Getting My Ducks In a Row, Or My Geese Lined Up In Circles

Hello there, and happy Saturday morning!  I'm pleased to report that I've actually STARTED on my son's graduation quilt.  I haven't sewn a stitch yet -- just prep work so far, but I have a feeling the upfront prep work on this project will pay off with an accelerated pace once I do start piecing.

Precut Geese Patches, Bagged and Labeled

First things first: After the Disastrous Dye Bleed Detour of 2018, my first step had to be checking each of these fabrics to make sure there was no loose dye from the dark fabrics waiting to bleed all over my yellows!

Once Bitten, Twice As Likely to Check for Colorfastness!

I just snipped off about a 2" square from each fabric and stuck it in a glass of boiling water.  The white paper towel beneath the glasses makes it easy to see whether any of the fabrics is turning its water into Easter egg dye.  Happily, there were no issues with any of my fabrics this time.  I was able to skip the step of preaching/preshrinking my fabrics because they are all Kona Solids.  Since they're all from the same line, I predict that they are all going to have the same rate of shrinkage.  I am totally cool with that shrinkage happening AFTER I quilt this, because I like that puckery texture and I'm short on time.

Bigger IS Better When it Comes to Light Boxes!

Since I designed this quilt in EQ8, I was able to print my foundation paper piecing patterns for the arced flying geese directly from the software onto newsprint.  However, these are 12" blocks and the foundation pattern is too big to fit onto a single sheet of newsprint.  I used my giant lightbox to precisely match up the registration marks on the two pattern sheets and then taped them together with Scotch Magic Tape (unlike cellophane tape, Scotch Magic Tape won't melt when ironed).

Foundation Patterns Taped and Ready to Go!

I printed and taped together six of the 48 arced geese foundations and then set them aside to start cutting into my fabric.

When paper piecing, I have best results if I roughly cut out each patch the correct shape but with an oversize seam allowance.  That makes it easier for me to tell if I'm positioning the piece correctly when I sew it to the foundation, which translates into less ripping out stitches and redoing!  Going back to my EQ8 design, I printed templates for all of the flying geese triangles directly onto card stock, but set the seam allowance to 1/2" rather than the default 1/4" that I'd use for traditional piecing.

Precutting Fabric for Paper Piecing with Oversize Template

Each triangle in the arc of flying geese is a different shape and size, and I have 14 different shades of blue, yellow and green in each one so I know I need to be organized to piece these accurately.  Since there are 48 blocks, I'm cutting out 48 patches from each template. As you see above, I use my rotary cutter and ruler to cut strips, and then I use the ruler to cut the straight edges of each triangle from the strips and freehand the rotary cutter around the curves.  This is actually going pretty quickly since the patches don't need to be exact, just roughly cut with room to spare, cutting four at a time.  I did mark my grainline on each template, though -- I want a straight grain on the bottom of every little goose unit.

All of Unit T4 in Kona Solids Oasis Have Been Cut and Bagged

All of the patches for a given template get bagged in a ziplock baggie, labeled with the template letter (generated by my EQ8 quilt design software), a number indicating the order in which the patches get sewn to the foundation, and the Kona Solid color of that fabric, in case of an oops requiring more fabric.  I am also cutting extras of everything -- it's so much faster to cut a few extra pieces up front than to have to go back and cut a replacement patch later on, interrupting your piecing groove!

Here's my quilt design again, in case you missed my previous post:

My EQ8 Design for Lars's Graduation Quilt

It's an extra-long Twin size for a college dorm.  Forty-eight blocks, each block finishes at 12" so the quilt should end up around 72" x 96" or slightly smaller, depending on how closely I quilt it and how much shrinking happens in the first wash.  I love, love, LOVE that I can design any quilt I want in my EQ8 software, color every single patch with actual fabric so I know exactly what it's going to look like from the very beginning, and then print out my own personal foundation patterns and templates to turn that idea into reality.  Seriously, my quilting software is probably my favorite quilting tool second only to my sewing machine!  

Introducing Goldilocks, my new Bernina 475QE Travel Machine!

...But, speaking of sewing machines, look who followed me home from the Bernina store last week:

Meet Goldilocks, My New Bernina 475QE!

This is the newly-introduced Bernina 475QE and she's my Goldilocks machine -- not too big, not too small; not too pricey but still fully featured, with all of the Bernina features that I use on a regular basis and nothing extra that I don't need (or want to pay for) on a travel machine.  I'm totally smitten.  I'll post a full review of the machine within the next week or so.  Meanwhile, there are more flying geese triangles to be cut out for Lars's quilt!

Have a great weekend, everyone!  I'm linking up with:

·      Design Wall Monday at Small Quilts and Doll Quilts http://smallquiltsanddollquilts.blogspot.com 

·      Main Crush Monday at Cooking Up Quilts http://www.cookingupquilts.com/

·      Monday Making at Love Laugh Quilt http://lovelaughquilt.blogspot.com/

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·      Moving it Forward at Em’s Scrap Bag: http://emsscrapbag.blogspot.com.au/

Sawtooth Stars, Take 3: a Book Review of Quiltmaking Essentials 1 by Donna Lynn Thomas

Design Wall With Bloody Sawtooth Star

So, good Monday evening, everyone!  I have not made great strides with anything since finishing up my sewing machine cover last week, but the boys start school again ONE WEEK FROM TODAY so hopefully that will mean more sewing time for this mama soon enough.

