Graffiti Quilting on Jan's Bear Tracks Quilt + DIY Bernina Mastery Classes

HAPPY FALL, everyone!  Time to get snuggly with this wool-batted bear paw quilt made with beautiful jewel-toned batik fabrics!

Graffiti 13 E2E on Jan's 69 x 69 Bear Tracks Quilt

Jan used the Bear Tracks Quilt pattern from Island Batik Ambassador Jackie O'Brien, available as a FREE PDF download on her web site here.  When Jan brought this quilt top to me for quilting, she had seen pictures of the bear paw quilt "Color Outside the Lines" I made a couple years ago that I quilted with one of Karlee Porters digital Graffiti edge-to-edge designs, and Jan requested something similar for her quilt.

Graffiti 13 E2E with Fantastico Variegated Thread, Color Molokini

For an even bolder impact on Jan's quilt, we chose Superior's Fantastico variegated trilobal polyester thread in color Molokini (this post contains affiliate links).  On my own bear paw quilt, I'd used a very thin, 60 weight thread in a pale silvery color that blended and disappeared into my fabrics.  One isn't better than the other, but they give very different looks.

Olivia's Church Windows, Gail's Autumn Bear Paws, and My '80s Sampler Gets Borders and Backing Fabric

Good happy morning, everyone!  I am so far behind in posting photos of the quilts I've been doing for clients that I am having a hard time deciding which quilts to share with you today.  Seriously!  The second-best part about being a longarm quilter is that I get to see and collaborate on so many gorgeous quilts in every color and style imaginable.  (The very best part about my job is that I get to meet, talk with, and be inspired by the wonderful people who make these quilts).  

So, considering that my phone is busting at the seams with photos I haven't shared yet, I ought to quit writing the blah blah and just show you some quilts already!

Church Windows Baby Quilt for Olivia

The maker of this fresh and modern baby quilt is a high school math teacher, so she's automatically my hero.  Olivia has brought me several baby quilts over the past year, shower gifts that she's made for friends and relatives.  This one is extra-special, though, because it's for Olivia's own first child who is due to arrive any day now.  I'm so excited for her!

Olivia's 39 x 40 Church Windows Baby Quilt

Olivia chose the Church Window quilt pattern from Lo and Behold Stitchery, available on Etsy here (this post contains affiliate links).  After looking at lots of designs together, Olivia chose this Annabelle edge to edge design from Christy Dillon for its ability to soften the geometry of the piecing lines with soft curves, feminine florals, and a modern vibe that will "grow with the baby" versus anything overtly "baby."  Don't you love the way the flowers appear to be vines supported by a patchwork trellis on this quilt?

Annabelle E2E Design Stitched in Barely Pink So Fine Thread

We used Quilter's Dream Bamboo blend batting, one of my favorites for baby quilts due to its lighter weight, softness and breathability.  Previously known as Quilter's Dream Orient, this blend includes not only bamboo but also silk, cotton, and Tencel fibers.  The thread I used is 50 weight So Fine in color Barely Pink.  So Fine is a great choice for quilting designs like this one that involve backtracking/overstitching on previously stitched quilting lines because it doesn't build up and look "thready" in those areas.  

Note To Self: There Are No Magical Border Elves Who Finish Quilts While You Are Sleeping

Oh my gosh, y'all -- I would so much rather be making blocks for a new quilt rather than putting seven borders on this WIP (Work In Progress) project that I've been puttering around with for the past six(!) years!  When I came up with this bright idea of Mork's rainbow suspenders for a quilt border, I was only thinking about how cool it would look and not thinking at all about actually having to go to all of this bother at the tail end of the project when I just want to be DONE with it already!  I procrastinated cutting the border strips after I cut the black inner border a couple months ago -- swiftly remembering how much I hate cutting long lengthwise strips for a big bed quilt.  Well, I finally cut them all and have been piecing them together and attaching them to my Retro '80s Building Blocks sampler.  This is where I left off last night, with only the final purple border strips waiting to be attached:

Only One More Border to Go!

First, I'd joined the Kona Lipstick and Kona Black borders together, pressing the seam allowance towards the black on the top and bottom strips and towards the red on the left and right side strips.  That way, the seams nested and locked together nicely when I mitered the red+black border corners.

