Teacher Gifts Revisited: The Very Hungry Caterpillar Minky Baby Quilt

So my fellow quilt blogging friend Val's Archives Linky Party theme for this week is teacher gifts.   Rather than link up an archived post, I'm doing a new, separate post today because the post I wrote about this project when I finished it back in 2010 was eaten by the Blogger Goblins or accidentally deleted or something.  Let me start out by saying that my goal today is BREVITY.  My last blog post ran on much longer than anyone could possibly have felt like reading it.  Hopefully I can manage to be concise this time!  And now, without further ado, I bring you The Very Hungry Caterpillar quilt:

Very Hungry Caterpillar Baby Quilt, for Anders' First Grade Teacher

My best teacher gift ever that I actually have a picture of is the Very Hungry Caterpillar baby quilt I made for Anders' first grade teacher when she had her first baby.  It's the second baby quilt that I ever used Minky backing on, and it's the first quilt I ever free motion quilted, on my Bernina Artista 200/730.

Minky Backing + Satin Binding

My First Ever Free Motion Quilting Project!

I LOVE my kids' teachers, without exception.  From preschool through today, I can honestly say that although there were a few who weren't good personality fits for one boy or the other, each and every one of their teachers cared passionately about teaching, cared about my kids, and went out of their way to accommodate their various quirks and to encourage their intellectual curiosity and love of learning.  And you know, when your kids are first starting school, you feel like your naked heart has left your body, climbed onto a yellow school bus, and is running around in a minefield somewhere that you can't protect it anymore...  So when your first grader gets a teacher who really "gets" him, who makes him feel loved and safe and excited about coming to school every day, that teacher is like a guardian angel sent down from heaven.  I wanted to do something really special for her when I found out she was expecting.

I chose the iconic Very Hungry Caterpillar panel print because reading was such a huge focus in her classroom that year.  I knew she would be reading this book to her baby, and I even personalized the quilt with a customized monogram.

Machine Embroidered Monogram

Another first with this project is that it was the first time I embroidered the "quilt label" information directly to the FRONT of the quilt, which I ended up liking quite a bit.

Machine Embroidered Quilt "Label" with Jewel Satin Blanket Binding

I like to sign my quilts on the FRONT.  :-). By the way, I've been asked about where I sourced that cool ombre satin binding for this project.  It's Wright's Satin Blanket Binding and the green/purple/blue color is called "Jewel."  I'm not sure whether it's still a current color offering or not, but I was able to locate it from an Etsy seller who still has some here (affiliate link).

Anyway, the quilt was a big hit with the teacher, and they even ended up doing a Hungry Caterpillar theme for the baby's first birthday because of it. 

So, I just realized that baby is almost 7 years old now.  He is probably a first grader himself this school year!!  Wow.  I hope that this baby quilt has been loved to pieces by now.  And I hope his teacher is every bit as wonderful to him as his mother was to my little boy.  Happy birthday, Gage, wherever you are!

Yay! I Finally Finished a Quilt! Can I Get a Parade, Please?

Drumroll, please...

Amish Baby 54-40 Or Fight, 50" x 50", with Minky Backing and Satin Blanket Binding

IT IS FINISHED!!!  Arm slings, thumb splints, frozen shoulder, surgery, and uncooperative satin blanket binding could not defeat me.  My Amish Baby 54-40 Or Fight quilt is finished, and I like it!  I even ended up loving the double row of zigzagging on the satin binding (a functional necessity since I did not manage to perfectly align the inner edge of the binding in a couple of places on the first pass).  I think it looks decorative, almost like another skinny border coming off the edge of the quilt.  Yeah, on second thought, I MEANT to do that.

Detail of Free-Motion Quilting and Double Zigzagged Satin Binding

Freshly washed upon completion to remove quilt markings, water soluble basting thread, starch etc., the quilt is everything I hoped it would be.  With 80/20 cotton/poly batting and Minky plush backing, it has a terrific weight, body and drape that are perfect for a comforting baby blanket to drag around, hide under, and love.  The cotton fabrics of the quilt top have a pleasing soft, bumpy texture from extensive quilting that shrunk up slightly in the wash.  The back of the quilt is unbelievably soft, furry Minky fleece.  And the satin binding is silky smooth, ready to rub a brand-new little nose with.

