Happy New Year 2025! My Pity Party Has Concluded; Back to the Pretty Quilts...

 Alright you guys — wanna know how many personal quilts, or personal sewing projects of ANY kind, I finished in 2024?  ZERO.  But 2025 is a brand-new year full of fresh possibilities and lots of pent-up creative energy.  I quilted a quilt for myself yesterday!

42 x 45 Untitled, from Maria Shell Improv Workshop

It’s just a small baby quilt, a way to use up one of the improvisationally pieced striped units I made in my Zoom workshop with Maria Shell back in September, along with some smaller yardage pieces from my stash.  The irregularity of wonky improv piecing looks very child-friendly to me, and that inspired me to use an allover quilting design (Color B2B by Anne Bright) that I’ve owned for several years but was never able to talk a client into using on a quilt.  

Color B2B Quilting Design by Anne Bright with YLI 40 Tex Cotton Thread in Rio de Janeiro

I love how it turned out!  I chose YLI 40 Tex Cotton Thread in variegated Rio de Janeiro after carefully checking that every shade in this rainbow thread was a match to fabrics I used in my pieced stripe unit.  I wanted something with an equal amount of contrast against both the lime green and the cherry red fabrics and I’m very happy with how it turned out even though cotton thread is a linty beast to work with!  My lint brush got to see lots of action.  

Quilt Finishes for Mike, Kim, Jane, and Carrie + Halo Progress

Happy Sunday and Happy Spring!  I have four clients' quilts to share with you today and then I'll wrap up with a couple photos of how my Jen Kingwell Halo Quilt is coming along.  Lots of ground to cover and I know you're all here for the eye candy anyway, so I'll try to keep my comments brief!

Mike's Thank-You Quilt: Cherrywood 9-Patch with Amoeba Quilting

Detail of Amoeba Quilting on Cherrywood 9-Patch Quilt

This first quilt I'm sharing began as a very traditional pieced top that was donated to our guild from the estate of a former guild member.  The quilt top and backing are all Cherrywood hand dyed fabrics, with a suede-like look and rich but muted colors (this post contains affiliate links).  The Cherrywood hand-dyed fabrics are fabulous; I've heard of this line but never worked with them before.  I love how understated they are, and the quilt top reminded me of Amish quilts.  I could have played that up by quilting a traditional feather design in an inconspicuous blending thread.

However...  I was asked to quilt this top so that it can be gifted to Mike, the young man who sets up the room for our monthly meetings at the Tyvola Senior Center and stays late on the first Wednesday each month for our meetings.  Mike doesn't give off an Amish vibe!  Given free reign, I choose Karlee Porter's Amoeba edge-to-edge quilting to inject some youthful, modern energy into this quilt.  I love it and I hope Mike will enjoy it, too!

60 x 60 Cherrywood Quilt for Mike

Not sure what batting is in this quilt as it was provided to me along with the quilt top.  I used King Tut 40 wt variegated cotton thread in Saint George for this quilt, with shades of caramel and rusty coral that were perfectly matched to the Cherrywood fabrics and the matte luster of cotton that I am loving lately.

Barbara's Gee's Bend Inspired Housetop Quilt

Do I have a treat to share with you today!!  This striking contemporary quilt was made by my client Barbara, who was inspired by the iconic "Housetop" style of abstract quiltmaking that was pioneered by the African-American quilting tradition that originated in Gee's Bend, Alabama.  If you're not familiar with the Gee's Bend quilting tradition, definitely check out both of those links. And then check out this article detailing the history of the Gee's Bend quilters in the Smithsonian Magazine, too.   Do it now -- I'll wait!  Seriously!  I would argue that the entire modern quilting movement as we know it today traces its roots back to "The Quilts of Gee's Bend" exhibit that took the art world by storm when it opened at the Museum of Fine Arts, Houston in 2002:

Gee's Bend's "eye-poppingly gorgeous quilts turn out to be some of the most miraculous works of modern art America has produced. Imagine Matisse and Klee (if you think I'm wildly exaggerating, see the show), arising not from rarefied Europe, but from the caramel soil of the rural South."             -- Michael Kimmelman, Art Critic for the New York Times

