Saturday, August 15, 2026

Stonefields Blocks 30-32: " Cara's Surprise"

Well, this wasn't my goal for last week (nope, didn't piece that backing yet), but I finished the next three applique blocks for my Stonefields sampler quilt.  This is a pattern by Susan Smith and the blocks finish at 6" square.


Stonefields Blocks 30-32: Cara's Surprise


So, after machine piecing the "plus" unit for the centers of these blocks, I cut circles out of them with a turning allowance, ran a gathering stitch around the outside edge, and preturned the seam allowances with the appropriate size Karen Kay Buckley Bigger Perfect Circles heat resistant template and a bit of Maryanne's Best Press liquid starch.  I used a little roll of painter's tape to secure the template before pulling up the gathering thread and ironing the seam allowances, to prevent the template from sliding.  I wanted that plus sign to be as centered as I could get it in those circles.


Painter's Tape Kept "Plus" Centered During Starch and Press


It turned out like this, a little wonky but in a way that charmed me for some reason, so I left it be:


"Plus" Distorted a Little During Pressing


Sunday, August 9, 2026

Cara's Surprise Progress + Spilled Coffee Is Better Than Mold

Behold, I cut up little pieces of fabric and sewed them to other little bits of fabric:


Prep In Progress, Stonefields Blocks 30-32 "Cara's Surprise"


So now I have finished piecing the plus sign centers for all three of these Stonefields "Cara's Surprise" blocks.  La-dee-da.  I will be making circles from those plus blocks, to be layered on top of slightly larger circles out of the fabrics placed immediately beneath them in the photo above.  The serged squares on the bottom of each pile are the background fabric for each block, and the the print fabric right on top of each background fabric is for a big star.  

Two things need to happen next with these blocks, not sure which will come first.  I need to prep the plain and plus-pieced circles (I will be using my Karen Kay Buckley Bigger Perfect Circles templates, starch and press prep method).  And I need to trace off a template for the big star, cut out these stars from fabric, and appliqué them to the background fabric.  That gold floral fabric on the right is a Tilda print, I think, and it has plenty of body so I will likely just needle turn that one.  The pink paisley print in the center pile is very lightweight, translucent and filmy, as is the blue and white floral Liberty print I've selected for my star in the pile on the left, so I'll probably use the leave-in washaway stabilizer prep method for those to beef up my stars and prevent their seam allowances from showing through and looking ugly on the right side of the finished blocks.  But I cannot possibly muster a smidgeon of motivation or energy for any of that right now, because MOLD, y'all -- apparently it's not enough to douse my pretty white studio carpet with coffee and spend the better part of two days trying to get the stain out.  Now MOLD has crashed my house party, and I am not pleased about it!  ðŸ˜±

Bernie happened to look up and notice some staining on the ceiling yesterday in a basement storage area, just below the new tub and shower in the primary bathroom.  He wasn't sure if these were old stains or new, but he climbed up on a ladder and cut out a piece of sheet rock to see.  Sure enough, a brand new pipe put in during our renovation wasn't crimped/sealed properly and has been dripping water inside the ceiling above a room that isn't even air conditioned, all throughout June and July while we have been having temperatures soaring into the high nineties day after day...  


Drip, Drip, Drip, For Weeks and Weeks and Weeks...


If we were deliberately trying to grow mold in our home, these would be the ideal conditions to ensure our success!  Our builder sent a plumber out yesterday to resolve the leak, but we saw mold on the dry wall and who knows where else it is in there.  We've danced the mold dance before with previous homes so I am dreading what all may need to be ripped out in order to get a clean and clear mold test and move forward.  I am trying to make a deal with God where they can rip out the whole basement ceiling if they want to, but please don't let them rip out all the tile from my pretty new bathroom that I have not been able to use even once...  I know, I know -- God has more important prayers to answer, but I am getting to the point where I don't feel like I can handle one more setback in this project.  I just want these builders OUT OF HERE so I can move my furniture in and put food in my refrigerator, cook on my stove, and sleep in my own bedroom.

This will be addressed tomorrow morning with the builder and I'm sure it will all be fine, but I can't imagine it's not going to cause more delay, and that's discouraging.  I'll come back to my fiddly Stonefields blocks later in the week when I'm in a better mood.  If not, well, I've got my work table all cleaned off now so I could piece that Scrappy Celebrations quilt backing and get it loaded.  Maybe the sound of my long arm machine purring away will cheer me up.  But for now, I'm going to go read a book and wrap my brain up around someone else's troubles for the rest of the afternoon!