Snuggly, Cuddly, Baby Friendly Textures Ready for Gifting

This is why, even though I grumble and gripe about it every time, I keep coming back to the Minky and the satin binding when I make baby quilts.

So, to recap:  This is the first quilt I've made that I designed in my EQ7 software from start to finish, and I absolutely love it.  Here's the computer design I created back in late December of last year:

My EQ7 Design for Amish Baby 54-40 Or Fight

From conception to completion, this baby quilt took me four months to complete.  The intended recipient waited so long past his due date, it was almost like he was refusing to be born until his quilt was finished!  (He was expected near the end of March, but was finally born on April 19th).  It's not like I worked on the quilt nonstop on a daily basis, but still -- this is why, when my husband asks whether I'm going to make a baby quilt for some work colleague's wife whose wedding we went to several years ago, the answer is NO. 

I'm especially pleased with how I did the quilting on this one, pushing myself beyond my comfort zone and trying out some new things for the first time on a "real quilt."  And you know what?  I didn't ruin it!  I'll have to remember that the next time I'm afraid to "ruin" a quilt top by trying a new quilting design!

And now, back to my paper pieced pineapple log cabin blocks.  I'm linking up with Needle and Thread Thursday at My Quilt Infatuation, Link a Finish Friday at Richard and Tanya Quilts, Finish It Up Friday at Crazy Mom Quilts, Can I Get a Whoop Whoop at Confessions of a Fabric Addict, and TGIFF (Thank Goodness It's Finished Friday).

Satin Blanket Binding Is Evil, and Pineapple Log Cabin Blocks Are Lonely

I think we are all sick and tired of looking at my Amish Baby 54-40 or Fight quilt, which I have been working on v-e-r-y s-l-o-w-l-y due to my temporary (but thoroughly annoying) disabilities.  So let's look at the pineapple log cabin blocks that are waiting patiently for me on my design wall instead:

I'm Coming Back, Pineapple Log Cabin Blocks!

If I knew ahead of time that I was going to have a bike accident that put my right arm in a sling and a splint on my left thumb, I could have planned all of this much better.  I would have finished quilting and binding the Amish Baby quilt PRIOR to injury, and I would have cut out lots of pieces of fabric ahead of time so I could piece them together by machine while I recovered instead of painfully wrestling with quilting and binding a heavy Minky-backed quilt with slippery, sadistic satin blanket binding.  But then again, had I known I was going to fall on the bike that day, I would have stayed home and spent the day quilting instead!

I have had it with this satin blanket binding, in case anyone is wondering.  Oh, it probably looks fine to other people, just like my other satin binding quilts looked fine, but it annoys me that I can't make it look BETTER than fine.  From the front of the quilt, it looks fantastic:

Satin Binding, Front of Quilt

And from the back, it looks great in some places:

Satin Binding, Back of Quilt

...But in other spots I have barely caught the edge of the satin binding in the stitching and I worry that it might come loose after the first or second time it's washed if I leave it that way.  Exasperating!!