Trying to Keep Organized...

Then the next four colors were strip pieced together to apply as a single border: Kona Tangerine, Kona Grellow, Kona Peridot, and Kona Ocean.  

Friday Quilt Finish: Color Outside the Lines is Ta-Done at Last!

 

63 x 63 Color Outside the Lines, Bear Paw + Sawtooth Star Blocks

Happy Friday, y'all!  I have a quilt finish to share with you today!  I finally put the last hand stitches into the binding of my Color Outside the Lines quilt last night, wrapping up a languishing WIP (Work In Progress) that I started way back in 2014.  Woo-hoo!

I Hope You Appreciate the Azaleas...

I goaded my grouchy and reluctant husband into driving around with me to find a photo location with azaleas in the exact shade of pink as the hand dyed fabric patches in the center of my bear paw blocks.  I was like the Knights Who Say Nih from Monty Python -- "YOU MUST BRING ME A SHRUBBERY!!!!!"  Also, I told him that none of the OTHER quilters' husbands complain that their arms are sore from holding the quilt up for so long.  😏. 

Remember what this quilt top looked like before I quilted it?  Here's that Before picture again:

Another Month, Another Goal... Or Two: Of Bear Paws and Kaleidoscopes

 I was long-winded on the topic of that vintage Economy quilt yesterday, so today's post is going to be Short and Sweet!

I have a Major Goal for April as well as a Minor Goal.  The Minor Goal is to get my Color Outside the Lines bear paw quilt off my WIP list.  That entails labeling, binding, and hand finishing the binding on this one.  After clearing off the heaps of fabric debris on the cutting table from my kaleidoscope, I finally had room to trim the bear paw quilt and machine embroider its label yesterday.

Machine Embroidered Label, Ready to Applique

And no, that is not a typo or your eyes playing April Fools jokes on you.  I really did start working on this quilt SEVEN years ago, in May of 2014.  It will feel good to have this one done at the end of the month!

But my Major and Supreme Goal for April is to get my son's kaleidoscope graduation quilt, Giverny Teleidoscope, to the Finished Flimsy stage by the end of the month.  While I had the embroidery module and stabilizers out anyway, I went ahead and embroidered the label for Anders' quilt as well.  It's stitching out right now, while I'm typing this blog post.

Oh-Ma-Goodness; My March OMG Goal Was Attained... EARLY!

 Guess what?  If a quilter spends less time writing about quilting on her blog, she can get more actual quilting progress completed in her studio!  😲.  This has been a major epiphany for me!  Stop smirking!

Giverny Teleidoscope Layout, All 63 Block Centers Complete

Okay, so my One (and only) Monthly Goal for March was to complete the remaining 53 octagonal kaleidoscope block centers for my younger son's high school graduation quilt.  I only had nine of them finished at the beginning of the month and I got the remaining 54 pieced with a week to spare.  Whew!  Note that none of the corner triangles are sewn to the blocks yet.  I spent a few hours this afternoon cutting those HSTs (half square triangles) out and arranging the blocks on my design wall until nothing was jumping out at me in an unpleasant way.  I think I like what I've got right now, but I'm planning to look at it again with fresh eyes in the morning before I start actually sewing corners onto octagons.

The Supreme Yumminess of the Hand Marbled Fabrics and the Graffiti Quilting

Earlier this week, since I was all caught up with customer quilts and right on-track with the kaleidoscope blocks I'm making for Anders' high school graduation quilt, I finally -- FINALLY -- got my UFO Bear Paw quilt out of the Purgatory closet and loaded it on my frame for quilting.  I am so excited to finally be finishing this quilt for myself!  I stewed over how to quilt this one for three years, but when I discovered this digital edge-to-edge quilting design, Graffiti E2E #7, by Karlee Porter,  I knew it would be perfect for this top.  

I'm Loving Graffiti E2E #7 on my Bear Paw Quilt!