I'm linking up with some of these favorite linky parties:

MONDAY

Design Wall Monday at Small Quilts and Doll Quilts  

Monday Musings at Songbird Designs  

TUESDAY

To-Do Tuesday at Quilt Schmilt  

WEDNESDAY

Wednesday Wait Loss at The Inquiring Quilter

FRIDAY

Finished or Not Friday at Alycia Quilts

Off the Wall Friday at Nina Marie Sayre

Beauty Pageant at From Bolt to Beauty

 TGIFF Thank Goodness It’s Finished Friday, rotates, schedule found here: TGIF Friday

SATURDAY

Scrap Happy Saturday at So Scrappy

SUNDAY

Frédérique at Quilting Patchwork Appliqué

Slow Stitching Sunday at Kathy's Quilts

Oh Scrap! at Quilting Is More Fun Than Housework

Wednesday, August 5, 2026

One More Hexie Rosette, Fabric Picks for Next Stonefields Blocks, + Coffee Catastrophe in the Studio

 UGH!!!  Let’s start with the worst first!  This morning I sat down at my desk and set down a full, steaming cup of coffee, apparently partly on the desk and partly hanging over the edge to defy the laws of gravity.  And then gravity won.  BLAM, SPLATTER, SCREAMS…  Because, you know, white carpeting in my studio that is brand new from just a year ago.  After blotting and water rinsing and blotting some more as best as I could, I spent the rest of the morning tidying up my studio in preparation for Stanley Steemer’s arrival with the giant carpet cleaning contraption.  If I’m being honest, the clutter was the culprit to begin with — too many stacks of papers and fabric swatches and sewing tools and notebooks on too small of a desk did not leave much room for cups of coffee or anything else.

By the time the carpet cleaners arrived at 2 pm, I had most of the room cleaned up with the chairs and rolling carts moved out of the room and was just working on folding and putting away mountains of fabric on my worktable.  I did stop to finalize my fabric picks for those next three Stonefields sampler quilt blocks.  The pile on the left is the one I’ve already started stitching, with the dotted background fabric and the orange plus sign pieced into the Tilda print:


Fabrics Selected for Next 3 Stonefields Blocks


These three blocks are the same design, but the other two get plain background fabrics.  I also finished another EPP hexagon rosette for the Stonefields outer border last night.


The Latest Hexie Rosette

I’ve decided that I can’t just pile up more and more fabric on the worktable for Stonefields because, duh, that prevents me from working on anything else in between these fiddly little blocks!  Now that I’ve picked the fabrics for the next three blocks, which should keep me busy for at least a couple weeks, a clean worktable will allow me to piece that Scrappy Celebrations backing, right?  At least that’s the plan.

I apologize for the enormous file size of today’s photos, by the way.  I can’t resize them on my iPad the same way I normally do on my desktop computer, and I don’t like how the Blogger app is annoyingly different on my iPad, too.  Sadly, I have to stay out of my studio tonight and can’t even put my desk chair back until morning because the carpet is still wet.  The guy from Stanley Steemer said he didn’t get the stain out completely, which is annoying, but it has to be better than it was, right?  My husband will say something snarky about how he told me white carpet was a bad idea, but it’s not like I was going to choose chocolate brown carpet instead just to disguise spills.  Anyone have a favorite miracle carpet stain remover that works even better than the commercial carpet cleaners’ stuff?  Let me know in the comments, please!

I'm linking up with some of these favorite linky parties:

MONDAY

Design Wall Monday at Small Quilts and Doll Quilts  

Monday Musings at Songbird Designs  

TUESDAY

To-Do Tuesday at Quilt Schmilt  

WEDNESDAY

Wednesday Wait Loss at The Inquiring Quilter

FRIDAY

Finished or Not Friday at Alycia Quilts

Off the Wall Friday at Nina Marie Sayre

Beauty Pageant at From Bolt to Beauty

 TGIFF Thank Goodness It’s Finished Friday, rotates, schedule found here: TGIF Friday

SATURDAY

Scrap Happy Saturday at So Scrappy

SUNDAY

Frédérique at Quilting Patchwork Appliqué

Slow Stitching Sunday at Kathy's Quilts

Oh Scrap! at Quilting Is More Fun Than Housework

Monday, August 3, 2026

Hello, August! The One Where Bernie Accomplishes Much, and I Accomplish Little

Hello, Happy Monday, and Happy August, Everyone!  

After finishing my Scrappy Celebrations quilt top last week, I stalled out on the backing.  Having recently moved several times, I am acutely aware of how much fabric I own, and therefore I am not even considering purchasing yardage to back this quilt, but most of my fabric stash is half yard pieces or smaller, or leftover strips of backing trimmed from larger quilts after long arm quilting them.  I will have to get creative, and I will need my work table cleared off in order to piece the backing, and right now my work table is a mess.  Nevertheless, I do plan to get that backing pieced this week!