Satin Binding from Back, Problem Spots

See what I mean?  I have scoured the web for tutorials in hopes that someone has figured out a more accurate way to sew this premade 2" blanket binding to a quilt, and most of the tutorials picture photos of binding that looks just like mine or even worse.  The best looking ones are where someone is using this satin binding on a much thinner and less bulky project than mine, like two layers of flannel or two layers of fleece.  Mine is a pieced quilt top, 80/20 polyester batting, and then the Minky fleece backing.  No matter what I try, I cannot get the inside edge of the satin binding to align precisely on the front and back side of the quilt so that the zigzag stitching line falls exactly where I want it on the front and back.  So, here's what I'm thinking.  Who says I have to use the single fold prepackaged satin binding in the first place?  If I want a 2" wide finished satin binding on a baby quilt. why can't I just buy yardage of a polyester satin fabric in the color I want, starch the snot out of it to make it behave like a cotton, and then cut and join strips that are 4x the finished width plus extra to wrap around the edge?  Why can't I sew a satin binding to the quilt using exactly the same method I would use to sew a regular cotton binding to a quilt?  I could fold the satin strips in half, serge the raw edges to the raw edges of the quilt from the back, then straight stitch 2" from the raw edge on the back, fold over to the front and pin along the stitching line, and THEN zigzag along the fold line from the front side.  It would be at least as durable a finish as the prepackaged satin binding, and would have the added advantage of giving me more options for finding the perfect color fabric.

Meanwhile, for the current project, I'm planning to stitch a second row of the triple zigzag just inside the first row of stitching.  That way I know the binding is securely attached on both sides, and it will look like I planned it to be two rows of stitching for decorative reasons from the front.  It looks okay on my sample:



Sample with Double Row of Zigzag Stitching

I'm linking up with Design Wall Monday at Patchwork Times, Main Crush Monday at Cooking Up Quilts,  Sew Cute Tuesday at Blossom Heart Quilts, WIP Wednesday at Freshly Pieced, and WIPs On Wednesdays at Esther's Quilt Blog.  Happy stitching!

New Titanium Shoulder Jewelry and The Saga of the Satin Binding



Satin Binding In Progress!

Hello, Internet!  I'm three days post-surgery and my arm is out of the sling for the first time today.  I did take the prescription pain meds this morning but they should have worn off by now, and so far I'm doing okay.  Let's hope it's onwards and upwards from here on out!

14 Screws Later: My New Titanium Shoulder Jewelry

I started binding my Amish Baby 54-40 or Fight baby quilt yesterday.  You'll remember that I stitched a placement line for the inside edge of the satin binding with water soluble basting thread.  That turned out to be a great idea.  The idea of how I was going to use temporary fabric glue stick to position the satin binding on the front and back side of the quilt didn't work out. 

The glue stick adhered okay to the cotton fabric of the quilt top, but did not want to stick to the plush Minky backing fabric at all.  Also I am cramming a little more quilt into the binding to give it sort of a padded effect, and the glue stick just doesn't hold strong enough for that.  So instead, I'm using extra-fine, long silk pins in a three step process, one side of the quilt at a time.  First I pin the satin binding just barely covering my placement line on the front of the quilt:

Pinning the Top Edge Only to Basted Placement Line

Then I pin the opposite edge of the satin binding on the back side of the quilt, again just covering the line of basting stitches:

Pinning the Back Edge of Satin Binding to Basted Placement Line

Finally, I place pins on the front of the quilt going through all three layers, perpendicular to the edge of the satin binding.  I remove the parallel lines of pins from the top and bottom of the satin binding as I'm going along:

Perpendicular Pins Added Through All Three Layers

Only the Perpendicular Pins Remain for Stitching

I actually missed a few pins from the underside of the quilt when I stitched the first side of the satin binding down, and they caused my presser foot to get stuck.  I also had to be careful to slide the pin heads out of the way just before my presser foot came to them (as you see me doing in the above photo).  I'm using my walking foot on my Bernina 750QE with Triple Zigzag Stitch #7.  I'm using a size 80/12 Microtex needle and Mettler Poly Sheen 50 weight thread, and I did not need to make any adjustments to the default settings of stitch #7 in order to get good results.

First Corner Miter, Back Side

In the past when I've bound baby quilts with satin binding, I think I pinned it in place all the way around the quilt, miters and all, but this time I'm doing it one side at a time.  Since I've got so much quilt crammed tightly into my satin binding for that padded edge effect, I just couldn't control the miter until I had one side of the binding stitched all the way to the edge.  So I started the binding in the middle of one of the sides, went all the way to the corner, folded in the miter and pinned the next side of the quilt binding.  Then I was able to start stitching from the outer point of the mitered corner and continue down the entire side of the quilt in one pass.  Another benefit of stitching it this way is that I won't have any hand stitching to do to secure the mitered corners, and I can't do any hand stitching with a broken left thumb!

