My Not-So-Scrappy Celebrations Quilt Top is Finished!

Good Morning and Happy Wednesday!  I managed to sew those (S)Crappy Celebration quilt blocks into a completed quilt top over the last couple days.  The quilt top measures exactly 54 1/2" x 63 1/2" with even edges and it's smooth and flat, so it should be a fast and easy one to quilt up with an edge to edge design on my long arm machine.  According to the guidelines on the Project Linus Metrolina Chapter web site, their greatest need is for "Teen" sized blankets and this quilt will fit those parameters perfectly.  Much better for this to be a finished quilt wrapped around a young person facing difficult life circumstances than for it to be an unfinished collection of blocks hidden away in a storage container in my closet.

Sidebar: Interesting that, at least for my local chapter, the greatest need is for Teen size quilts, as I always associated Project Linus with baby quilt donations.  Now, as I look at this very girly quilt I'm making for donation, I'm remembering hearing that quilting charities are usually short on quilts that are appropriate for boys and men.  I ought to post up the size guidelines for all of my local quilt donation organizations (Charlotte Quilters Guild, Project Linus, Lutheran World Relief, Sleep In Heavenly Peace) and make a deliberate effort from the start to make these "sidetrack, detour" projects in sizes and fabrics tailored to filling areas of greatest need.

54 1/2 x 63 1/2 Scrappy Celebration Quilt Top Finished

And now, let's recap what I learned from this project, starting with the photos I saw of Lissa Alexander's original Scrappy Celebration quilt:

Original Scrappy Celebrations Quilt by Lissa Alexander

Lissa Alexander's Scrappy Celebrations Quilt, AP&Q Cover Quilt in April 2023

(S)Crappy Celebration: Meh? + Stonefields Prep + Pineapple Log Cabin UFO

UGH.  You guys, I am sick of working on this project again!  I finished the blocks I was working on last week but it was such a chore coming up with a layout.  I really hate that I made 5 or 6 versions of each block in the exact same, or nearly the same fabrics, even though I thought that was a feature of the inspiration quilt that I liked and deliberately wanted to replicate when I was starting out.  I have begun mixing some stash fabrics in with the matchy-matchy Tilda prints, but it's not making me love it or anything.  

I find myself wishing this was two (or more) separate quilts.  I love a double 9-patch quilt with a white background and it would be pretty to have a rainbow version with each block a different dominant color.  The other blocks where I didn't use any white fabric, or very little white fabric, have a much heavier feel.  But I've made 42 of these 9" blocks already, enough for a 54" x 63" throw quilt with a 6x7 layout, and I feel like enough already.  Time to wrap this up and move on!

This is the best I could do on the layout, trying not to put identical blocks too close together if I could help it (sometimes I couldn't) and trying to balance out white background, lacy 9-patch blocks with the darker, not-enough-contrast blob blocks as best I could.  This is what we are dealing with:

54 x 63 (S)Crappy Celebration Layout

Checking value distribution in gray scale just to be sure:

Same Photo, in Gray Scale

Then I went to my EQ8 software to see whether adding sashing and cornerstones would improve the quilt at all:

Tilda Scrappy Celebration, New Sewing Chair + Pretty Things Blooming in Florida

Good morning and Happy Friday!  I finally got around to piecing my backing for the Deco quilt a few days ago, packed it up on a hanger with the quilt top, and put it in the Quilt Purgatory Closet to marinate (and atone for its sins) while it awaits its turn on the long arm for quilting.  Finishing the Deco backing means that I can turn my attention to other projects at LONG last, and I decided that piecing six more blocks for my Tilda Scrappy Celebration quilt would be a nice palette cleanser.  

Three Blocks with Solid Aqua

Three Blocks with Stash Substitution Fabric

I had one fat eighth of aqua Tilda Solid fabric, and that was only enough for three of the six blocks I wanted to make, so I dug around in my stash and found a scrap of a print fabric that looks just as nice.  To my eye, this kind of "make do" substitution adds interest to the finished quilt, so each block that goes into the quilt will feature six identical, or nearly identical blocks depending on how much I have of each fabric I want to use.  It always feels good to pull something out of the Deep Stash and put it into a quilt!

Ready to Piece Some Y-Seam Blocks!