Meanwhile, I accomplished one more little 3/4" hexagon rosette for my Stonefields quilt border.  I fussy-cut the print but either I imperfectly centered the motif when I fussy-cut the hexagons or else the templates shifted slightly as I was hand stitching them together, probably a little of both.  Best viewed from a distance, then!


One Little Stonefields Hexie Rosette to Show For Myself


Progress On the Home Renovation Project

With so little progress to show for myself, I might as well share someone else's progress with you!  Eight and a half months after beginning and three months behind schedule, our builder is still not finished with the renovation.  Nearly 14 months since we purchased this decrepit haunted house and we have never slept in our bedroom, showered in our own bathroom, or cooked in our kitchen.  That is because the steam shower in the primary bathroom was leaking and full of mold, there was mold behind the leaking refrigerator in the kitchen, the oven did not heat to temperature, and some of the burners did not light on the stove top.  I am not complaining -- we knew what we were getting ourselves into and the price we paid for the house absolutely reflected the amount of work it needed.  We are just tired from the stress of living in a construction zone for so long and looking forward to the day, hopefully 2-3 weeks from now, when we can kiss that port-o-potty and dumpster goodbye (not literally!) and move up out of the basement and into the main floor of our home.

Meanwhile, not everything needing to be done was included in our builder's scope for the renovation.  The door hardware was in bad shape: some doors were not closing properly and needed adjustment, most of the door knobs had peeling or scratched up finishes from the previous owners' German Shepherd, and the door knob on the powder bath was broken and did not lock.  Since I selected mostly unlacquered brass light fixtures throughout the main floor, I decided to replace the handle sets and door hinges with brass as well.  They are the same manufacturer and style as the original hardware, just a different finish, to be cohesive with the original door hardware in other parts of the home.  We ordered the new hardware ourselves and Bernie installed it, saving us the builder's markup on materials as well as additional labor costs.  


Bernie Installing New Door Hardware


The outside of the house was looking pretty awful, too.  We don't think it had ever been painted since it was built in 2000, except that at some point previous owners had painted over the cedar garage doors and mahogany front doors instead of keeping up with the maintenance of the original stained finish (the insides of the garage doors still showed the original stain).  I get it; in direct sunlight in the South, stained doors need to be lightly sanded and a new coat of stain applied every 2-3 years and paint lasts so much longer, but Bernie strongly prefers the look of stained and he is willing to do the work.  Instead of including the exterior painting and staining in the scope of our builder's remodeling contract, we got a referral from a neighbor and hired a painter ourselves.  They finished up a week ago and it looks so much better now!

Wednesday, July 29, 2026

My Not-So-Scrappy Celebrations Quilt Top is Finished!

Good Morning and Happy Wednesday!  I managed to sew those (S)Crappy Celebration quilt blocks into a completed quilt top over the last couple days.  The quilt top measures exactly 54 1/2" x 63 1/2" with even edges and it's smooth and flat, so it should be a fast and easy one to quilt up with an edge to edge design on my long arm machine.  According to the guidelines on the Project Linus Metrolina Chapter web site, their greatest need is for "Teen" sized blankets and this quilt will fit those parameters perfectly.  Much better for this to be a finished quilt wrapped around a young person facing difficult life circumstances than for it to be an unfinished collection of blocks hidden away in a storage container in my closet.

Sidebar: Interesting that, at least for my local chapter, the greatest need is for Teen size quilts, as I always associated Project Linus with baby quilt donations.  Now, as I look at this very girly quilt I'm making for donation, I'm remembering hearing that quilting charities are usually short on quilts that are appropriate for boys and men.  I ought to post up the size guidelines for all of my local quilt donation organizations (Charlotte Quilters Guild, Project Linus, Lutheran World Relief, Sleep In Heavenly Peace) and make a deliberate effort from the start to make these "sidetrack, detour" projects in sizes and fabrics tailored to filling areas of greatest need.


54 1/2 x 63 1/2 Scrappy Celebration Quilt Top Finished


And now, let's recap what I learned from this project, starting with the photos I saw of Lissa Alexander's original Scrappy Celebration quilt:

Original Scrappy Celebrations Quilt by Lissa Alexander


Lissa Alexander's Scrappy Celebrations Quilt, AP&Q Cover Quilt in April 2023


Friday, July 24, 2026

(S)Crappy Celebration: Meh? + Stonefields Prep + Pineapple Log Cabin UFO

UGH.  You guys, I am sick of working on this project again!  I finished the blocks I was working on last week but it was such a chore coming up with a layout.  I really hate that I made 5 or 6 versions of each block in the exact same, or nearly the same fabrics, even though I thought that was a feature of the inspiration quilt that I liked and deliberately wanted to replicate when I was starting out.  I have begun mixing some stash fabrics in with the matchy-matchy Tilda prints, but it's not making me love it or anything.  