I started making my 10 1/2" bear paw blocks in May of 2014 as an experiment, chopping up Anna Maria Horner's large scale LouLou Thi print and enjoying the "blobs of paint" effect that created in my blocks, with sections of butterflies or flowers recognizable in the larger patches but not in the small triangles.  Soon afterwards, I got my hands on my first hand marbled fabric assortment from Marjorie Lee Bevis (I think she was selling them through Luana Rubin's equilter.com online shop at that time, but today she sells her fabric directly through her Etsy shop here) and started making 4" sawtooth stars out of them.  

The Fabulousness That Is February: One (or More) Monthly Goals

Hello, my lovelies!  Happy Thursday, and happy FEBRUARY!  Now that I have replenished my supply of Kona Solid in Ocean, I came close to finishing two more sampler blocks for my Retro '80s Building Blocks quilt last night.  The 10" block below wasn't quite done yet when I took this photo:

Progress on Another 10 Inch Sampler Block

All of my block sections had been foundation paper pieced and trimmed, but they still needed to be pieced together and, in order to nest the seams the way I wanted them for crisp, perfectly matched seam intersections, I designed my foundation paper piecing pattern so that the sections go together with partial seam construction.  I weighted the finished sections down with my acrylic square ruler just to keep it crisp and flat overnight.

Here it is, finished:

10 Inch Block Finished

As my dad used to say, "I think that's close enough for government work!"  (I have no idea WHY he used to say that, but he did).

Of Thanksgiving Travel, Needlework Memories, Embroidery, and Applique

Hand Embroidered Pillows Made By My MIL circa 1959

Hello, my lovelies, and happy belated Thanksgiving to all of you in the States who were celebrating this week!  We've just returned from spending the holiday in Florida with my husband's family.  L-O-N-G drive, but well worth it.

More Needle Turn Leaves...

I shoved my Frankenwhiggish Rose needleturn applique project into my suitcase before we left and managed to get some leaves cut, prepped, and stitched down while visiting with Bernie's family, and couldn't help but notice striking similarities between my mother-in-law's throw pillows on the sofa and the project in my lap:

My MIL's Needlework, circa 1959.  This One Is My Favorite.

How cool is that?  It's the same color palette, very similar style -- could be an alternate block in the same quilt.  My mother-in-law Marlies used to do the most amazing sewing and needlework years ago.  Not anymore, due to age-related memory decline, but I asked her about these pillows and she vividly remembered making them.  

She said that she and her sisters got needlework kits like this one from their father as Christmas gifts and these pillows were given to her on her last Christmas in Germany before she emigrated to the United States to marry my father-in-law.  (They were married in 1960, so I'm guessing this was the Christmas of 1959).  Marlies told me the kit came with the pattern, materials, and yarns, and they would start working on the stitching after Christmas.  She had these pillows partially or completely embroidered before she left Germany, and finished and stuffed them sometime after arriving in Philadelphia to begin her new life as a married woman.  So they're close to 60 years old, and I LOVE THEM!

Detail of Yarn Embroidery

Isn't that gorgeous?  I wish I knew more about the pattern designer and the materials.  I can tell you that I've seen these pillows on their family room sofa for the 20+ years that I've known them, and they've definitely seen regular use over the decades, yet there's no pilling of the embroidery threads.  I wonder if it's wool or something else?  I think most synthetic yarns would have gotten all fuzzy and worn-looking by now.

My MIL Marlies, My Sons Anders and Lars, and My FIL Fred

My sons, Lars and Anders, got to spend some quality time with their grandparents, their Tante Angela, and their cousins, too.  My MIL kept asking "Where are the little ones?" whenever the boys left the room, but at 5'10" and nearly 6' tall, they are not little anymore!  

I did manage to get some other sewing done before heading out of town for Thanksgiving.  I loaded and quilted the outreach cuddle quilt for the Charlotte Quilter's Guild:

Outreach Cuddle Quilt Is Quilted!

Someone else in the guild pieced this top and there were some minor fullness issues, so I floated the quilt top and just did a freehand meander from the front side of the machine rather than a pantograph from the backside, where I wouldn't have been able to keep an eye on the trouble spots.  I mounted the quilt sideways and was able to quilt the whole thing in just two advances, less than two bobbins.  Now it just needs to be trimmed and bound. 