Rounding the First Corner

I'm trying to take it easy, but so far nothing is hurting my arm or shoulder so I'm going to see if I can't get another side of my satin binding pinned and stitched down today.  Enjoy your weekend and happy stitching!

Of Fractured Bones and Other Annoying Quilting Delays... And PROGRESS!!

Greetings from the Land of Humpty-Dumpty, in which Rebecca goes for a bike ride, has a great fall, and is still waiting for all the King's horses and all the King's men to put her bones back together again.    This happened exactly three weeks ago today, and in addition to the broken and displaced right clavicle bone that has disabled my right arm, I also broke my left thumb and smacked my head hard enough to crack my bike helmet and give myself a mild concussion.  So I have not been sewing for the past couple of weeks.  Or brushing my own teeth, dressing or showering myself...  But not sewing stinks the most, especially when my cousin's baby is coming any day and the quilt is SO CLOSE TO BEING FINISHED!  (Also, it is a surprise, so if you know my cousin, DON'T SPOIL IT).

The Unhappiness That Is My Collar Bone

I'm getting my collar bone screwed back together again surgically on Wednesday, but over the past week I've been sneaking up to my sewing room to work on my Amish Baby 54-40 or Fight quilt.  With one arm in a sling and a thumb splint on the other hand, I'm not making great strides or anything -- I can get in about 15-20 minutes before the shoulder pain is unbearable, but every little bit gets me closer to the finish line!  A little bit of sewing is better than NO sewing.

In this post, I wanted to document some of the things that have worked for me in the final stages of this project so I can refer back to it in the future and save myself some trial-and-error:

Marking Stars for Free Motion Quilting

To mark the stars for free-motion quilting on the blue fabric squares, Don Linn's hooped tulle and Sharpie method wouldn't work because I couldn't see the faint black line against the blue fabric.  So I cut out an exact template of the star shape from a junk mail postcard, cutting just INSIDE the marked line, and used a Clover white marking pen to carefully trace the stars onto the blue squares.  The white pen works great on dark fabrics.

"Wave Stitch" Controls Fullness in Unquilted Border Perimeter

Once I had completed that last bit of quilting, I still had 2" of my teal border unquilted because that's the width of the satin binding that I'm planning to use.  I saw that the quilting stitches had drawn up the body of the quilt so that there was a faint ripple to the unquilted outer edge, and I did NOT want a ripply-edged quilt looking like I don't know how to measure for borders properly.  I considered stippling the border to flatten it out, but decided that I wanted to retain some of the loft and puffiness inside the satin binding.  So I scrolled through the decorative stitches programmed into my Bernina 750QE sewing machine and selected one that looks kind of like a wave stitch, and stitched that around the perimeter of the quilt just inside the raw edge using my walking foot.  It did the trick of shrinking the outer edge just enough without flattening out the loft that I wanted to keep.  Also, I think it makes kind of a fun quilting stitch, don't you?  I'll have to remember that one for another quilt -- it would be a great alternative to just straight line quilting.
My next trick when I am doing a Minky-backed quilt with satin binding is to enlist my serger to trim and clean up the edges of the quilt before binding.  That wave stitch also enabled me to remove the remaining safety pins from the quilt before they went anywhere near the serger blades... 


Two Thread, Left Needle Serger Overlock Before Binding

Why didn't I just trim the excess batting and backing fabric and get on with binding my quilt?  Well, Minky is an unruly pain in the butt whose edges like to curl up and shed all over the place.  I didn't want to deal with that when I was trying to attach the slippery satin binding.  A serged edge is much, MUCH more stable and easier to work with.  Moreover, when you see a well-loved tattered blanket, the satin binding usually shreds and disintegrates long before the rest of the blanket, and it is easy enough to give new life to a cherished blankie by replacing the satin binding.  My overcast quilt edges will be protected from fraying when the satin binding wears out, and will make it easier for whoever gets the job of replacing the satin binding.

One big, HUGE thing to remember as you're setting up your serger is that MINKY STRETCHES, but ONLY IN ONE DIRECTION.  It's important to test your stitch settings across both the lengthwise AND the crosswise grains before you start in on your quilt.  Otherwise the stitch that looked great on your sample might get wavy on the two sides of the quilt where the Minky wants to stretch on you. 

Test Your Stitch Settings on the Lengthwise AND Crosswise Grains!

On my Bernina 1300MDC serger I got a nice, wave free edge with differential feed set to 1.5, stitch length 3.5, cutting width 2.0, and the tension settings recommended in my user manual.  I used a size 80/12 Universal needle and YLI Elite serger thread.
Here's one more serger trick that I always forget when I'm trimming away the excess batting and backing fabrics as I overcast the edge of the quilt.  Just before reaching the corner, I cut away a couple of inched of the excess fabrics on the side I'm about to stitch with a scissor.  Then I can serge right to the edge of the corner, sink my needle just off the edge and raise it to the highest position, pull the work backwards to clear the stitch finger, and then turn the quilt to begin stitching the next side of the quilt right at the corner where I left off.  I always mess up the first corner before I remember the scissor trick.  If you forget, you try to turn the corner but the bulk of the untrimmed batting and backing is in your way so you can't get the quilt back under the presser foot far enough.

Approaching the Corner, Next Side Scissor Cut 2-3"

So the whole time I'm quilting my blue stars, stabilizing and overcasting these quilt borders, I'm stewing about the satin binding.  I have made a number of these Minky backed, satin binding baby quilts in the past, and the only reason I subject myself to the hassle of it all is that babies LOVE satin binding.  If you give a baby a blanket with satin binding, he will reward you by rubbing the satin binding on his nose while sucking his thumb and making sweet little baby gurgling noises.  So it has to be satin binding.  But it is nearly impossible to get the inside edge of that satin binding lined up perfectly on the front AND back side of the quilt.  Anywhere the edges are NOT perfectly aligned when you stitch the zigzag from the front of the quilt, you will get something that looks like this:

Stitched Right Side Up, so the Front Looks Good...

...But the Back Is Not So Hot!

Very annoying!!  So I had an idea of what I could do to get better results this time.  I decided to stitch a placement line for the inside edge of the satin binding using YLI Water Soluble Basting Thread in both the needle and the bobbin.  I'm going to use that stitching line to either glue baste or pin (haven't decided which) the satin binding in place prior to stitching.  In hindsight, I should have stitched that line before I quilted my curlique olives in the border, since I drew a chalk line there anyway to make sure my quilting design remained outside of the area to be covered by satin binding.

Water Soluble Thread Placement Line for Satin Binding

Water soluble thread is very cool because it just dissolves and washes away when your project is rinsed or laundered, but it is more fragile than ordinary sewing thread and it requires special care.  It is very important to store water soluble thread in the airtight ziplock bags it comes in, and handle it with very dry hands so you don't get it sticky.  It's probably also a good idea to store your bobbin thread right in the baggie with the spool of water soluble thread, clearly labeled.  It would be very sad to get caught in the rain in a dress you accidentally constructed using water soluble thread... 

Settings for Water Soluble Thread

I sew successfully with YLI Wash-Away Water Soluble Thread on my Bernina 750QE sewing machine using Straight Stitch #1, but I increased the stitch length to 3.50 and reduced the tension all the way down to 1.0.  I also reduced the speed considerably when winding the bobbin, and because I'm working on a 3-layer quilt, I used my walking foot.