I find myself wishing this was two (or more) separate quilts.  I love a double 9-patch quilt with a white background and it would be pretty to have a rainbow version with each block a different dominant color.  The other blocks where I didn't use any white fabric, or very little white fabric, have a much heavier feel.  But I've made 42 of these 9" blocks already, enough for a 54" x 63" throw quilt with a 6x7 layout, and I feel like enough already.  Time to wrap this up and move on!

This is the best I could do on the layout, trying not to put identical blocks too close together if I could help it (sometimes I couldn't) and trying to balance out white background, lacy 9-patch blocks with the darker, not-enough-contrast blob blocks as best I could.  This is what we are dealing with:


54 x 63 (S)Crappy Celebration Layout


Checking value distribution in gray scale just to be sure:


Same Photo, in Gray Scale


Then I went to my EQ8 software to see whether adding sashing and cornerstones would improve the quilt at all:

Wednesday, July 15, 2026

Patchwork Progressing Faster Than Home Renovations

Good Morning and Happy Wednesday, my lovelies!  I'll answer your top questions right off the bat:

  1. YES, I'm still here.
  2. NO, our home renovations aren't finished yet.
  3. YES, I'm still sewing.
  4. NO, I don't have much to show for it, though!

I'm still mostly on a break from the delightful-yet-challenging-and-tedious Stonefields sampler quilt, in that I haven't mustered up the creative energy to start prepping the next applique blocks.  I am, however, still stitching up hexagon rosettes for the outer border in the evenings.  Here's one of the latest finished rosettes:


No. 41 of 168 Rosettes Needed for Stonefields Outer Border


I've sewn 41 of the 168 hexagon rosettes for the Stonefields outer border so far, so I'm nearly 25% finished.  Slow going for sure, but I'm getting better at English paper piecing through the repetition and I don't need to think about what I'm doing nearly so much now as I did in the beginning, so it's perfect for keeping fidgety fingers busy in front of the television in the evenings.

Meanwhile, I've been making 9" 9-patch and 4-patch variations for that quilt based on Scrappy Celebrations.  When I abandoned this WIP (Work In Progress) over a year ago, I was feeling like it was burning up too much "good fabric" on a not-very-exciting project.  Now that I've been wasting investing such enormous amounts of time but very little fabric into each of those fiddly Stonefields blocks, it actually feels GOOD to burn up a little more yardage with simpler blocks that go together so much faster.  As in, six of these Scrappy Celebration blocks completed in a single day, compared to two or three weeks to complete just one or two of some of the more complex Stonefields blocks.  The projects balance one another out.  

Here are the completed Scrappy Celebration blocks on the design wall today:


37 Completed Scrappy Celebration Blocks (Out of ??)


I also have the next five blocks in progress at the sewing machine for chain piecing.  And yes, I am aware that I could have sped this up by strip piecing the 3" 9-patch units but I hate pressing strips open and didn't feel like doing the math to figure out how many strips to cut, etc.  

Saturday, July 4, 2026

Detour: Scrappy Celebrations Sprung Out of Prison, Back On the Design Wall

Hello, and Happy 250th Anniversary Independence Day to all of my friends here in the United States.  I have been hanging out alone in my studio all day,  fiddling around with bits of fabric and trying not to dwell on memories of past Independence Days when we would take our young sons to my parents' house for a family cookout by the pool, with my mom and the boys splashing around in the water while my dad cooked burgers on the grill and played patriotic music on his outdoor speakers, wrapping up with neighborhood fireworks once it got dark.  I miss my parents, and I miss having family holiday celebrations even though we never did anything fancy.  Ah, well -- gotta enjoy the seasons we're in while we're in them, as this too shall pass and then I'll be missing when I used to be able to have a whole day all to myself in my sewing room, right?  Bernie has been traveling all week and I always get the blues when he's gone, but he'll be back by tomorrow night.  I get to go sing in church tomorrow morning, too, which always puts me in a good mood.  

So, after all of the annoyance and frustration of the last two appliqué blocks for my Stonefields sampler quilt project (left side of the design wall below), I decided I needed a palate cleanser with some instant gratification.  I remembered the Scrappy Celebrations project I abandoned a little over a year ago (read about that here) -- just what the doctor ordered.


Stonefields on Left, Scrappy Celebration on Right


I made eleven new 9" blocks for this quilt today, six of them four-patch with plusses:


Chain Piecing Six Blocks at Once


Thursday, July 2, 2026

Deceptively Simple: Stonefields Blocks 28 + 29 "Paper Flowers"

 Alright, y'all -- I finally finished those two little appliqué blocks for my Stonefields quilt that I was prepping at the end of May, and good riddance to them!  Behold, my design wall displaying meager progress:


29 Blocks Completed for Stonefields Sampler Quilt by Susan Smith


Stitching the stems was fine, but needle turning these flower shapes was a wretched and miserable stitching plan that I regretted almost immediately.  