 

Barbara's 57 x 65 Housetops Quilt with Bobbing For Apples E2E

So hopefully now you've given yourself a crash-course on the Gee's Bend quiltmaking tradition and you can fully appreciate what Barbara was working towards with this piece.  Don't you just love the mix of colors and fabrics in her quilt?  The vivid coral orange, salmon pink, brick red and mustard with just that little bit of deep raspberry convey so much energy!  And I love how this quilt reads as though it's all solids from a distance, yet she does have that khaki and white stripe in there and wide swaths of the yellow tonal print fabric.  Those details make the finished piece so much more interesting than it might have been with a more restricted assortment of fabrics.

This Quilt Is Even More Gorgeous In Real Life

Quilt Finishes for Ramona and Steffanie: PacMan and Pussy Cats!

Good morning, quilter friends!  I have TWO fabulous clients' quilts to share with you today, both of them stitched in yummy variegated cotton quilting threads.  Since I babbled on and on for way too long about my Kaffe Fassett Skirt Squirrel in my last post, I'll try to be more concise today.  (Famous last words...)

Ramona's PacMan Quilt

Ramona's PacMan Quilt

I finished quilting this for Ramona of Doodlebugs and Rosebuds several weeks ago and I have been dying to share it with you.  Ramona's quilt is a strikingly modern reimagining of the classic Drunkard's Path quilt pattern, and although "PacMan" wasn't the kit name, that's what she and her husband nicknamed the quilt while she was working on it.  

PacMan Detail, Diagonal Plaid Bias Cut Quilting Design

Ramona used Moda Grunge fabrics for her quilt (this post contains affiliate links), and she used this AccuQuilt Drunkard's Path die to quickly and accurately cut out all of those curved pieces.  

Janet's Kintsugi Quilt: Not Your Grandma's E2E Quilting

Good morning and Happy Passover/Happy Easter to all who are celebrating this weekend!  The quilt I'm sharing today was made by my client Janet in a Kintsugi workshop taught by Pepper Cory.  (You can read more about kintsugi, the ancient Japanese art of repairing broken pottery with gold, and how Pepper translates this idea into quilting, on Pepper Cory's blog here).  

Detail of Janet's Kintsugi Quilt with Geoglyph E2E

If you don't have time for the in-depth read, here are the basics: When you take this class with Pepper, you bring in an assortments of similar orphan blocks, incomplete and no longer loved projects you don't feel like finishing, and other odd bits and pieces ("shards") you might have lying around your studio.  Pepper guides students to create a layout with an abstract, modern art feel and teaches how to "glue" those pieces together with yardage of a complementary background fabric that acts as the golden lacquer to hold everything together and create a finished work that is more beautiful than all of its bits and pieces were on their own.  Janet chose a Moda Grunge fabric (this post contains affiliate links) for her background that sets off her bright, scrappy blocks and string strips.

Detail of Janet's Kintsugi Quilt with Geoglyph E2E

Janet's Kintsugi quilt is quite large, 88" x 88", with ample negative background space.  We chose a modern digital panto design by Jess Zeigler called Geoglyph that mimics extensive ruler work quilting, and when I set the design up in my computer I flipped, mirror-imaged, and staggered the rows of the design so that there is no traditional design repeat on the entire quilt.  

Of Megan's Lone Star Quilt, Artful Rule-Breaking, and Coco Chanel

Hello and happy weekend!  I am so excited that I can finally share my client Megan's stunning Lone Star quilt with you today!  Waiting to post photos is the hardest part of my job.

Megan's 60 x 61 Lone Star, Quilted by Yours Truly

I know everyone loves seeing the "Before and After Quilting" photos, so here's what Megan's quilt top looked like when she brought it to me to for quilting:

Lone Star Top Before Quilting

There is so much that I love about this quilt.  I love that, instead of using a rainbow of different colors as seen in traditional Lone Star quilts, Megan used a mix of black and white prints from Tula Pink and Kaffe Fassett, obscuring the seam lines between the diamond patches so the prints flow into one another in a way that feels fresh and interesting, somehow simultaneously subtle and bold.