I've decided on a triple-stitched zigzag stitch to secure the satin binding to my quilt.  I'll be using Mettler Poly Sheen thread for that, for reasons of strength, matching the color and the sheen of the satin binding, and because both the satin binding and the Minky backing fabrics are polyester.  I'm using a brand new size 80/12 Microtex Sharp needle to stitch the satin binding without any snagging or pulls (which are also possible pitfalls of pinning, which is why I'm considering gluing the binding in place).

Broken Thumb with Splint

But none of this is happening right now, because my thumb is sore and my shoulder hurts from all of this typing!  Enjoy the rest of your weekend.  I'm linking up with Esther's WIPs on Wednesday linky and Whoop Whoop Friday at Confessions of a Fabric Addict.

Rebecca Was Afraid of Borders. Now, She's Afraid of Basting

Borders Attached, And I'm Still Alive!

It's absolutely ridiculous, but it took me almost two weeks to get the borders on this baby quilt because I psyched myself out about my imperfect piecing and the dangers of borders coming out ripply or wavy or whatever if I didn't measure correctly or if my math was off or if didn't pin the borders properly or if I fit the borders to the quilt top rather than fitting the quilt top to the borders -- wait, or are you supposed to do it the other way around?  Can you imagine if this had been a complicated pieced border instead of plain old strips of solid fabric?  I'd have been in agony for at least a month.  Anyway, I sewed the last border strip on last night and IT IS JUST FINE and now I feel foolish for wasting so much time and energy worrying about them.  After all, I do have a seam ripper, right?  Didn't even need to use it.  This quilt would be finished already if I wasn't such a dork.

Next subject of stress and indecision is which of the three Minky cuddle fleece backing fabrics to use with this quilt.  Since it's for a baby gift, I think the black and white giraffe print is adorable, but this is a polyester fleece fabric after all, and I'm worried that there is too much white in the background that is going to turn dingy and gray almost immediately:


Giraffe Minky Cuddle Fleece, Backing Choice #1

See how cute they are now?  But the quilt top is predominantly black, a baby quilt gets washed a bazillion times, and the white polyester fleece is bound to get horribly dingy and gray very fast.  They won't be able to wash the quilt even in color safe bleach without fading the quilt top colors.  So I'm leaning toward the zebra print instead, which has far less white in it:

Zebra Minky Cuddle Fleece, Backing Choice #2

I do have my satin binding picked out already -- a royal blue that I found online here in a 25-yard roll. 

Satin Binding By the Yard

I've only used Wright's prepackaged 2" satin binding in the past, but since each package is only 4.75 yards I always had to do two joining seams with that stuff.

So, now it's time to layer and baste this bad boy so I can get it quilted -- or, I should say, now it's time to PROCRASTINATE layering and basting.  I hate layering and basting, and I need to clear off a suitable surface in my studio or bring in another table to do it properly.  Meanwhile, I'm headed off to my LQS in hopes that I can rectify the fabric shortage issues with my FrankenWhiggish Rose project.  I did not realize how much more fabric waste there is with applique than with pieced blocks!  I have been continuing to play with the design for that quilt in EQ7, by the way, and my current favorite looks something like this:

New and Improved FrankenWhiggish, 86" x 86"

If you've been paying attention, you may have noticed that every time I tweak the design it gets more complicated, and the quilt gets bigger.  At 86" x 86", it's kind of big for a throw quilt to live on my sofa, don't you think?  Anyway, if I don't get myself out the door and on the road, I won't make it to the fabric store at all today.

I'm linking up with Design Wall Monday at Patchwork Times.  Happy Stitching and Happy Monday!

