3. Continue pinning and piecing pineapple rows together


Of course, those are just my WANNA-Dos.  I've got some HAFTA-Dos on my plate as well, like preparing for a meeting with an interior design client, making sure my son gets his college applications in on time, and figuring out what I'm going to sing at a friend's wedding in a few weeks.  So don't judge me too harshly if next Tuesday rolls around and I still have the same three items on my Tuesday To-Do list!  

Oh, and I'm going to see Hamilton tonight!!!!  Can you tell I'm excited?!  YAY!!!!!



Okay, so today I'm linking up with:

Design Wall Monday at Small Quilts and Doll Quilts www.smallquiltsanddollquilts.blogspot.com  
Main Crush Monday at Cooking Up Quilts www.cookingupquilts.com 
Monday Making at Love Laugh Quilt www.lovelaughquilt.blogspot.com 
Moving it Forward at Em’s Scrap Bag: www.emsscrapbag.blogspot.com.au 
To-Do Tuesday at Stitch ALL the Things: www.stitchallthethings.com 
Let’s Bee Social at www.sewfreshquilts.blogspot.ca 
Midweek Makers at www.quiltfabrication.com
WOW WIP on Wednesday at www.estheraliu.blogspot.com 

Saturday, March 17, 2018

Pineapple Log Cabin Block 35 of 42: This Is What Six Hours In the Studio Looks Like

NO, I did not meet the weekly goals that I posted about last time.  NO, I have not loaded Tabby Mountain onto my quilting frame yet, let alone started quilting it.  However, I did manage to complete one more 17 3/4" paper pieced pineapple log cabin block for the California King sized bed quilt that I've been working on "off and on" over the past few years.  This one makes 35 blocks completed out of the 42 blocks I need for my quilt.  And, because I used a timer to carve out one-hour increments of sewing time from my crazy busy schedule this week, I can tell you that piecing this ONE block took me a whopping SIX HOURS.  That's just piecing time, since I've already cut all the strips for this quilt.  


Pineapple Log Cabin Block 35 of 42
So, at six hours per block, that means I already have 210 hours into this quilt, in addition to the hours I spent cutting up approximately a bazillion 1 1/2" strips of assorted blue, green, and neutral fabrics before I started piecing.  


It Feels SO GOOD to Sew On the Final Corner Triangles!
And, with seven blocks remaining to be pieced, that means I'm still about 42 hours away from having my blocks finished and ready to be sewn into a quilt top.  And there are 97 pieces in every block, so there will be a total of 4,074 pieces in this quilt once it's finally finished.  Uff da!


Finished Block On Wall, Beside Neglected Tabby Mountain Quilt Top
One thing I am enjoying about these pineapple blocks is how different they look up close versus viewed from a distance.  As I'm selecting fabrics for each block, I worry that it's getting too busy and I don't have enough value contrast for that secondary design to show up.  Then I pin the finished block to the design wall, step back, and it's amazing how that cool windmill with blue and green blade pops out at me!  Love it!

So, it's not like Tabby Mountain has been totally abandoned.  I designed a quilt label in my Bernina v8 Designer Plus digitizing software and stitched it out on leftover solid magenta fabric.  


Machine Embroidered Quilt Label, Ready to Go

Cute, right?  I love how my little paw prints turned out!  I've preturned the top and right edges of my label because I'm going to applique those to the back of my quilt once it's quilted and trimmed, and then the bottom and left edges will be sewn into the quilt binding.  I included care instructions because I'm going to be using a wool batting that requires a cold wash temperature.

The run stitch fonts I used for this label are built into the digitizing software.  With my software, I was able to lay out and preview all the lettering, and I digitized my kitty paw prints from scratch in about 30 seconds -- just imported the black and white clip art and clicked one button, then positioned them around the lettering the way that I wanted them.  And then I printed out an actual-size template of the label design so I could preview how it would look on my quilt.  This is why, for me personally, the Bernina 750QEE or 770QEE coupled with Bernina Designer Plus digitizing software is a much better way to go for embroidery than buying the 780E, 790E, or even the 790E Plus.  If you paid MSRP for the machine and the software, the current 770QEE machine + Bernina Designer Plus software together costs $1,500 less than the 790 Plus machine.  Although it's true that you can tweak embroidery designs at the machine with the 790 more than you can with the 770, what you can do as far as editing designs right at the machine is and will always be extremely limited compared to what you can do at your computer with digitizing software.  And, with complete control to edit, combine, and even create embroidery designs completely from scratch at your computer, your embroidery design is already exactly the way you want it when you transfer it to the sewing machine -- no further editing required.