In case you missed my earlier posts, I wanted to make sawtooth star sashing posts at the intersections of my 10 1/2" (finished size) bear paw blocks.  At first I thought I wanted 3" sawtooth stars, but I felt the scale was wrong after paper piecing the first one (the one on the right in the photo above).  So then I had grand, ludicrous aspirations of piecing a whole slew of 4" sawtooth stars while I was at the beach a few weeks ago, but that didn't work out very well.  I packed up one of my vintage Singer Featherweight sewing machines, rotary cutting tools, and my travel iron, along with precut strips of Kona solid in Snow and a bundle of hand marbled fabrics from Marjorie Lee Bevis.  Unfortunately, I just didn't have good enough lighting in our rental digs to see what I was doing in the evening.  My cutting was off, my fabric edges weren't perfectly aligned, and things weren't working out generally, so I packed everything up and picked the seams out once I got home.

Available here on Amazon (affiliate link)

For the third try at my sawtooth stars, I decided to incorporate Donna Lynn Thomas's methods from her new book, Quiltmaking Essentials 1: Cutting and Piecing Skills.  I was given a copy of this book to review nearly a month ago, and although I read and enjoyed it immediately, I wanted to wait until I had a chance to actually try out the ideas I'd read about before writing my review.  My sawtooth star blocks gave me the perfect opportunity to "test drive" Donna's best practices for piecing.

This book, the first volume of a planned series of two, is a thorough overview of everything a beginning quilter needs to know to piece just about any quilt block.  Although there are lots of beautiful quilt photos sprinkled throughout the book for eye candy, there isn't a single project in this book.  I LOVE THAT!  Here's why.

Quilting magazines can be a great "point of entry" into quilting, especially for those who don't know any other quilters.  Barnes and Noble, Michael's craft store, and even many grocery stores sell a variety of quilting magazines these days, just waiting to catch a would-be-quilter's eye with tantalizing cover quilts running the gamut from traditional to modern, in trendy of-the-moment color schemes and seasonal themes.  However, due to space limitations, the instructions in magazine projects tend to assume that readers have a basic understanding of the quiltmaking process.  This can be confusing and frustrating to someone who might never have touched a sewing machine and has no idea what terms like QST, SOG or 9-Patch means.  A beginning quilter's odds of successfully completing a magazine quilt project without any outside help or additional instructions is usually pretty slim -- and once that beginning quilter has wasted money on fabric and hours of his or her time just to end up with a frustrating mess, that first quilt is liable to be their last.

That's where Quiltmaking Essentials 1 comes in.  This book explains everything you need to know to get started with any quilt pattern, whether it's a standalone pattern, a magazine pattern, a project from another quilt book, or an idea you came up with on your own.  It's a book that will help establish good habits and techniques from the very beginning, that you'll dog-ear and highlight and refer to again and again. 

There are a lot of how-to quilting books on the market, and I've read most of them.  So, what makes this one a must-have?

• So many books geared towards beginners downplay the need for accuracy in cutting and piecing.  How many times have you heard quilters comforting one another by saying, "there are no quilt police" or "as long as I can't see the mistakes when I'm galloping by on horseback it's fine"?  Yet, as Thomas points out, tiny inaccuracies in cutting and piecing have a way of compounding into a great deal of frustration and disappointment, and quilters who never learn to cut accurately and piece with a precise seam allowance are doomed to remain beginners forever.  Quilting Essentials 1 will help beginner quilters establish good skills and habits with their very first quilt, and will help many veteran quilters to correct bad habits that have may have been holding them back.

4" Sawtooth Star, Right on the Money with Nice, Sharp Points

As you can see, the sawtooth star block that I cut, pieced, and pressed using the methods in Quilting Essentials 1 came out pretty close to perfection.  (Except that I neglected to check that hand marbled red fabric for color fastness, and the dye ran when I attempted to steam and starch the finished block -- shame on me!)

Seams Pressed As Per Quilting Essentials 1

• The section of this book on pressing is worth its weight in gold.  Those who were born in the 1970s or later grew up with permanent press fabrics and missed out on the home economics classes of earlier generations, and we don't know how to use an iron.  I have read so many quilting books that warn me to "press, not iron" and that I should "be careful not to distort the bias," but I had no idea what that actually meant.  I thought "press" and "iron" were synonyms, and naturally I'm not going to distort the bias on purpose!  Thomas explains how to press seams open properly with handy little diagrams showing which way the iron should be pointing in relation to your half-square triangle seam, and it was NOT the way I had been doing it.  When I pointed my iron like the iron in the book illustration, lo and behold -- my half square triangle unit looked much more like a square after I pressed it open.  This book is also very thorough in explaining the hows and whys of creating a pressing plan for your block up front.  That's another issue I've struggled with in the past as I followed another book's admonition to "always press to the Dark Side" and ended up with lumps and distortions in my blocks where several seams come together.  Seriously, this chapter alone could have saved me so much frustration and tears if I'd read it 10 years ago.  As it is, I'm planning to go back to my bear paw blocks and press some of the seam allowances in the opposite direction to eliminate the bumps and bulges I created with my "press to the Dark Side" mentality.  I don't think I've ever seen another beginning quilting book that teaches you the logic behind how to create a pressing plan for your quilt.