Scrappy Celebration was a 2023 QAL (Quilt-Along) designed by Lissa Alexander and published in American Patchwork & Quilting magazine.  The pattern is available for sale here on the APQ Shop web site, but I don't have the pattern -- I just went off the photos I saw online and did my own thing in EQ8 software as usual, and for this particular block I decided I preferred to piece the block with two chisel shapes and a Y-seam in the aqua fabric instead of with a rectangle and a square.  I printed a template onto green card stock paper from EQ8 and that's what I used to cut my aqua patches.  So there are my blocks (above photo), ready to be sewn!  

Cutting Out Chisel Patches with my Karen Kay Buckley Perfect Scissors

New Fabric, New Project (Maybe): Scrappy Celebration Quilt in Tilda Prints and Solids

Good morning and Happy Thursday from sunny Naples, Florida!  🌞. I’m in limbo right now, moved out of our old house in Charlotte, North Carolina, but we don’t close on our new house here in Naples, Florida until next Tuesday the 20th.  My entire fabric stash, all of my rotary cutting tools and rulers, and all of my current works in progress are packed up in boxes that have not yet been delivered, but I do have access to my AccuQuilt GO! fabric cutter and all of my dies, my Bernina 475QE and my vintage 1935 Singer Featherweight 221 sewing machines, my travel iron, Best Press, and a tabletop ironing mat, and a bolt of Moda Bella Solid fabric in Off White.  These items traveled to Florida with me in my car so I have them in our temporary housing situation.  My husband is abandoning me for a couple of days for a business trip to Ft. Lauderdale, so I decided to self-medicate my moving jitters with a quick fabric shopping trip to my new LQS/Bernina & Baby Lock dealer, Flash Sew & Quilt.

New Tilda Precuts for Scrappy Celebration Quilt (Maybe)

I know, I know — if there’s one thing a quilter becomes acutely aware of when packing for a household move, it’s how much more fabric she already owns than she could ever reasonably use within her lifetime…  But medical science is making advances every day, and the cost of fabric keeps going up, so I’m rationalizing that I am wisely buying fabric while it’s still affordable, before global warming makes the planet too hot to grow cotton anymore, and I need to buy enough of it in case scientists cure everything and I am still here quilting away in my 200s.  Ahem.

In all seriousness, though, I was judicious with my purchases.  I bought precuts because they will be easier to manage with my GO! cutter on a kitchen table than yardage, and I didn’t want to buy enough for a whole new quilt, just enough to give me something to cut up and sew back together again for stress relief over the next couple of weeks until I get my hands on the rest of my stash.  I bought a fat quarter bundle of Tilda Solids and several fat eighth bundles of the newer Tilda print collections that I don’t already own, knowing that I have bundles and scraps of older Tilda prints (leftover from my Halo quilt) that will coordinate with the new stuff.  I also bought myself a pair of fabric scissors (the purple handled micro serrated Karen Kay Buckley Perfect Scissors) so I can rough-cut my Bella Solid Off White yardage and my fat quarters before running them through the die cutter, and I bought some pins and a spool of neutral Aurifil 50/2 cotton thread because I’m pretty sure both of my travel machines are current threaded with the dark navy I was using for my Deco quilt.  (Side note: TOTAL BUMMER that I packed my Deco Quilt and my FrankenWhiggish Rose projects in boxes and loaded them into the moving pod, because either of those projects would have been ideal to work on right now).  

The quilt you see on my iPad in the photo above is Scrappy Celebrations by Lissa Alexander for American Patchwork & Quilting, and it was a quilt along project in 2023.  I haven’t purchased the pattern and don’t intend to — I like the idea of mixing up a variety of 9-patch and 4-patch blocks but I’m not interested in making the exact quilt, and I definitely don’t need any instructions for such simple blocks.  I’m sure the pattern instructions call for rotary cutting and strip piecing anyway, which I won’t be doing since I don’t have any of those tools available right now.  

You know what else I don’t have access to right now?  My computer!  I’m writing this post on my iPad right now and it’s really annoying.  I am missing my big desktop monitor where I can do photo editing and have multiple windows open for adding links etc.  And by the way, my email subscription service is still paused (need to work some kinks out with that) so that’s why this post wasn’t delivered to your in-box even if you’ve subscribed to receive my blog posts that way.  Honestly I don’t know when I’m going to have time to deal with that, so please check here on the blog from time to time for new posts.  Thanks for understanding.

I hope you’re all sewing and quilting up a storm wherever you are today!  I’ll be linking up today’s post with the following linky parties:

MONDAY

Design Wall Monday at Small Quilts and Doll Quilts  

TUESDAY

To-Do Tuesday at Quilt Schmilt  

WEDNESDAY

Midweek Makers at Quilt Fabrication

Wednesday Wait Loss at The Inquiring Quilter

THURSDAY

Needle and Thread Thursday at My Quilt Infatuation  

FRIDAY

Peacock Party at Wendy’s Quilts and More

Can I Get a Whoop Whoop? at Confessions of a Fabric Addict

Finished or Not Friday at Alycia Quilts

Off the Wall Friday at Nina Marie Sayre

Beauty Pageant at From Bolt to Beauty

 TGIFF Thank Goodness It’s Finished Friday, rotates, schedule found here: TGIF Friday

SUNDAY

Frédérique at Quilting Patchwork Appliqué

Oh Scrap! at Quilting Is More Fun Than Housework

Hooray! My Halo Quilt is Finished!

 YOU GUYS!!!  Today is August 20th, and I finished my first quilt of the year yesterday.  I keep looking out my window for the parade but they must be stuck in traffic somewhere...  Surely there will be fireworks, or at least I'll get a mention on the news tonight???  😐. Seriously -- does anyone else feel a little anticlimactic about finally finishing a quilt, or is it just me?  So much work and effort, and then it's just OVER.  It feels so abrupt!

My 66 x 66 Halo Quilt Finish, Pattern by Jen Kingwell

I started this project in mid-March, so it took me five months from start to finish to cut, piece, quilt, label, and bind it.  The pattern for this quilt is available in Jen Kingwell's Jenny From One Block pattern booklet and there's a set of acrylic templates for the Halo quilt sold separately that are worth their weight in gold.  The curved patches for Halo can be cut with a 28 mm rotary cutter (a larger diameter blade is too big to follow the curves, but a smaller diameter blade is too shallow to glide along the edge of the acrylic templates -- the screw holding the blade in place would get in the way).  The other product I highly recommend for this project is Odif Grippy, a spray-on translucent nonslip coating for the acrylic templates that greatly reduces their tendency to slide on the fabric when you need them to stay put for accurate cuts (this post contains affiliate links).  

Halo is suitable for either hand or machine piecing; I hand pieced just one block just to see if I liked it better than machine piecing.  The verdict?  Hand piecing these blocks is easier but slower than doing it by machine, and I wanted to get this done as quickly as possible so I opted for machine piecing the rest of the blocks.  I used lots of Karen Kay Buckley's Shorter Perfect Pins to machine piece all of those curves.

Halo Pattern Booklet, Halo Templates and Tilda Pie In the Sky Fat Eighths

The Tilda Pie in the Sky fabrics pictured above were my starting point for this quilt, but I pulled lots and lots of fabrics from my stash, from my scrap bins (and from the treasure trove of scraps sent to me by Nann!).  What most intrigued me about Jen Kingwell's original version of this quilt was the way her quilt initially seems "random scrappy," but carefully planned elements reveal themselves on closer inspection (Most blocks are scrappy, but several blocks are planned.  Several blocks are planned to create an entire matching circle with a matching ring where the corners come together, and several other blocks are planned to create a scrappy circle with a solid matching ring).  She set general guidelines for value placement within her blocks (such as generally using darker/higher contrast fabrics for the rings and lighter value/lower contrast fabrics for background patches), but then only followed those "rules" about 60-70% of the time.  This resulted in a really interesting effect where some rings, circles and squares come forward visually in the composition and others appear to recede.  I attempted to recreate these "special effects" in my own version of the quilt and I'm pleased with how that turned out.

Scrappy Star for Carrie, Swiss Cross for Nancy + a Label for Maria Elizabeth

Happy Monday, quilting friends!  I have two client quilts to share with you today, plus glimpses of my so-closed-to-being-finished Halo quilt, and an update on Mister Puppy Pants' recovery from ACL surgery.  Lots of ground to cover, so I'll try (and likely fail) to be brief...

Carrie's Scrappy Star Baby Quilt

This first quilt I'm sharing with you was made by my client Carrie.  There is no pattern for this one; Carrie just made it up as she went along.  Don't you just love how her star is mostly made up of squares, but with a couple pinwheel blocks and a half square triangle thrown in here or there for interest?  I think the pinwheels make it look like her star is twinkling!