Stitching Out My Label On My Bernina 750 QEE Sewing Machine
What's more, technology is constantly changing, at a much faster rate than the mechanics of our sewing and embroidery machines.  Once I've created the quilt label or any other machine embroidery design in my software, it will stitch out exactly the same on a Bernina 700, 750, 770, 780, 790, or even an 880 machine, since they all use exactly the same embroidery module.  When a new and improved sewing machine model is introduced, it typically costs thousands to upgrade machines -- but historically it has only been $500 to upgrade the Bernina embroidery software to the newest version, and you can even skip and upgrade from every other version.  For instance, I went from my version 4 Designer Plus software to version 6 for $500 several years back, and I just recently upgraded from version 6 to the current version 8 for $500 rather than having to repurchase the full $2,500 software package each time.  And of course, upgrading your software is completely optional to get the new features.  There's absolutely no reason why you can't keep using whatever version of the software you are comfortable with regardless of new updates that are available.

Well, I've got a dress rehearsal today at 2:30 and a VOX concert tonight at 7:30 PM.  It's the Verdi Four Sacred Pieces and Poulenc's Stabat Mater -- gorgeous music that was awful to learn, but a joy to sing now that we've got it down.  I can't wait!

Today I'm linking up with:

Monday, January 22, 2018

A Slice of Elation, Topped With a Dollop of Misery: Design Wall Monday, With Machine Embroidery

Good morning!  I'm so close to finishing this quilt that I can almost TASTE it, which is the elation part of this post.  The misery part is that I am really, really sick and my throat feels like I swallowed broken glass or gargled with razor blades or something.  It hurts so much that it's making my eyes tear.  I don't know if it's the flu, strep, or what, but I'm going to the doctor at 10:30 to find out and hopefully get some kind of magic make-it-go-away medicine.  

Machine Embroidered Label Appliqued to Quilt Backing
But meanwhile, I got my math quilt labeled and ready for binding!  My favorite way to use machine embroidery is to personalize quilts, either with embroidered monograms, quotes, or just a label like the one for this quilt.

Designing the Label in Bernina Embroidery Software
This label took me only a few minutes to design and digitize in my Bernina Designer Plus embroidery software.  It's as easy as typing into a text box, picking one of the True Type fonts from the drop down menu, and resizing the block of text to fit into the hoop I want to use.  Save to USB drive, plug USB drive into Bernina 750QEE sewing machine, attach embroidery module, and press GO.  Yes, there are lettering stitches built into my sewing machine, but I use my embroidery software instead so that I can lay out all the text the way I want it and stitch it out with perfect spacing as a single embroidery design.  If you use the built-in lettering stitches to sew out a lot of text, you need to carefully mark every row of stitching and it's easy to mess up the alignment.  Plus I have many, many more lettering fonts to choose from in my embroidery software.

Label and Binding Fabrics Selected From My Stash
I am able to print out an actual size template of the label design from my software that I can use to check that it's going to be legible and look the way I want it to look.  I was able to find the perfect solid orchid fabric for the label and a black and white striped binding fabric in my stash, which was great.

Stitching Out the Label Design
I starched my label fabric twice on each side of the fabric, then sprayed it with 505 temporary spray adhesive and affixed it to a layer of tearaway embroidery stabilizer before hooping it.  I also floated an additional layer of tearaway stabilizer beneath my hoop and reduced my top tension to prevent bobbin thread from showing at the edges of my satin stitches.  It took about 20 minutes for my machine to stitch out the design, and then it took me another 30 minutes or so to carefully remove all of the excess stabilizer from the back of the label, using a tweezers to remove the bits of stabilizer that were trapped between rows of stitching.  I don't want my label to be bulky, stiff, or scratchy; I want it to be just as soft and snuggly as the rest of the quilt.

Tabby Mountain, Final Layout With Replacement Fabrics
Meanwhile, my replacement fabrics came for the Tabby Mountain quilt so I could swap out those Cat Eyes prints that I wasn't fond of.  And again, it's not that I don't like the Cat Eyes print at all -- I just didn't like it for these giant triangles.  It would be cute cut up into smaller patches for another project, and it would be cute binding fabric.  I replaced them in my quilt with three Kaffe Fassett Collective prints instead, and I like it much better now.  I have someone special in mind for this quilt and it "fits" her better with the fabric substitutions I made.

Original Layout With Busy Eyeball Fabrics
The scale of the Cat Eyes print was just too small for the big triangles, and the print didn't read well at a distance.  It looked muddy to me.

Kaffe Fassett Collective Print Substitutions
So, as soon as I get the math quilt bound, I'll be able to start piecing the Tabby Mountain quilt top.  That should come together fairly quickly, and then it's destined to be the SECOND real quilt for my longarm machine!

Because I have another goal for 2018, in addition to buying more fabric and drinking more wine.  My number one quilting goal for this year is to become proficient with my longarm quilting machine.  With that in mind, I'll be choosing more quick and easy piecing projects so I can focus on improving my quilting skills.  Then, once my quilting ability is on par with my piecing and applique skills, I can go back to more complex projects without fear of "ruining" them with shoddy beginner quilting!

Today I'm linking up with: