Worth Finishing: Marybeth's circa 1984 Hand Pieced Sampler, Custom Quilted by Yours Truly

Good morning, friends!  I am shocked to be able to share this finish with you today, because I was fiercely procrastinating coming back to it.  I decided to load it up on the frame, fire up the long arm machine and JUST DO IT.  Behold, my friend Marybeth's oldest UFO, a hand pieced sampler quilt that she started in 1984 for her (now adult) son's "Big Boy Bed."  When Marybeth showed me the blocks a year or two ago I begged her to finish the project and promised that, if she put the blocks into a quilt top, I would custom quilt it for her.

Marybeth's circa 1984 Sampler Quilt, Custom Quilting Completed

Not gonna lie; this project was a challenge for me.  I've quilted hundreds and hundreds of quilts with edge to edge, allover quilting, but less than a dozen custom quilts on my long arm machine.  This one was a combination of digital computerized designs, hand guided ruler work quilting, and free motion quilting, and I quickly realized that I have a lot to learn when it comes to quilting computerized designs in borders and sashing.  Knowing that this quilt was really special to Marybeth and irreplaceable, I got into my own head too much with the Analysis Paralysis...  I am ashamed to confess that I have had this quilt for EIGHT MONTHS before finally finishing it and sending it back to Marybeth!

Wish I'd Used More Contrasting Thread

I've got a lot of Woulda, Shoulda, Coulda notes for this quilt.  Like, I wish I'd used the pale straw yellow thread in that green dotted fabric patch in the photo above, so you could see the quilting motifs in the "lawn" patch.  I wish I'd done a better job of keeping the amount of quilting more consistent throughout the quilt, too -- notice how the quilting lines in the red and blue block below the house are so much farther apart than in the house block, for instance.  If this had been my own quilt, I would have gone back in and added more quilting to the red and blue block to solve that issue, but I know that Marybeth prefers the look and feel of LESS quilting and I'm already worried that I may have "overquilted" it for her preferences.  

Custom Digital Quilting with Q-Matic: The 1984 Sampler Quilt Continues

 Happy Easter and Passover to all those celebrating this weekend!  I quilted this block over a week ago and wanted to jot down what I learned before I completely forget what I did.  Doesn’t the green airplane look great with the swirly computerized quilting design in the background, but not crossing over the airplane itself?

Q-Matic Masking Tool for Airplane Block

Of course there are quilters out there who could freehand quilt those swirls and spirals just as beautifully as the computer, but sadly I am not one of them.  ;-)  Since a computerized long arm machine is like a talented but blind quilting assistant, it’s necessary to precisely program and “mask out” the areas where you do and do not want the design to be stitched by physically moving the machine along the patchwork seams and clicking at the points to map out boundaries that the computer can follow.  This is a slow process, as I learned when I did it on this earlier block in the same quilt:

Also Done Using Q-Matic Masking Tool

Looks great, but I learned a lot about what NOT to do with that block!  I set up that circles and spirals as a repeating design right across the block as though it was an edge to edge design going across a whole quilt, mapped out the tumbling blocks appliqué, and told the computer to just stitch it all at once.  Then I watched in horror as the many many stitches went in to create beautifully round circles and spirals balls, but every time the machine encountered a seam line it stitched back and forth multiple times to travel to the next stitching line.  There were jump stitches all over the place that I had to go back and trim and way too many places where the design stitched securing stitches.  Not only is this a less tidy look than I hoped for on the back, but it took me a good hour after I’d finished stitching to clean it all up and trim all those jump stitches from both sides of the quilt.  Very discouraging!