Carrie's 42 x 42 Baby Quilt, No Pattern Available

We chose Judi Madsen's Flower Swirl E2E design to give this baby quilt a fun, playful vibe, and the batting is Quilter's Dream Bamboo blend for a super soft, snuggly baby quilt without too much bulk (this post contains affiliate links).  Here's a photo of Carrie's sweet baby quilt before I quilted it for her:

Carrie's Baby Quilt Before Quilting

Since we wanted to really notice the whimsical quilting design against the background fabrics, I used YLI 40 Tex Variegated Machine Quilting Cotton in color Paris Boutique.  

Nann's Scrappy Largesse, Halo Quilt Progress + A Mini Curved Piecing Tutorial

I don't know about you, but when I've been slogging along forever on a project, trying to combine the same old scraps from my scrap bins in new ways to create blocks that don't look exactly like all the others on my design wall, there's nothing like a fresh injection of someone else's scraps to make the work feel fresh and exciting again.  

A month or so ago, Nann who blogs at With Strings Attached mentioned to me that she'd just finished reading a 1932 novel called The Sheltered Life by Ellen Glasgow.  When I expressed interest in reading the book, she offered to mail me her copy -- and she stuffed the flat rate postage box full of fabric scraps!!  I felt like I'd hit the scrappy jackpot!  I've been working in as many of Nann's scraps as possible and having a grand time with it.  Don't you love this sweet Wizard of Oz fabric?  The orange and blue arcs, pink quarter circle, blue and white dot, larger blue floral quarter circle, and the pink mini floral print are all Nann's fabrics in the block below.

This Block Contains 5 Scraps from Nann

In the block below, the yellow floral HSTs surrounding the blue center square are definitely Nann's, and I think that curved tumbler patch at the bottom that has sprigs of yellow flowers on a white background might also be from Nann.

Yellow Floral Print HSTs are Also Scraps from Nann

Although I've been busy long arm quilting this month, I've also had more social sewing opportunities on my calendar lately and that has really helped me keep the momentum going with this project.  Below you can see I have my Jen Kingwell Block Wrap all packed up with six different blocks planned out, ready to piece at a recent guild Sit & Sew event (this post contains affiliate links).  

Ramona's Pineapple Log Cabin, Betsy's Sea Glass Pinwheels + Pesky Little Halo Curves

Good morning and happy April, quilters!  I hope everyone who was celebrating enjoyed a wonderful Easter or Passover last week.  The Spring weather has arrived in Charlotte and there is a little gold butterfly fluttering around in the sunshine outside my window as I'm writing this.  It's so hard to stay inside and get work done on a day like today!  Of course, it helps when the work that keeps me indoors is as beautiful as Ramona's pineapple log cabin quilt!

Ramona's Pineapple Log Cabin with Radiance E2E, Glide Thread in Sea Foam

I just love her watery blue and green batik fabrics against that crisp white background, and the skinny sashing with sapphire sashing posts is absolute genius.  It's a beautiful variation on the traditional pineapple log cabin that also eliminates having to match up all those seams when the blocks are sewn together.  Brilliant!  

Ramona's 95 x 95 Pineapple Log Cabin Quilt

We used Hobbs Tuscany 80/20 Cotton/Wool batting for Ramona's quilt, a luxury all-natural alternative to the more common 80/20 cotton/poly blend batting (this post contains affiliate links).  The Cotton/Wool blend has a little more loft, a little less weight, and breathes better than a cotton/poly blend.  

Delicious Distractions: Slicing Through Scrap Bins, Sidetracked by Improv Piecing!

Hopefully, none of you have read my recent posts about my previous Weekly To-Do Lists or my June One Monthly Goal, because I haven't been working on any of those projects recently.  Instead, I went off on a wild scrap-slicing, improv piecing tangent and I'm blaming it all on Kelly Young for seducing me with her book Scrappy Improv Piecing: 22 Mini Quilts to Make With Easy Piecing!  (By the way, this post contains affiliate links.  This helps me to pay for Band-Aids, the importance of which you will appreciate in a moment).

5" Scrappy Improv Blocks For No Reason Or Purpose

What with the crazy news cycle last week, I was suffering from a bit of Fuzzy Brain syndrome and couldn't muster the concentration to follow any of the project instructions in Kelly's book, so instead I was just loosely following her method of sewing random bits and pieces together and then cutting them down into regular shapes.  This resulted in an assortment of 5" scrappy improv blocks for which I have only the vaguest of plans.  I had some of those red/pink sections left over from the Valentine's Day mini quilt I made for the blog hop to promote Kelly's book last year and I cut them down to 5" squares, like charm squares from a precut package.  And then I pulled out my blue and green scrap bin and started randomly slicing, sewing, pressing, slicing, sewing, pressing...  Making a glorious mess along the way, listening to the news and to podcasts and only barely paying attention to what I was doing...  