Pretty Sure I Put the Horizontal Spool Holder In the Wrong Place

I used a spool of variegated California Poppy YLI 3-ply 40 weight cotton Machine Quilting thread in the needle, and used the horizontal spool holder accessory for the first time since the spool was stack wound.  I am pretty sure I put that thing in the wrong place on my machine, by the way, because in order to use the upper thread break sensor with my setup the thread needs to travel BACKWARDS to the thread break sensor wheel rather than straight down.  I think that spool holder attached with sticky adhesive foam or something; not sure I can get it off and reposition it??  Anyway, I had the 40 weight cotton thread in my size 4.0 needle and used white Super Bob 2-ply polyester prewounds in the bobbin, and was able to get decent tension without too much trouble.  Still seeing slight directional tension variation indicating needle flex, but since completing this quilt I've read that going up to a 4.5 needle with the cotton thread would have helped with that.

I Love How the White Bottom Line Thread Disappears On the Back Side

Look how well the Bottom Line thread disappears on the backing side of the quilt.  The 60 weight 2-ply thread is so fine and thin that it takes on whatever color it crosses, appearing yellow when it crosses yellow fabric and blue where it crosses over blue.

I'm planning to machine bind this quilt, but that will have to wait a few days because I dropped off my main squeeze machine, the 'Nina 750QE, at my Bernina dealer for her annual Well Baby visit.  While I wait for her to return to the studio, I can continue appliqueing leaves to my Frankenwhiggish Rose blocks, pin the last rows of pineapple log cabin blocks together, and get something else loaded on my longarm frame.  

Let's have a poll -- what should I quilt next?  

Should I whip up another charity quilt top for practice quilting and try to completely eliminate the needle flex tension issues, or should I put a REAL quilt on the frame (and risk "ruining it" if my quilting savvy is not yet up to snuff)?  The only "real" quilt top that is finished and ready to load is my Paint Me A Story bear paw quilt, by the way...  

"Paint Me A Story," 65 x 65.  Do I Dare to Quilt This Yet?

I started this quilt in 2014 and I will be HEARTBROKEN if I wreck it.  But I suspect that I need to quilt real quilts if I'm going to get better at the custom quilting I most want to do...  Charity quilts are best suited to simple allover designs, not fancy ruler work and freehand fills.  Hmmm...  Let me know your thoughts in the comments.  

Enjoy the remainder of your long holiday weekend!  I'm linking up with:

• I Like Thursday at Not Afraid of Color: www.lapaylor.blogspot.com       
• Slow Sunday Stitching at http://kathysquilts.blogspot.com/ 
• ·       Oh Scrap! at Quilting Is More Fun Than Housework http://quiltingismorefunthanhousework.blogspot.com

Behold! My First Finished Quilt Top of 2018: "Paint Me A Story"

Some wise Internet sage proposed that how we spend our New Year's Day would characterize how we would spend our time and what we would accomplish throughout the entire year.  Well, the only thing I accomplished on New Year's Day was to bake a new scone recipe that no one liked.  Baking Fail!  I also slipped and fell down the stairs while carrying a laundry basket down on New Year's Day, and that's not a very promising augur for the new year either.  But yesterday I finally, FINALLY finished a quilt top that I started working on way back in May of 2014.  That was three and a half YEARS ago, for those of you who are insufficiently caffeinated to do math this morning.  

65" x 65" Finished Quilt Top, "Paint Me A Story"

Those of you who have been following my blog for awhile are probably sick of this quilt already.  I honestly can't explain why it took me so long to get around to adding the final border to this top, but I have to be in the right mood to do borders for some reason, which is silly because borders are nowhere near as difficult as sharp little triangle points!  This quilt started out with nine 10 1/2" bear paw blocks using a large scale floral Anna Maria Horner print called LouLou Thi Clippings in Passion colorway.  I rotary cut my bear paw patches without paying attention to the print as an experiment in breaking the rule about how big prints shouldn't be chopped up into small pieces because that "loses" the print, that is, you can't tell what the print is supposed to be when you cut a large scale print into small pieces.  I really liked the effect, though -- kind of abstract, kind of like gobs of paint in some places, with recognizable flowers or butterflies in other places.  I used an orchid pink batik fabric for the center of my bear paw blocks, and I was originally just going to set them with alternate plain white blocks so I could do something challenging with the quilting...