Saturday, May 30, 2026

Quilt Decor, Stonefields Paper Flowers Appliqué Prep + Hexie Basting Preferences

I have a happy little snippet of renovation progress to share today!  Behold, my in-progress laundry room.  Can you tell a quilter lives here?


Limestone Mosaic Installed Over Laundry Sink


From a distance you might think it's wallpaper, but it's a honed limestone mosaic tile.  It was a splurge but I was helpless to resist (and my husband was foolish enough to send me to the tile showroom unsupervised).  The tile crew installed this on Thursday and it still needs to be grouted.  That brown paper is covering up and protecting my soapstone counter (same color as the dark gray/black squares in the mosaic) and a laundry sink directly beneath the window.  The window trim is only primed right now; it will be painted the same color as the crown molding and the cabinets once the tile installation is complete.  The painters also taped plastic over the window glass.

The tile installers pointed out to me ahead of time that the mosaic pieces are imperfectly cut and the points don't all meet up precisely, but I knew that already from the sample board in the showroom.  Surprisingly, this doesn't bother me -- it's kind of like an old patchwork quilt made out of stone.  I will see this mosaic wall every time I come into my house through the garage and it will make me smile.  ðŸ’—

 

Imperfections Up Close, Mosaic Installed But Not Grouted


The installers planned and laid out the whole wall on the floor before they started installing.  

Saturday, May 23, 2026

Stonefields Blocks 26 + 27 "The Semi Circles"

Hello again, my stitchy friends.  I have two more completed appliqué blocks for my Stonefields sampler quilt project to share with you today, Blocks 26 & 27 "The Semi Circles."  I used a prepared edge starch and press method with Karen Kay Buckley's Perfect Circle templates, glue basted the shapes in place with Roxanne's Glue Baste It, and then stitched the appliqué by hand using YLI 100 wt silk thread.  The Stonefields Quilt is a beautiful antique-inspired quilt pattern written for advanced quilters, with very minimal instructions.  It was designed by Susan Smith and you can get a copy of the pattern on Etsy here (this post contains affiliate links).  You know those people who have been sewing clothing forever, who buy a new dress pattern, study the pattern pieces and then just sew up the dress based on their experience and preferences without reading the instructions at all?  If you can do that with appliqué patterns, then you'll be fine with Stonefields.  I was a little intimidated at first by the lack of instructions but now that I'm getting into it, I'm kind of enjoying the extra challenge of puzzling over each block and thinking through the pros and cons of different methods for turning that line drawing into a finished quilt block.


Completed Stonefields Blocks 26 + 27 "The Semi Circles"


My friend Gretchen who is also making this quilt (in a gorgeous blue and white color scheme) didn't care for this particular block design and she came up with a lovely embroidered block alternative that you can see on her blog here.  I thought the Semi Circles blocks were kind of cute and a nice opportunity to showcase some larger prints in my stash, including this pink and green on white floral that I inherited in a small stash of quilting fabric that belonged to my late mother-in-law.  Pink was her favorite color and I think she would be happy to see that her fabric made it into a quilt, especially as this was an intact fat quarter rather than a scrap from a completed project.  Perhaps she thought it was too pretty and couldn't bear to cut into it.  I can relate to that!  


Selecting Fabrics: Overcut Circles on an Overcut Background Square


With The Semi Circles block, there were no instructions given except for the diameters of the circles.  So I put a lot of thought into how I wanted to make mine.  My background squares were all cut oversized before I started my project and normally I would trim the block to size after stitching the appliqué, but I decided to trim the background square down to 6 1/2" first for The Semi Circles since the appliqué goes all the way to the raw edges of the blocks.  I would not want to be cutting through my completed hand stitching when I trimmed the blocks down.

Sunday, May 3, 2026

Stonefields "Four Little Stars" Block 24 + Trimming Appliqué Blocks to Size

Hello and Happy May!  I have another Stonefields appliqué block to share with you, the first of two "Four Little Stars" blocks.  It was quite fiddly but I'm pleased with how it turned out.


Stonefields Block 24, "Four Little Stars"


The other accomplishment I'm proud of is that I finally got over my fear of trimming down the oversized appliqué backgrounds on all of my completed blocks for this quilt, and no applique blocks were destroyed in the process!  Now that all of my Stonefields blocks are 6 1/2" unfinished, it's easier to mix them up on the design wall and get a better feel for how this sampler quilt is taking shape.  That will help me make decisions about which colors, prints, values to use more or less of in subsequent blocks.  Stonefields is a sampler quilt pattern designed by Susan Smith, and this post contains affiliate links .