Making a Mess: The Scene of the Injury

The whole while I was off on this little tangent, I was singing "Slicing Through Scraps" in my head to the tune of "Dancing Through Life" from the musical Wicked.  Yes, it's all fun and games until you slice your rotary cutter right into your finger.  As this type of injury goes, mine was pretty minor -- no stitches, just an annoyance for several days while the Band-Aid wrapped fingertip got in my way and impeded my typing accuracy.  All better now, though.  

Janet's Kintsugi Quilt: Not Your Grandma's E2E Quilting

Good morning and Happy Passover/Happy Easter to all who are celebrating this weekend!  The quilt I'm sharing today was made by my client Janet in a Kintsugi workshop taught by Pepper Cory.  (You can read more about kintsugi, the ancient Japanese art of repairing broken pottery with gold, and how Pepper translates this idea into quilting, on Pepper Cory's blog here).  

Detail of Janet's Kintsugi Quilt with Geoglyph E2E

If you don't have time for the in-depth read, here are the basics: When you take this class with Pepper, you bring in an assortments of similar orphan blocks, incomplete and no longer loved projects you don't feel like finishing, and other odd bits and pieces ("shards") you might have lying around your studio.  Pepper guides students to create a layout with an abstract, modern art feel and teaches how to "glue" those pieces together with yardage of a complementary background fabric that acts as the golden lacquer to hold everything together and create a finished work that is more beautiful than all of its bits and pieces were on their own.  Janet chose a Moda Grunge fabric (this post contains affiliate links) for her background that sets off her bright, scrappy blocks and string strips.

Detail of Janet's Kintsugi Quilt with Geoglyph E2E

Janet's Kintsugi quilt is quite large, 88" x 88", with ample negative background space.  We chose a modern digital panto design by Jess Zeigler called Geoglyph that mimics extensive ruler work quilting, and when I set the design up in my computer I flipped, mirror-imaged, and staggered the rows of the design so that there is no traditional design repeat on the entire quilt.  

Kick-Starting the Kaleidoscope Quilt

Son-the-Younger's high school graduation quilt has begun!  And it's SOOO exciting!

In the photo above, the isosceles triangles have not yet been sewn together into an octagon, but I just loved the way the strippy pieced triangles came out and had to snap a picture.  This idea was born of necessity, because I didn't pay attention to the size of the hand dyed fabric pieces in the assortments I ordered from Marjorie Lee Bevis on Etsy and I do not have enough of any one of them to cut four identical 5" x 6" triangles out of any one fabric.  Bummer -- but also opportunity for inventive solutions!  I cut two different marbled fabric pieces into four strips each, then pieced them with strings of Kaffe Fassett, a green batik, and a strip of Tula Pink spots that was trimmed away from leftover quilt backing, all from my overflowing scrap bins, and then I layered for of these me-made string fabrics over my AccuQuilt 5" x 6" Isosceles triangle die to get two different sets of pieced triangles for my kaleidoscope blocks.

My GO! cutter did not appreciate me cramming four layers of pieced fabric with stacked seam allowances through at once, and it was really hard to turn the crank handle -- but it cut them cleanly and without breaking anything...  So I'll be doing that again!

I Have a New Favorite Thread Color! Meet My New BFF, Glide Khaki

I recently had the opportunity to quilt an edge-to-edge design on a client's gloriously scrappy double four patch quilt.  My client's quilting hobby had been "dormant" for the past sixteen years, until her adult son asked her to make this quilt for him.  The most exciting thing about all of this for ME is that her fabrics are ones that I had never seen before, different from what's been available in quilt shops throughout my own quilting journey, but also different from the much older fabrics I encounter when repairing vintage and antique quilts.  However, the wide range of colors and the busy nature of the quilt top necessitated a careful thread selection.  It was Glide thread in Khaki for the win!

Don't You Love That Green/Purple/Turquoise Batik?  And the Orange/Red with Turquoise Spots?!

The thread I chose, Glide in color Khaki, is a warm beige neutral with just the barest hint of green-gold.  Glide has a bit of a sheen to it, so Khaki mimics a metallic thread against the deep navy blues and blacks, but is much less flashy (and less finicky!) than a true metallic thread.