10 1/2" Finished Bear Paw Block

Original Layout Plan

But then I had this idea that I wanted to do wide white sashing and sawtooth star cornerstones in hand marbled fabrics, and I spent some time fiddling around with different sizes, running red dye on one sawtooth star, and trying out different methods of piecing the stars to figure out which one would give me the best accuracy with the least frustration.  I ended up foundation paper piecing most of these 4" blocks.

4" Finished Paper Pieced Sawtooth Stars

I'm glad I added the sawtooth stars.  I liked the bear paw blocks, but in the end I couldn't bring myself to make a quilt using just the one print fabric.  I felt like I didn't get enough artistic input, you know?  Like it was all about Anna Maria Horner's fabric design.  Combining Horner's print fabric with Marjorie Lee Bevis's marbled hand dyed fabrics enhanced that gobs-of-paint vibe that I was loving from my bear paw blocks, and any time I start combining fabrics that "don't go together" (not from the same fabric collection, batiks/hand dyes with prints, traditional and reproduction prints with modern prints, etc.) I feel like I'm much more involved in the creative process, like the resulting quilt is a collaboration between me and each of those fabric designers rather than me just executing something that reflects one fabric designer's artistic vision.  I have nothing against quilters who love to make quilts from all one collection or from kits -- don't get me wrong!  But as an interior designer by trade, combining different fabrics and furnishings and lighting from all different sources to create something new and unique is what I DO; that's how I best express myself artistically, and that's what is most fulfilling to me personally in my hobbies.  I am never content to just follow the directions.  :-)

So once I had the bear paw blocks, the sashing, and the sawtooth stars, I started thinking about the borders.  I started making blocks for this quilt before I had my EQ quilt design software, but by the time I got around to border options I was able to audition several possibilities on my computer.

Pieced Border Possibililties, EQ7 Mock Up

The pieced border options were ultimately rejected, however, because I felt like they were all too busy-looking.  I wanted a clean, fresh, modern feel for this quilt, with plenty of negative space for custom quilting.  And as I was stitching the top together, enjoying the bright splashes and swirls of vivid color, I found myself thinking back to my elementary school art classes in the late 1970s, remembering how all of us kids clustered around big, donut shaped communal sinks to clean our paintbrushes and all of our paint colors swirled together in glorious rainbow streams of color in the basin, swishing down the drain.  Man, I can even smell the acrylic paint right now; that's how strong the memories are.  I have to show you the sink I'm talking about now.  Gotta love the Internet -- I now present to you the round, communal sink from Birchview Elementary School in Wayzata, MN:

I Found the Sink!!!

I apologize for the urinals.  They had this same sink fixtures in the boys' and girls' restrooms as in the art room, and they may have even had one in each of the lower grade classrooms as well, but I could only find this picture from the boys' bathroom to share with you.  These sinks are sized for little kids, low to the ground, and they allow for lots of little hands to be washed simultaneously with minimal wasted water.  To give you some perspective, here is a photo of some adults using one of these sinks:

Scaled for Use By Children

I think the edge of the sink basin was almost up to my armpits when I was in kindergarten.  There's a rubber ring on the floor that you step on to turn the water on and then it sprays all the way around the deep, donut-shaped basin like a fountain. 

You Have No Idea How Excited I Was to Find This Picture

OMG, people!  THAT IS MY SINK FROM BIRCHVIEW ELEMENTARY SCHOOL THAT I HAVEN'T SEEN SINCE 1983!!!  I can't believe I was able to find it so easily on the Internet!Now you have to imagine that same sink in an art classroom instead of in the boys' restroom, and you have to imagine it all splattered with paint like this:

Painted Dumped In Some Random Sink for Illustrative Purposes

And imagine a dozen or so little second graders clustered around that sink, diligently cleaning their paint brushes at the end of class, and one little girl with long, tangled hair is using her paint brush to swirl the colors together in the sink until they look very much like the fabrics in a certain quilt top that she would make nearly 40 years later...

Do You See the Paint Splotches and Swirls That I See?

