Chopin Meets Suzuki and Alfred Hitchcock: 2013 Spring Music Recitals for Lars and Anders

It has been a busy spring for my boys this year, with their Willy Wonka Jr. performances at school followed immediately by Anders' Suzuki violin recital, followed the next weekend by both boys' piano recital.  For your viewing pleasure, I will share both recitals today. 

This was their first recital with their new piano teacher through the Community School of the Arts.  They both have been taking piano lessons for three years.

Here's my 12-year-old son, Lars, playing Chopin's Prelude in C Minor, Op. 28 No. 20:

...and here's my 9-year-old son, Anders, playing Gounod's Funeral March of a Marionette (which will sound familiar to Alfred Hitchcock fans): http://www.youtube.com/watch?v=yCAJiBF9jVU.  (for some reason I was able to embed Lars's YouTube video but not Anders.'  Please let me know whether or not you are able to view the video when you click the link!)

Last but not least, here's Anders playing a Suzuki Etude at his Spring violin recital.  He has just completed his first year of violin lessons -- and of course I can't figure out why this YouTube video won't embed in my blog post, but here's a direct link: http://www.youtube.com/watch?v=sLJYSrp-ZAw&feature=youtube_gdata 

They both did a fine job, don't you think?

In Which Lars and Anders Meet Joshua Bell

Violinist Joshua Bell, photo by Eric Kabik

We drove two and a half hours yesterday to take Lars and Anders to violinist Joshua Bell's afternoon performance at The Peace Center for the Performing Arts in Greenville, South Carolina.  Wow -- what a mesmerizing performance!  No orchestra, just Mr. Bell playing his 300-year-old Gibson ex-Huberman Stradivarius, accompanied by pianist Sam Haywood on a Steinway & Sons concert grand.  All four of us, including Skeptical Lars, were at the edge of our seats with wide eyes and silly grins on our faces throughout the entire performance. 

I didn't find out about this concert until a few weeks ago, so I wasn't able to get the sort of seats I usually snag -- we could see the performers' facial expressions and Anders could see how Mr. Bell was bowing and adjusting pitch mid-song with his fine tuners, but we could not read the sheet music or make out fingering.  Anders' favorite piece was the Sonata for Violin and Piano in E-flat, Op. 18 by Richard Strauss, and Lars's favorite (mine, too) was the Sonata for Violin and Piano No. 2 in D Major, Op. 94bis by Sergei Prokofiev -- until the final encore blew us all away.  You have got to hear Joshua Bell play the Ziguenerweisen Op. 20 "Gypsy Airs," written in 1878 by composer and violin virtuoso Pablo de Sarasate.  I couldn't find it on any of Mr. Bell's official recordings, but I did find this clandestine recording on YouTube:

Couldn't you just listen to that every day for a hundred years and never grow tired of it?

We couldn't believe how quickly the roughly two-hour performance flew by.  Afterwards, Mr. Bell was gracious enough to sign autographs in the lobby (although, unfortunately, no posing for photographs) and Lars and Anders both got to meet him personally -- Lars even shook his hand!  All in all, it was a wonderful afternoon, worth every penny AND well worth the five hour round trip in the car.