Custom Quilting Progress on the 1984 Sampler Quilt

Good morning and Happy Thursday!  I've been making progress with the custom quilting on my friend's circa 1984 sampler quilt.  There are certain editing tools and features in Q-Matic (the computer robotics package that enables me to quilt digitally with my Bernina Q24 long arm machine) that don't get used in edge-to-edge quilting, and I'm learning more about how to use them to size and skew digital quilting designs to fit inside the imperfect shapes of patchwork pieced by humans.  My friend Marybeth is being extremely patient; I think I've had this quilt in my possession for six months at least, and most of that time I've been procrastinating and agonizing and catastrophizing about all of the ways I might mess it up...  But I'm feeling better about it now and I think it's going to look pretty good when it comes off the frame and I can see it as a whole instead of zooming in on every little imperfection.

Digital Block Design with Digital Sashing Design

I'm trying to balance out the different types of quilting throughout the quilt.  I think I have maybe three blocks like the one above where I've stitched one digital design across the entire block.  That can be quite lovely when it's a good pairing between the quilting design and the patchwork.  I did stitch in the ditch quilting in the patchwork seams prior to stitching the block design but some quilters would choose to just do the block design to save time (and to save money, if someone was paying for the custom quilting).

P2P Triangle Design with Separate Digital Motif in Block Center

In the block above, I quilted a P2P (Point to Point) digital design one at a time in each of the red print triangles.  Then I quilted a separate digital design in the center of the block.  I'll go back later and quilt the red and blue solid patches, probably straight line quilting with rulers.  I'm learning (belatedly!) that it's more efficient to do all of one type of quilting throughout the quilt before moving on to a different type of quilting.  When I started working on this quilt I knew enough to do all of my basting and SID (Stitch In the Ditch quilting along all the seam lines) throughout the entire quilt before rolling back up to the top of the quilt to start on the fun quilting that actually shows, but then I tried to quilt one row completely (digital designs, ruler work, free motion quilting, multiple thread color changes etc) before moving on to the next row.  

Quick DIY Apple Pencil Holder + Progress on 1984 Sampler Custom Quilting

 Oh my gosh, you guys!  I completed a whole sewing project from start to finish last night in under an hour!  This is what it must feel like to own a sewing machine but NOT be a quilter!!  

A Sewing Project Completed Start to Finish in Under an Hour!

This is something I’ve been “fixing to do” for a couple of years now, just “waiting to get a round tuit” that never arrived…  No pattern; just eyeballed an old, stretched out elastic contraption that needed replacing and replicated it with some purple elastic from my garment supply stash and a little piece of jacquard ribbon to make it pretty.  This elastic strap slips on and off over my iPad case quickly and easily and has a channel stitched to securely hold my Apple Pencil.

I even used one of the high tech gizmos on the new B 990 sewing machine.  When top stitching my ribbon in place with Edgestitch Foot #10D, I turned on the laser that shows exactly where my needle is positioned to stitch on my project; see that red dot below on the black ribbon?

B 990 Laser Helps Position Edge Stitching

On previous machines, I would have tried out different out of center needle positions one click at a time, lowering the needle to see how far I was about to stitch from the edge, but it was faster (and more fun) to just turn on the red laser dot.  One, two clicks to the left, looks perfect, GO!  I only turned the laser on to select my needle position; did not leave it on for sewing.  I used two different utility stitches, the three step zigzag stitch to overcast the raw cut edges of my elastic to prevent fraying with use, and the triple straight stitch around my ribbon flower and along the edges of the long, skinny pocket for holding the Apple Pencil.  I used Mettler Metrosene all-purpose polyester thread and a Schmetz Stretch needle in size 90.  I wish I had a closer thread color match to the color of my elastic, but I wanted a strong poly thread for durability and I don’t have anywhere near the stash of colors in all purpose poly that I have for quilting, appliqué, embroidery etc.  This was an impulse project chosen primarily so I could procrastinate packing for my trip.  

Maybe I should do more projects that don’t take 6 years to finish?  

Speaking of projects that take years to finish…  I did get a bit more quilting done on Marybeth’s 1984 WIP sampler quilt this week.  I added some hand guided ruler work quilting to the three blocks that I quilted with computerized designs the last time I posted about this project:

Continuous Curves Ruler Quilting Added Around Digital Block Design

My hand guided quilting is nowhere near as nice as the computerized design but the block looked unfinished to me before.  I’m doing the best I can but it’s a learning process and if I keeping stopping to rip out quilting and redo it, I’ll never get the quilt back to Marybeth!  

Deco Blocks Finished, Custom Quilting Progress + Stonefields Pattern Has Arrived!

Drumroll, please...  Only 170 weeks or so behind schedule for the 2021 Deco Quilt Along hosted by pattern designer Lo & Behold Stitchery, I have finally caught up to Week 7 by finishing all of my blocks and moving on to assembling my quilt top!

Finally Finished Making All of My Deco Quilt Blocks!

Once again, if I had any idea how long this project was going to take, I probably would never have started it in the first place.  😬. Ignorance is bliss!  

Rebecca Does Not Follow Directions, As Usual

Including some "action shots" here of quilt top assembly in progress.  My poor B 990 machine must be so bummed; all her fancy high tech features but the only thing she gets to do so far in my studio is Piecing Straight Stitch #1313!  So, if any of you have made this quilt before you might be noticing that I've veered from the pattern instructions in a couple of key ways:

• I disregarded the instruction to press all of the seams open in this quilt and created my own pressing plan instead.  It is nearly impossible to get crisp and accurate seam intersections if you press all of your seams open -- and conversely, it is practically goof-proof to get perfect seam matches when the seam allowances have been pressed in opposite directions and you can just snug them together for a little seam hug, secure with a couple o pins and then sew
• The pattern instructs you to create additional full log cabin blocks and then slice them in half from corner to corner to create the side blocks.  I didn't want to do that for two reasons.  First, it would cause weird and unnecessary seams to land right on the outside of my quilt where they would interfere with binding in the last stages of the project.  (Note that, if you're making one of the smaller size versions of Deco rather than the bed size quilt I'm making, you have to slice different blocks in half diagonally, losing your points all along the outside of your quilt!).  Second reason for disobeying instructions was that I wanted to have control over the grain line along the outer edges of the quilt as much as possible, so I cut those blue triangles for my partial side blocks with the grainline on the hypotenuse (long side of the triangle).
• I used my AccuQuilt GO! Setting Triangles 8" Finished die (this post contains a few affiliate links) to cut my side and corner setting triangles to the exact size for my 8" finished blocks.  AccuQuilt makes their setting triangle dies in various sizes and it's definitely worth getting the coordinating size setting triangle die if you already own one of the AccuQuilt Qube sets and/or you frequently make blocks of a certain size.  Not only does this die "do the math" for you to cut the appropriately sized setting triangles -- with the points pretrimmed for easy alignment before stitching -- but the layout of the triangle shapes on the die itself ensures that all of these setting triangles will have straight, non-stretchy fabric grain on the edges that will form the very outer edges of your quilt top.  So, because I cut these setting triangles with my AccuQuilt die, I did not have to think about making sure I had straight fabric grain on the hypotenuse side of my side setting triangles but straight fabric grain on the short sides (NOT the hypotenuse) for the four smaller corner setting triangles.  The setting triangle die makes it a lot easier for novices to tackle diagonal set quilts successfully.  By the way, if you don't think you'll make enough diagonal set quilts in a particular block size to justify the cost of AccuQuilt or you're not already invested in that cutting system, there are specialty rulers available that will help you cut the correct size setting triangles for any block size.  I have the one Kaye England designed for Good Measure, but I've seen other brand versions in quilt shops and I'm sure they work just as well.  Kaye has a video showing how to use hers here.

Custom Quilting Marybeth's circa 1984 UFO + Cranking Out Deco Blocks

Happy Monday, everyone!  Congratulations to the Eagles fans out there, and my condolences to the Chiefs fans.  Not that I watched even five minutes of the Superbowl -- I'd rather sit in my laundry room for four hours watching the clothes go round and round than sit in front of a television watching grown men run around and clobber each other over a weird-shaped, ugly ball.  So HAH!  My husband and sister-in-law are from Philly, however, so while they were up at the house cheering their team I snuck off to the quilting studio to start quilting the borders on my friend Marybeth's UFO sampler quilt that dates back to 1984.

Wasatch Bella Bella Feather Border and Corner Quilting Design

When Marybeth showed me these blocks and told me the story of the quilt, I promised her that if she finished the quilt top I would custom quilt it for her.  This was supposed to be a "big boy" quilt for her son Nathan, who is now a married father in his forties.  The blocks are hand pieced and hand appliqued in neat, even stitches and it would be an intolerable shame if the quilt never got finished at all.  

Challenges for Marybeth included finding suitable border fabric, because she didn't have enough left of the fabrics from the blocks and may have used the fabric for some other project over the years.  Although there is no purple in her quilt blocks, I think the solid purple border fabric she chose works really well because it's the right value and hue to coordinate with the other colors well.

Challenges for Rebecca included coming up with quilting designs that would complement the vintage 1980s style of the sampler blocks and fabric without overpowering them, and without skewing too modern or too formal.  Another challenge was remembering how to lay out and size a border design to fit the quilt border and to accommodate for the quilt drawing up during stitching...  Too bad I didn't revisit this Q-Matic border quilting tutorial on Bernina's We All Sew blog before I loaded this quilt.  I loaded, basted, and did all of the stitch in the ditch quilting with monofilament thread a couple of months ago, and I did not remember Bernina Educator Denise Jones' tips about marking the center and quarters of the long sides of the quilt to make placing the border designs easier.  Next time!  Here's a shot of Marybeth's quilt on my frame where it languished for weeks, waiting for me to pick a design and get up the courage to start quilting it already!

Post-SID, Pre-Border Quilting Paralysis Syndrome

Feathers Four Ways: Quilts for Janita, Paula, Mildred + Nanette

Happy Weekend, fellow quilt lovers!  I have been finishing a lot more quilts than blog posts over the past few months and it has created a backlog of unshared photos on my camera roll.  Today I'm sharing four different clients' quilts that I quilted with four different allover feather quilting designs, with a brief discussion of how the design, thread, and batting choices were selected for each quilt.  Here's a quick glimpse of the four quilts I'll be talking about today, made by my clients Janita, Paula, Mildred, and Nanette, and quilted by Yours Truly:

Clockwise from Top Left: Feathers and Pearls I, Angel Wings, Abundant Feathers, Fast Feathers

Janita's Flying Geese Sampler: Abundant Feathers

Janita chose the Abundant Feathers quilting design for her cheerful flying geese sampler quilt (I don't have the name of her quilt pattern but if anyone recognizes it, please let me know and I'll update the post accordingly).  I just love the playful energy of her color palette of red, pink and aqua against a crisp white background!

Janita's 70 x 87 Flying Geese Sampler with Abundant Feathers E2E

Abundant Feathers is a very versatile design that looks good on a lot of different quilts from modern to traditional or reproduction quilts.  There is extensive backtracking/overstitching in this design, which is why I recommended lightweight So Fine 50 wt matte polyester quilting thread in Pearl (this post contains affiliate links).  With a thin thread like So Fine, your eye isn't drawn to the double-stitched quilting lines, and on a quilt like this one that has high contrast between the background and pieced block fabrics, skinny So Fine thread will seem to "take on" the color of the fabric it's stitching across, appearing like a pale pink against the red fabric and pale blue against the aqua.  A thicker white or cream thread would not have blended into the darker fabrics that way.  We wanted to keep the focus on the variety of pieced blocks and fabrics in Janita's sampler quilt, with the feather quilting playing more of a supporting role.  One more thing to notice about Abundant Feathers is how evenly spaced the quilting is across the surface of the quilt with this design, compared to some of the other feather designs we'll be looking at in today's post.  That's something to think about when choosing between similar quilting designs, whether you prefer a balanced overall texture like Abundant Feathers or whether you want to see some variety between the more open feather parts of a design verses the denser details of pearls, echoes, etc.  