The other thing that the bright colors and streaky paints remind me of is captivating children's book illustrations by artists like Eric Carle:

The Inimitable Eric Carle

And so, throughout all of the hours over the past three years that I was working on this quilt, as I cut and stitched fabric, ripped stitches out and redid them, threw up different border fabrics on the wall for audition, and considered all of the possibilities of what this quilt could be, I reconnected to a much younger version of myself and to all those hours, so many years ago, learning to create in elementary school art classes and learning to read, to imagine, and to dream from the picture books that were read to me by my mother and by my teachers (thanks, Mom!).  That's why I'm naming this quilt "Paint Me a Story."  It makes me happy.

You know, when I first started this quilt (before finishing another one that was in progress), my then-6th-grader son Anders was indignant about my "poor work ethic" (starting a new project when the last project wasn't finished yet), and he wanted to know for whom I was making this quilt.  He had seen me make quilts for him, for his brother, for his dad, and as gifts for other people's children.  I told him this one was just for ME -- and it really was.

Of course this is a finished quilt top only, not a finished quilt.  I've pressed it, folded it neatly and hung it on a hanger in the guest room so it will be ready for my long arm frame once my long arm quilting skills are ready to tackle it.  This quilt is going to get some custom quilting for sure, and I need to think some more about whether I want to try to tell more of the story through the quilting design.  It needs to percolate in a back corner of my mind while I work on something else.  Also I need to wait for an online fabric order to arrive because I ended up doing wider borders than I had originally planned and I came up 5" short on my chosen backing fabric.  Because no, I never learn, and I always, ALWAYS need more fabric than I think I do!  The backing fabric for this one is aptly named, though, don't you think?

"Slow and Steady" Backing Fabric by Tula Pink

"Slow and Steady," indeed!!  Now, why did I procrastinate so long on the borders?  Because I much prefer chopping up fat quarters of fabric into small pieces to wrangling with long lengths of border fabric that need to be prewashed, pressed, straightened, folded, and cut very carefully to ensure border strips that are straight when unfolded rather than zigzagged.  I have always hated cutting out plain borders, but I think I have a method that works for me now so hopefully my future projects won't be as likely to stall out at this stage.

First, I measure the length and width of my quilt top through the center to determine the cut lengths of my border strips.  I snip into the selvage of my fabric about an inch into the not-quite-straight edge that was cut from the bolt and rip straight through the opposite selvage to have a perfectly straight, on-grain fabric edge.  Then, in order to work with a piece of fabric that is as small and as manageable as possible, I add a few inches to my required border length, take a snip through the selvage at measurement of my border fabric yardage, and then I tear straight across through the other selvage.  Then I multiply my cut border width times four, again adding a little bit for a fudge factor, and then I take a snip at the torn fabric edge and rip all the way down the lengthwise grain.  So for this quilt top that finished up at 65" x 65", wanting to add four borders that were each 5" finished width, I tore my prewashed border fabric into a piece that was approximately 24" wide by 70" long.  I folded the rest of the fabric and put it away for future use, and took my rectangle of rough-ripped fabric over to the ironing board for pressing and straightening.  Much easier to get everything aligned properly for cutting with the pre-ripped fabric than it would be if I tried to press, straighten, and fold the 3 1/2 yard length of 44" wide fabric or whatever it was.

Then, instead of measuring the center of my quilt top and then measuring and cutting my border strips to that same measurement, I now skip the measuring.  I just lay my starched and pressed quilt top on my work table, lay my border strips straight through the center of my quilt, aligning it with seam lines so I know it's straight, and smooth all of the fabric layers with my hand.

Measureless Measuring for Final Borders

Then I use a ruler to draw a chalk line on the border strips even with the edge of the quilt top, still with the border strip lined up down the CENTER of the quilt top, and cut along the chalk line with scissors.

Just Cut Along the Yellow Line

So fast, and so accurate, too!  And then I pin those border strips to the edge of the quilt where they belong, matching the centers and ends and then filling in with pins in between those reference points.  Because the rainbow striped border was pieced from several fabrics, I chose to pin my outer border strips so they would be on the bottom when sewn, next to the feed dogs. 