Behold, the Beloved Minky Quilt! "Because It Is Fluffy and It Has Memories"

The Zombie Quilt



Have you ever had the opportunity to see one of your quilts after it has been loved literally to death?  Have you ever given a baby quilt to a newborn and then, years later, been astounded to see a six-year-old child dragging around the rotting, dingy, appalling remains of your handiwork, fiercely insisting that it is the best and only quilt for her "because it is fluffy and it has memories?" The zombie quilt pictured above (it is a zombie because it is clearly dead, yet it still walks around scaring people) was made for my niece when she was born in 2008.  Her name is Princess Petunia, but her parents insist on calling her Sarah...  When I gave the quilt to the newborn princess, it looked like this:

Newly Made Baby Quilt, in 2008

This is the first baby quilt I ever made with Minky backing, and it's the only quilt I ever tied instead of quilting.  I gathered a wide satin ribbon with the ruffler foot on my sewing machine and then sewed it into the edge seam of the quilt.  Soft cotton fabrics on the top of the quilt with little nubby embroidery floss knots, silky satin ribbon along the edges, and snuggly Minky backing on the reverse.  This quilt went together fairly quickly, and somewhat halfheartedly, since my sister had been telling everyone how much she hated pink and I knew there was a good chance this quilt would get shoved into a dark closet and never see the light of day.  My sister's family lives far away and I don't get to see them often, so I wasn't able to watch the gradual decline and disintegration of this quilt over the years.  I'm told that the Princess calls it her "covers" and demands its presence at every nap and at bed time, wears it as a cape, and drags it around after her, Linus-style.

I last saw the pink Minky quilt about a year ago.  It was in pretty bad shape then, so I made Petunia a new, Big Girl quilt with Dresden plates, Minky backing, and satin binding edges to take its place:

Replacement Quilt Made in 2013, Deemed Unworthy by the Princess

A lot more work went into the Dresden plate quilt.  No dice.  My sister tells me that the Dresden plate quilt is only used when the raggedy used-to-be-pink quilt is in the laundry.  It's only the Understudy Quilt.  Ah, well -- I tried!

You might think it would be depressing to see one of your quilts in shreds, with gaping holes where some of the patches have disintegrated and the batting is falling out, but I think this is the best possible fate for a baby quilt.  It may look gross, but as the Princess says, it's still fluffy and it has memories!

Memories, indeed.  Here's a parting shot of the zombie quilt, wrapped around Princess Petunia as Anders was opening his birthday presents:


Lars, Anders, Princess Petunia with Zombie Quilt, and James

Happy 11th birthday, Anders!  And the Zombie Quilt lives on...

Finished: Dresden Plate Minky Quilt for Princess Petunia!

Dresden Plates for Princess Petunia, 47" x 47", 2013

Sarah's Dresden Plate quilt is finally finished!  A week late, but better than never!  I hope my little princess likes it.  This is a replacement for the Minky quilt/blanket I made when she was born 5 years ago, which has been "THE" blanky, known as "her covers," ever since. 

 

Sarah's Original "Covers," as it looked new in 2007

 

This quilt became the blanky she wouldn't sleep without, the one she snuggled under to watch cartoons, and the one that served as dress up cape/cloak as the need arose.  The quilt top has disintegrated, the batting is coming through and washing away in the laundry, the once-pink Minky backing fabric is now an ugly grayish-beige, and the ruffled satin ribbon trim is looking pretty ratty.  It no longer looks anything like this picture.

 

So my mission with the new quilt was to create something roughly the same size, same weight, textures and feel, but with a big girl color palette.  Hopefully Sarah will accept the "new covers" as a replacement for the raggedy old ones!  I had toyed with the idea of embellishing this quilt with some hot fix Swarovski crystals to give it some bling, but after washing it I knew that was all wrong for this quilt.  It's much too soft and casual -- I'll save those sparklies for another project instead.

 

New Dresden Plate "Covers"

 

This is the second time I've bound a Minky-backed baby quilt (baby size this time, even though it's for a Big Girl!) with prepackaged 2" satin binding, and I really like the results.  I do use a lightweight batting in these quilts, with minimal quilting to secure the layers, so the quilt has a nice blanket weight, drapes beautifully, and is really snuggly.  Little ones love to rub the satin binding on their noses.