Stonefields In Progress, All Appliqué Blocks Trimmed to Size


I'll document how I trimmed those blocks for Future Rebecca's benefit later in this post.  First, let's talk about the Four Little Stars block.  

Wednesday, April 22, 2026

Stonefields Blocks 20 and 21-23: "O is for Oscar"

Good Morning, my lovelies!  I have had extra motivation to finish these quilt blocks and share them with you as quickly as possible -- in order to bump the butt photos of my jeans alteration post off the landing page of my blog.  And also, these blocks are cuties!  Quick disclaimer, this post contains affiliate links.  And now, meet "O is for Oscar," blocks 21-23 of the Stonefields Quilt pattern designed by Susan Smith:


Stonefields "O is for Oscar" Blocks 21, 22 and 23

As usual, (for me, anyway) the most time consuming part was selecting fabrics for each block.  However, that's also the most enjoyable part -- picking out one or two new Tilda acquisitions and then digging out treasures from the scrap bin or a fat quarter from my Deep Stash to coordinate, knowing that even though I'm making the same quilt from the same pattern many others are using, mine will be uniquely mine because of the fabric mix.  And it is so satisfying to step back and look at the finished blocks that you imagined in the beginning and then stitched into being.  

I stitched these blocks like an assembly line, since they were three the same.  I cut out all the pieces and organized them on my design wall, then took the pieces down and lined them up next to my sewing machine for chain piecing all of the blocks at once.  Below, the block backgrounds have been sewn together and pressed and the appliqué circles are ready to be positioned on the block.  I used one of Karen Kay Buckley's Perfect Circle templates with the starch and press method to get my circles so round and smooth.  Even if I'm needle turning all of the other raw appliqué edges  in a block as I'm stitching, I'll always use a Perfect Circle template to preturn the edges of circles because they turn out so much better for me that way.  Hats off to the quilters of the 19th century who had no choice but to needle turn their circles because heat resistant plastic templates hadn't yet been invented!


Machine Pieced Blocks, Prepared Circle Appliqués Ready to Go

Susan Smith's (very minimal!) instructions for the Stonefields quilt assume that makers will be hand piecing their blocks and needle turning all of their appliqué.  For this block, there was a note about sewing the circles to each of the square patches before piecing the rest of the block together, which made me scratch my head a bit as I couldn't figure out why that would be advantageous.  I felt it would be easier to keep things straight and square and positioned properly if I pieced the block first and added my circles last, so that's what I did.  

Wednesday, April 8, 2026

First Attempt at Back Waist Jeans Alterations: The Double Dart Method

 I am so sorry to subject you all to this, but instead of pretty quilts we will be looking at pictures of my butt today.  Seriously.  Because one of my sewing goals last month was to finally, after sewcrastinating for over two years, attempt to alter some ready to wear jeans that were too big in the waist.  I DID ONE!  So now I need to write down how I did it and what I am thinking about doing differently next time, before I forget.  There will be quilty goodness in my next blog post, I promise, but today there is nothing but an alterations brain dump and a lot of butt pictures.  Well, let's get on with it!

Behold, the Booty Darts and the Altered Waist Band!


Completed Back Waist Jeans Alteration, 2.5 Inches Taken In, Dart Method


In true Rebecca form, I have spent hours pouring over various online tutorials for this alteration, agonizing over the pros and cons of each method to the point of paralysis.  So, when I saw that a local fabric and yarn shop was offering a Beginner Alterations class specifically on altering jeans by taking in the back waist and hemming the length, I decided this was just what I needed to get me over the sometimes insurmountable hurdle of task initiation.  If you're local to Charlotte, this class is offered regularly at Stash Charlotte and the instructor is wonderful, teaching methods that are definitely approachable for beginners and suitable for pretty much any domestic sewing machine, no specialized equipment or accessories required.  Class size is limited to four students and it's taught "lab style," each student working on their own alteration with plenty of guidance from the instructor.  Stash Charlotte is a Janome dealer and they provide machines for students to use in the class, but I brought my Bernina 475QE with me because I wanted to focus on learning the alteration without having to also adapt to an unfamiliar sewing machine.  

Friday, March 27, 2026

Stonefields Block 19 "The Oscillator," First of Two

Good Morning and Happy Friday, my lovelies!  It's been a busy week, but I managed to finish another appliqué block for my Stonefields quilt (pattern by Susan Smith).  Behold Block #19, "The Oscillator."