Border Pinned, Ready for Stitching

That way I could babysit the seam allowances on the rainbow border to make sure none of them got flipped the wrong direction.  Do you notice how my pins are oriented, with the glass heads on the left side and no part of the pins jutting out beyond the raw fabric edges?  That's so I can use my 97D patchwork foot with its accompanying seam guide:

Patchwork Foot 97D with Dual Feed and Seam Guide

This setup on my machine helps me get a perfectly straight, perfectly accurate 1/4" seam all the way down the long border seams, resulting in a nice, flat border and a quilt top with 90 degree angles at all four corners.  Notice also the Band-Aid I'm modeling in the photo above, because OF COURSE my stupid finger has to start bleeding when I'm sewing on WHITE borders!

And now that I have chronicled the finished quilt top and documented my process for sewing quilt borders, I am moving on to the Tabby Mountain project that I told you about last time. 

"Tabby Mountain" by Tula Pink for Free Spirit, Free Pattern Available here

This is a quilt that I stumbled across online, really love exactly as-is, and even already own all of the pictured fabrics in my own stash, so I'm hoping it goes together much, MUCH more quickly than Paint Me A Story did. 

My Ruler and My Fat Quarters, Ready to Go!

I was able to find that 30 degree triangle ruler that I needed wanted, and now that my design wall is FINALLY EMPTY FOR THE FIRST TIME SINCE IT WAS INSTALLED, I have a place to lay out all of my triangles as I'm cutting them out!  I might have to deviate ever so slightly from the quilt as it's pictured, though, since the pattern calls for 1/3 yard of each of the solids and I have fat quarters of each color instead.  Not sure if I'll be able to get all of the solid triangles out of the same solid fabrics or not.  The goal for this one is to KEEP IT SIMPLE and to GET IT DONE!

Wish me luck with that, since I can't even write a quick and simple blog post...

Since I've rambled on for this long, there's one more thing I'd like to share with those of you who have stuck with this post all the way to the finish line:

My son Lars, who just turned 17 (how did THAT happen?!!) the day after Christmas, and my two Rottweiler furbabies, Otto and Lulu, who will both turn 7 years old tomorrow:

My Babies, Minus One: Lulu, Otto, and Lars-Of-Ours

So much love in one picture!  I could just eat them up -- but that would be cannibalism.  Okay, I think we're done here for today.

I'm linking up with:

·       Let’s Bee Social at www.sewfreshquilts.blogspot.ca/

·       Midweek Makers at www.quiltfabrication.com/

·       WOW WIP on Wednesday at www.estheraliu.blogspot.com 

·       Needle and Thread Thursday at http://www.myquiltinfatuation.blogspot.com/

·       Finish It Up Friday at www.crazymomquilts.blogspot.com

·       Whoop Whoop Fridays at www.confessionsofafabricaddict.blogspot.com

·       Off the Wall Friday at Creations: http://ninamariesayre.blogspot.com/

·       Finished Or Not Friday at http://busyhandsquilts.blogspot.com/

Bear Paw Progress: Mitered Borders

Hello, cyberworld -- did you miss me?  I left my teenagers home with my husband and snuck off to the mountains for Music Week sleepaway camp with other grownups.  After a week of worship, unplugging from technology and singing my heart out, I feel so refreshed and ready to tackle whatever comes my way!  And that includes mitered quilt borders:  

Bear Paw Progress: Mitered Borders

I used my main sewbaby 'Nina (my Bernina 750QEE) to sew the white inner borders to my quilt top, but then I dropped that machine off at at my Bernina dealer for her annual Well Baby visit while I was out of town.  When I got back, I had to enlist Bette (my 1934 Singer Featherweight 221) to sew the mitered borders onto my bear paw quilt. 

Attaching Second Border

The Featherweight is ideal for mitered corners anyway, since she reverses direction immediately and reliably when I flick that switch.  My experience with computerized machine models has been that they sometimes -- but not always -- will take an addition forward stitch before reversing, which is extremely annoying when mitering or sewing Y-seams or inset seams that need to be stitched right up to -- but not THROUGH -- the adjacent seam line.

Back Stitching Just to the Line Marking 1/4" from the Edge of the Quilt Top

One of my main purposes in writing this blog is to create a permanent, searchable record of my project notes.  I don't trust myself to remember what worked and what didn't the next time I want to do a mitered border, and I can never find the handwritten notes I used to scribble on whatever scrap of paper was handy at the time.  So, next time I want to put a mitered border on a quilt and can't remember how to do it, I'll be referring back to this post.