 

So, how do I attach the satin binding?  So glad you asked!  First, when I'm doing the initial horizontal and vertical quilting "in the ditch" between blocks to stabilize the quilt layers, I add a row of quilting stitches about 1/4" to 1/2" in from the edge of the quilt top, using my walking foot to prevent the Minky from slipping or stretching.  Then, once all quilting is complete, I trim away my excess batting and backing fabric to within about 1/4" of the edge of my quilt top.  Next, I trim away that extra batting and backing by serging along the edges of the quilt with a 3-thread overlock on my serger.  *IMPORTANT: Be sure to test your serger settings on scraps of your cotton fabric, batting, and Minky backing before you serge your actual quilt.  I found that I needed to adjust the dual feed on my serger in order to prevent getting a wavy edge.

 

Pinning Satin Binding to Quilt Edges

Wright's 2" Satin Blanket Binding comes prepackaged in lengths of 4 3/4 yards.  I needed two packages to bind the edges of my 47" x 47" quilt.  Join the lengths together before you begin pinning it to your quilt.  The satin binding will be creased in half down the center, with one edge sticking out slightly farther than the other.  You want that wider side on the BOTTOM of your quilt.  Carefully pin the satin binding to your quilt edges, mitering the corners and leaving about 5-8" loose ends at the beginning and the end.  The thicker your quilt, the more difficult it will be to line up the edges of the satin binding on the top and bottom of your quilt sandwich.  With a thick quilt like this one, you may want to baste the binding in place with water-soluble basting thread before stitching it down permanently -- that way, if you're a little off in some places, you can make adjustments.

 

Overlap your loose ends, and cut them with a 1/2" overlap.  Then, take the pinned quilt to your sewing machine, carefully pulling the unpinned satin binding ends away from the quilt, and stitch the ends together using a 1/2" seam allowance.  Now the loose part of your satin binding should fit your quilt perfectly, and can be pinned in place.

 

I stitch my satin binding to my quilt with a three-step zigzag, width 6.0 and length 1.25.  On my Bernina 750 QE, this is Stitch #7.  I used my 1D foot with Dual Feed engaged, but a walking foot would be a good alternative.  Actually, I would have had better visibility to precisely place my zigzag stitches at the edge of the satin binding if I had used my 20D Open Embroidery foot or my walking foot with the open toe sole attached.  You want the point of the left "zig" in the zigzag stitch to be right at the edge of the satin binding.  After securing the binding on all four sides of the quilt, I go back and zigzag down the folded miter of each of the four corners as well, so there are no loose loops for little fingers to poke around in.

 

The satin binding is kind of stiff right out of the package, but it softens up considerably in the very first washing.  Satin binding trim is pretty durable and can withstand frequent machine washing, but since your quilt edges are serged inside the binding, they are protected and you could easily repair or replace the satin binding in the future if you needed to.

 

Now that I've finished this belated birthday present for my niece, I can turn my full attention to the Machine Embroidery Blog Hop project I'm working on for next week!  It's actually very fitting that I finished the Dresden Plate quilt right before starting on another Blog Hop project, since I came up with the idea of using the machine embroidered applique flowers in the center of my Dresden plates last November, as part of another Blog Hop that I was participating in using Marjorie Busby's embroidery designs for GO! die cut shapes.  My new project post won't go up until this Thursday, but there will be lots of other projects and tutorials for you to enjoy from various bloggers throughout the week, and at each blog post you'll have another chance to win a FREE embroidery design pack of your choosing from Anita Goodesign !  Here's the lineup: 

 

Monday, March 18th:

Kelly - I Have A Notion
SewCalGal

Tuesday, March 19th:

Cindy - Sew Cindy
Trish - AllThingsCrafty.com

Wednesday, March 20th:

Marjorie's Quilting Bee
Margaret - The Average Quilter

Thursday, March 21st:

ME! ME! ME! ;-)

Rebecca Grace - Cheeky Cognoscenti

Fri., March 22nd

Gene Black - Alabama Artist
SewCalGal

Once again, I want to extend a HUGE thank-you to SewCalGal and I Have A Notion for organizing this hop, and an even bigger thank-you to Anita Goodesign for graciously agreeing to sponser the event and donate prizes for our winners.