Nanette's Globetrotting Quilt + My Newest Favorite Quilting Thread

 Hello, my lovelies!  Have you missed me?  I've been less motivated to write blog posts lately because I switched email subscriptions providers at the end of December (no more flying MailChimp monkeys) and still have not figured out how to get blog posts automatically sent via email with my service provider.  And knowing that the folks who subscribe to get my blog posts sent by email are the ones most interested in what I have to show and tell, and those people will most likely not be seeing the posts I'm writing now is discouraging!  (If a tree falls down on the Internet and no one is watching, does it still make a sound?). I hate wasting perfectly good quilting time on troubleshooting tech problems!!  But the upside to that is that I have been doing a lot of quilting while I've been sulking about my tech woes, so I do have a few things to share today.  

Nanette's Globetrotting Quilt with Aurifil Forty3

First, I have to share the gorgeous quilt I just finished long arm quilting for my client Nanette of Do It Right Quilter.  I used a new thread for the first time (well, new to me -- I think it's been out for about 5 years or so), Aurifil Forty3 long arm quilting cotton, and I am in love with it!

Detail of Feather Garden E2E Stitched in Aurifil Forty3 Light Robin's Egg

I wish I could capture in photos what I'm seeing in person.  First off, the color was an absolute perfect match to the lightest blue fabric in Nanette's quilt.  For this quilt, I wanted a thread that was simultaneously going to blend in like a chameleon to let Nanette's exquisite piecing and beautiful fabrics shine, but also needed that thread to have some presence so that we could actually see the elegant Feather Garden quilting design even though the thread was color-matched to "disappear" on this predominantly blue quilt.  Aurifil Forty3 is beefier than their 40 wt 2-ply thread that comes on green cones; Forty3 is a stronger 40 wt 3-ply thread that comes on big cones and is designed specifically for the demands of high speed long arm quilting machines.  The color saturation, luster of the thread, and its softness remind me of cotton embroidery floss, and I think it's this thread's softness that I like most of all, because of how it bends in and out of the quilt sandwich to form stitches that look more like a dashed line of tiny, perfect hand stitches than like machine quilting.  I mean, this is definitely machine quilting, but I kept doing double-takes and imagining that I was seeing hand quilting stitches coming out of my long arm.  

If you have a long arm and you want to give Aurifil Forty3 a try, you may have difficulty finding it locally but the Fat Quarter Shop stocks it here (this post contains affiliate links).  Just a word of warning: this thread kicked out more lint than any other thread I've quilted with, and I had to stop and clean the hook race and bobbin case out midway through every single bobbin in addition to cleaning thoroughly with every bobbin change.    For me personally, I am willing to deal with lint when the tradeoff is gorgeous stitches that make the quilting sing.

Nanette's Globetrotting Quilt, 62 x 62

But I am getting ahead of myself!  Back to Nanette's quilt!  This 62" x 62" beauty is a BOM (Block of the Month) design by Pat Sloan called Globetrotting, and as of this writing in 2023, the pattern is still available on Pat's website for FREE here.  Nanette started this quilt in March of 2014 and finished her quilt top in September of that year, and you can read about the changes she made to the pattern and how she used EQ7 software to preview her fabric choices on her blog in this post.   Shortly after completing this quilt top, which she'd originally planned to quilt herself, life threw Nanette and her husband some nasty curve balls that sapped a lot of her creative energy for big endeavors and she found more solace in piecing and appliqué than in quilting and finishing for the next few years.  This resulted in the accumulation of a LOT of gorgeous quilt tops needing quilting, more than Nanette felt like she could handle, so she shipped twelve of them to lucky me for long arming. 💕