My border strips are precut to their exact length, the length of the quilt top edge (measured through the CENTER of the quilt top) + the finished width of the border.  I've seen a lot of instructions for mitered borders where they have you cut the border strips extra long and trim the excess after stitching the miters, but I think that's a recipe for a wavy border disaster.  I've marked the border strips and the quilt top corners 1/4" in, where the miter seam begins.

End of First Border Strip Pinned Out of the Way; Pinning Second Border Strip for Stitching

All four border strips are sewn to the quilt top before any pressing is done, simply folding the previously stitched border strip out of the way as I pin the next strip in place.  I have carefully matched the center of each strip to the center of the quilt top, as well as the marks indicating where the side seams end and the miters begin at every corner.

Stitching Begins at Chalk Line and Pin Marking 1/4" from Edge of Quilt Top

Once all four borders were sewn to the quilt top, I folded each corner diagonally with the quilt top WST (Wrong Sides Together) and used the 45 degree angle line on my ruler to draw the miter seamline.  I'm using a Frixxion pen for this, so the marks will disappear when I press the seam after stitching. 

Note that these markings are all on the WRONG SIDE of my quilt -- I do not use Frixxion pens to mark anything on the right side because sometimes the mark is still visible as a white "ghost" line after ironing.  I have also heard of the lines reappearing when the finished quilt is exposed to cold temperatures, and the manufacturer of these pens has told us that chemicals remain in the fabric even after the marks disappear.  All of my quilts get washed upon completion so I'm not terribly worried about Frixxion pen chemicals eating through my mitered corner seams in 50 years, but that is a possibility.  

45 Degree Angle Line from Side Stitching to Corner of Border Strips

Perfect 45 Degree Angle Line Should Go from End of Side Stitching Right to Strip Corner

Pinned In Place and Ready to Stitch

Don't cut off those triangles yet!  Stitch the seam first, open it up and finger press it to check that the miter is perfect.  Trim away 1/4" from the seam line only after you're happy with the corner miter.

Stitching the Miter Along the Drawn Seam Line

I had my 'Nina 750 back by the time I was sewing the miters.

View from the Back

Once I trimmed the excess fabric from the miter seam allowances, I pressed the corner seams open from the back side of the quilt top.  Finally, once all of the corners were done, I pressed all of the border seams away from the center of the quilt top.  I'm really pleased with the way this border turned out.

I Love This Corner!

Yes, I know I stretched that corner a little when I pressed it open.  I'll fix that before I add the next border, but don't the stripes look NIFTY coming together in that mitered corner?!  Happy, happy, joy JOY!!  The butted white inner border was much faster to sew and not worth mitering, in my opinion, and mine is the only opinion that matters since this is my quilt.  ;-)  There is probably a rule somewhere that says that if one border is mitered on a quilt, ALL the borders should be mitered, but I make my own rules...

This Border Makes Me HAPPY!!!!!

So now I want to add a final wide outer border in solid white, but unfortunately I goofed AGAIN when I ordered more Kona Snow border fabric.  I forgot that the quilt top gets bigger after each successive border is attached (duh!) so I do not have a long enough piece of continuous yardage to cut those outer border strips without having to piece them.  Grrr...  When will I learn that I always, ALWAYS need more fabric than I think I do?!  It's not like I'll never find a use for any leftover solid white fabric or anything...  

Another 3 yards of Kona Snow are on order and will show up in my mailbox by the end of the week.  In the meanwhile, now that I've got my 'Nina back from the shop, it's time to finish up that class sample with some walking foot quilting.

Happy Monday and Happy Stitching, everyone!

I'm linking up with:
 

·       Design Wall Monday at Small Quilts and Doll Quilts http://smallquiltsanddollquilts.blogspot.com  

·       Main Crush Monday at Cooking Up Quilts http://www.cookingupquilts.com/

·       Monday Making at Love Laugh Quilt http://lovelaughquilt.blogspot.com/

·       Moving it Forward at Em’s Scrap Bag: http://emsscrapbag.blogspot.com.au/