Stonefields Block 19 "The Oscillator"


I deliberately did not crop that photo because I wanted to show the difference between my hand stitched appliqué (the green and blue shapes at the bottom of the photo) and my machine stitched appliqué using the stitch I created with the Stitch Designer feature in my Bernina B990 sewing machine.  The size and spacing of the stitches is nearly identical and with Aurifil 100 wt monofilament thread in my needle and Microquilter 100 wt polyester thread in my bobbin, the machine stitches really do look just like my hand stitches in YLI 100 wt silk thread, even under inspection with bright lights and reading glasses.  I'm glad I took the time to customize that stitch on my machine so that I can switch between hand and machine stitching on the same project without any visible difference from one block to the next.

By the way, even using the sewing machine, this is "slow stitching" for sure.  It's like "hand stitching with a machine needle," as Harriet Hargrave said in a workshop I took with her years ago.  Very slow and deliberate stitching under bright lighting, one stitch at a time, constantly pivoting to keep those swing "bite" stitches perpendicular to the edge of the appliqué shape just as if I was hand stitching.  


Size 60 Microtex Needles Leave Visible Holes on Liberty Lawn, But They Will Close Up


The one thing that distracts me on this new block is that the needle holes are more visible on the machine stitched block than on my hand stitched blocks.  I use the smallest size 60 Microtex machine needle for this method, but my size 12 Bohin hand applique needle is skinnier than any needle that could go in a sewing machine.  The other difference is that the hand stitched block below used Tilda quilting cotton fabrics, and I used Liberty of London Tana Lawn prints for my Oscillator block.  The Liberty Lawn is a much lighter weight fabric with a finer, tighter weave and I think the different fabric characteristics are why the needle holes are so apparent right now.  I would expect my machine needle holes to be more pronounced with a batik fabric for the same reasons.  The good news is that needle holes close up when you wet the fabric yarns around them, so I'm not worried about it (I promise!).  It's just an observation.  Every time I step into my studio, my Gemini brain splits into two personalities, The Artist and The Scientist, both asking "What would happen if I tried it THIS way?"

Monday, March 23, 2026

EQ8 + AccuQuilt GO! BOB 2025 Collection: New York Beauty + DWR

Good Morning, my lovelies!  We're switching gears completely today, from the low-tech, needle turn, hand stitched appliqué I shared last time to today's focus: the exciting creative possibilities of computer software and modern die cutting methods to make challenging quilt patterns more accessible and more enjoyable for more quilters than ever before.  ðŸ˜Š. Today's blog post includes affiliate links to products I use and adore.

Those of you who've been with me for a while know that Electric Quilt software (the current version is EQ8) is one of my favorite quilting tools.  Before I started using EQ software, I had a couple of really disappointing quilts where I realized only after spending months cutting and sewing blocks that I did not have the right value contrasts to get the effect I envisioned in the finished quilt and too many prints were fighting for dominance, etc.  It is an amazing thing to be able to "try out" limitless combinations not just of colors, but of actual fabric prints in quilt shops today, and know for sure how they will look in your quilt BEFORE you buy them.  

EQ8 software has advanced capabilities that are great for professional quilt pattern designers, but most quilters will get their money's worth out of the program just from using the most basic features.  You don't normally need to draft your own block in the software because there is a library included in the software with hundreds of traditional quilt blocks and then there are inexpensive add-ons that you can purchase to add even more quilt blocks to your library, like the one I'm going to share with you today -- a collaboration between The Electric Quilt Company and AccuQuilt, the makers of the AccuQuilt GO! die cutting system.  This is something I swear I wished into being!  If you already own EQ software and you have also purchased any of AccuQuilt's BOB "Block On Board" dies, you need to pop over to EQ right now and check out the software add-ons that will enable you to design quilts using those dies.  Here's my full disclosure: I paid full price for my EQ software years ago and it has been worth every penny for the money it has saved me in wasting good fabric on lousy ideas.  I have also spent my own money on lots and lots of AccuQuilt dies, some of which I love and use regularly, others not so much.  When EQ first released their AccuQuilt BOB Collections 1 & 2, I bought them immediately because I already owned several of the BOB dies included in those collections.  EQ just recently released a smaller add-on containing all of the BOB dies that were introduced in 2025, the AccuQuilt GO! BOB 2025 Collection, for just $15.95, and I was given this last digital add-on in exchange for sharing my honest review.  I downloaded the 2025 BOB Collection blocks into my EQ software and started playing with them right before I left for QuiltCon...  and that's why I snapped up the AccuQuilt #55392 New York Beauty 9" Finished BOB die with a show discount and lugged it around the show while I looked at all the pretty quilts!