Bear Paw Bulges, All Seams Pressed to the Dark Side

• Directions on how to wash your quilts with quilt soap so the dyes don't fade prematurely -- IN A FRONT-LOAD, HIGH EFFICIENCY washing machine.  THANK YOU!! 

So, thank you again, Donna, for giving me this opportunity to improve my own piecing and pressing skills and to review your book  -- it's definitely a keeper, and one I'll be reaching for again and again.  If you're ever teaching a class near Charlotte, North Carolina, please let me know!

Now, since I originally meant for this to be my Design Wall Monday post, I just have to show you this monstrosity that was on my design wall briefly yesterday, and is now going to be bundled out of the house as quickly as possible:

Anders' 60" x 80" Finished Quilt Top for Lutheran World Relief

I got this brilliant idea over the summer that my 10-year-old son Anders and I should go and help a group of quilters that meet at our church on Wednesday mornings, making mission quilts for Lutheran World Relief.  I thought it would be a great opportunity for him to strengthen his budding quilting skills while we worked together for a good cause.  Skeptically, he asked me, "What age group is this quilting group for?"  and I cheerfully told him "Quilting is for ALL ages!" 

Well, true as that may be, Anders and I were the only quilters under age 70 who showed up that morning, and he was the only male in the room.  We were told to pick fabric from a tub of precut 11" squares and to sew them together with 1/2" seam allowances in a 6 x 8 grid to create a 60" x 80" finished quilt.  The fabrics were slim pickings, not very exciting choices for a little boy's preferences, and he was disappointed that there weren't enough squares of the same fabrics for him to create any cool patterns.  The ladies explained that they used fabric from donated draperies, bed sheets or whatever they could get their hands on, so it was all different weights and fiber contents rather than the 100% cotton quilting fabric we are used to.  The 11" so-called "squares" were very roughly cut (with garden shears, perhaps?), varied up to a quarter inch or more in size, and Anders whispered to me, "Aren't squares supposed to have right angles at the corners, Mom?"  I felt like it would be rude to criticize someone else's cutting skills or attempt to recut the fabrics in front of them, so what could I do?  I just pinned the blocks together for Anders the best I could and my little trooper worked diligently at sewing those blocks together into rows with his trusty Featherweight machine for two and a half hours.  Bless his heart! 

When the meeting wrapped up, I know Anders hoped he'd never have to look at these blocks again, because his little face clouded over when he was told that he could "finish it up at home."  The project sat at the back of my cutting table for a month, until finally I told Anders that we needed to finish it because we made a commitment and we have to follow through.  My son was unenthusiastic, and he was pretty certain that Mom was the one who roped us into this commitment, not him!  I revived his interest by allowing him to swap out some of the fabric we got from the church bin with a frog print fabric from my stash, and that gave him the motivation to get back to work. 

Anders arranged the layout for this quilt by himself, and he sewed all of the blocks together into rows.  But at that point, Mom had to take over because -- as Donna Lynn Thomas pointed out in her book, accuracy is not about pleasing the Quilt Police; it's about reducing the frustration and disappointment you get when you spend hours working on a project only to a get to a point where the errors have compounded and multiplied to the point where nothing fits together and you want to throw the sewing machine out the window and take up macramé!  I have never had to do so much pinning, easing, steaming, begging, pleading, and swearing to get quilt seams to match up in ANY project before.  If these blocks had actually been 11" squares to begin with, this would have been an ideal project for Anders to do all by himself, but due to careless cutting, it was a nightmare to assemble this quilt top. 

Granted, the person who cut these squares had no way of knowing a child would be trying to work with them.  Experienced seamstresses who have been sewing all their lives probably don't need a high degree of accuracy in order to put together a quilt top like this, and the faster they can get them together, the more quilts they can donate to help people in need all over the world.  I have the utmost respect for these ladies.  However, in retrospect, I should have done more research and attended one of the meetings without Anders ahead of time to ensure that he would have a positive experience.  In hindsight, I should have let him pick out his own fabrics and cut them precisely for him at home.  The next time Anders and I make a charity quilt, we are going to make a Project Linus quilt instead, and Anders gets to pick out all the fabrics.  The Charlotte Chapter Coordinator for Project Linus tells me that they always have a shortage of boy quilts, especially quilts for older boys in middle school and high school.  Now, who better to fill this need than a young man who is always begging me to buy more Star Wars and pirate fabric at the quilt shop?

I've been very long-winded today, even for me, so I doubt anyone is still reading this.  But, just in case you're still here, I'll tell you that I'm linking up with Design Wall Monday over at Patchwork Times.  And now, I'm off to check out what everyone else has been working on.  Happy stitching, everyone!