New York Beauty: EQ8, AccuQuilt GO! BOB, + Art Gallery Fabrics


In my opinion, the most useful and life-altering (for quilters!) AccuQuilt dies are the ones for quilt blocks with curved pieces that are tedious to cut by hand, difficult to cut accurately, and challenging to sew together.  New York Beauty is one of those designs, but the AccuQuilt die cut fabric patches can be cut swiftly, accurately, and with automatic notches added to every patch for matching up opposing curves once you sit down to sew.  In the screen shot above, I've designed a 39" x 39" baby quilt, the perfect size for a play mat or stroller quilt, that is completely to scale using mostly Art Gallery fabrics plus a Kaffe Fasset stripe print.  I love it so much!  

Sunday, March 22, 2026

Conquering Stonefields Block 18, "Star in a Star"

Happy Sunday, everyone!  I have another finished block for my Stonefields sampler quilt (pattern by Susan Smith) to share with you, Block 18 "Star in a Star."  It was a fiddly little bugger for sure, but I'm delighted with how it turned out.  These blocks will finish at 6" after being trimmed down and sewn into the quilt.


Stonefields Block 18, "Star in a Star"


I have heard from a few other quilters who are working on Stonefields or other Susan Smith patterns who are struggling with the lack of instructions, so I'm going to try to share a bit more about how I'm puzzling out the more challenging blocks.  This is not "the right way," "the only way," or even necessarily "the best way" -- only the way that worked for me.

Saturday, March 14, 2026

Stonefields Block 17 Remake + Mistake Discovered in Block 16

 You guys, I was so proud of myself when I switched off my sewing machine last night, put my new Stonefields Block 17 "Square Peg in a Round Hole" on my design wall, and went to bed thinking all mistakes had been corrected.  (If you're wondering what was wrong with the first one I made, read this blog post from a few days ago).  I strongly prefer the on-point orientation of that square with the circle cutout now that I've fixed it in my purple block.  The square on point element is repeated in many of the blocks in this quilt, and repeated design elements are one of the things that gives cohesion to a sampler quilt like this one.  


Stonefields Block 17, Just as Susan Smith and Rebecca Grace Intended


Before remaking the block, I took the time to trace over the ridiculously faint lines of the block pattern with an extra fine point Sharpie pen to make sure I could clearly see it through my fabric, because even with an LED light box you can't see these patterns well enough through most fabrics.  If I'd done that tracing and darkening of the pattern right off the bat, these mistakes would not have happened in the first place.  And I am hugely annoyed with pattern designer Susan Smith that I have to take all that extra time to trace over every stinking block pattern with Sharpie before I can use it, because the pattern cost $200(!!!) and there are hardly any instructions whatsoever, just vague hints and clues and anecdotes about the blocks, and how difficult would it have been to have these patterns printed with thicker, darker lines like every other quilt pattern author uses in their patterns?  GRRR...

So this morning I walked into the studio, admired all my pretty blocks on the wall (I finished a couple more EPP hexagon rosettes for the border yesterday as well:


Slow But Steady Stonefields Progress: My Design Wall Today at 8:19 AM


I am so glad I remade that purple block!  It only took me an hour or two and whereas the old block made me feel disappointed and annoyed with myself, the new block makes me feel DELIGHTED and pleased with myself for identifying what went wrong, adjusting my process to make errors less likely, and successfully creating the block exactly the way that I wanted it to look instead of settling for less.  

Monday, March 9, 2026

Stonefields Blocks 16 + 17 "Square Peg In a Round Hole," With an Oopsie!

There are two new Stonefields blocks on my design wall, and one of them even looks like it's supposed to!  Behold, Blocks 16 & 17, "Square Peg In a Round Hole," one of which has the square peg on point the way it belongs, and the other of which does not:


17 Stonefields Blocks + 21 Hexie Rosettes for Border


Aaaargh!!!  I only accept partial responsibility for this error.  The appliqué patterns for the Stonefields quilt are printed RIDICULOUSLY faintly, nearly impossible to see through the background fabric with even the brightest LED light box.  I did not realize that my background fabric was oriented incorrectly until after I'd glue basted the delicate purple square with the circle cutout onto my block, and I used a bit more glue than normal because of how skinny those bits are on the side.  I wanted to secure that shape to my background fabric while it was flat on my work surface to preclude any stretching or distortion that might occur.  In hindsight, I would have been better off skipping the darned light box altogether and just positioning the shapes on this blocks using the horizontal, vertical and diagonal fold lines.  Shoulda, woulda, coulda.  I noticed the mistake as soon as I finished glue basting the purple block and heat setting the glue with the iron.


Edges Turned Smoothly, Glue Basted to the Background, Not Yet Stitched


I considered peeling the shapes off to reposition them correctly before stitching, but when I tried to lift one purple corner I realized how securely it was glued down and didn't want to risk damaging the applique.  The prep work on these blocks took a LONG time and I didn't want to have any unnecessary do-overs!