1.
What am I currently working on?
I’m currently
working on a King sized (hopefully!) paper pieced Pineapple Log Cabin Quilt: |
| 7 Blocks Done, 29 Blocks to Go |
...and an experiment
with Bear Paw and Sawtooth Star blocks that is starting to feel like I am aimlessly driving up and
down the Interstate without a map:
 |
| Bear Paws and Sawtooth Stars, Making it Up As I Go Along |
...and a pieced and prepared edge applique Block of the Month “Jingle” quilt (designed by Erin Russek of One Piece At a Time):
 |
| Center Medallion for my "Jingle" Quilt |
 |
| Finished Border Blocks for Jingle Quilt |
...and
then I'm also working on my first attempt at needleturn applique, which is also proceeding without a
clear plan – The FrankenWhiggish Rose Project:
 |
| FrankenWhiggish Rose, Block One of ??? |
Prior to this year, I only worked on one quilt at a time from start to
finish. This whole multiple project UFOs
approach is an experiment for me that actually is not going very well. I am finding that I have a really hard time
forcing myself to come back to a project once I’ve set it aside for something else,
and it bothers me that I have spent so much time and energy on these four
projects without having any completed quilts to show for it. I am wasting huge chunks of time spinning my wheels just trying to switch gears from one project to the next. So I have decided to “kill these off” one quilt
at a time, and then go back to my habitual Serial Quilt Monogamy.
2.
How does my work differ from others?
This is the most
difficult of the four questions for me.
I’m not sure how my work differs from others – that depends which “others”
I’m being compared with! Comparing myself
to others who have been posting in this Around the World Blog Tour series, I would
have to say that my work is different because there’s so much less of it! I only manage to sneak in a couple of hours
of quilting each week, and I work very slowly.
I made my first quilt in 2002 and I have only finished nine quilts in
the past twelve years. So my work is
characterized by the blissful ignorance and fierce determination of the ambitious
beginner!
Another way
my work is different is that I’m usually working at the outer extremes of
technology, either very high-tech or very low-tech, rarely in the middle. I’m paper-piecing my giant pineapple blocks
on a computerized Bernina 750 QE, using oversized foundation papers that I
printed on a large format printer at the office supply store, and I played around
in EQ7 software to preview color and value placement for that quilt before
committing. But the bear paw and
sawtooth star blocks and most of my Jingle blocks were all pieced on my vintage 1935 Singer Featherweight. I frequently design custom monograms and
quilt labels on my computer using digitizing software for machine embroidery, but
I don’t enjoy machine applique and prefer to do that by hand. Sometimes I’ll stitch out a row of decorative
stitches on the computerized Bernina and then embellish the stitching by hand
with seed beads, French knots or paillettes:
 |
| Computer Designed, Machine Embroidered, Bead Embellishments by Hand |
Either I’m
hand quilting old school style in a lap hoop, or machine quilting with
computerized stitch length regulation on the Big ‘Nina. This switching around and sampling of all
different techniques is probably another reason why I’m still a beginner
quilter after twelve years. I’m a Jackie
of all techniques, master of none!
Finally, my
work is different because it is primarily utilitarian. While I admire and enjoy the art quilts many
others create for wall display, my quilts are created with a more traditional
end purpose in mind. I make quilts for
my kids’ beds: |
| Lars's Drunken Dragons Bed Quilt |
 |
| Lars's Drunken Dragons Quilt |
...and quilts for us to snuggle under on the sofa while watching TV, like this one:
 |
| Bernie's Sugar Shack Leaves Quilt |
I make quilts for my niece and nephew to drag around with them, like this one:
 |
| Sarah's Quilt with Minky Backing and Satin Binding |
...and quilts to wrap around car seats and strollers for newborns, like this one:
 |
| Hungry Caterpillar Quilt for Gage, with Minky Backing and Satin Binding |
3. Why do I create?
This one is easy. Creative people just can’t help being
creative, and my favorite medium is beautiful fabric. That’s how I accidentally became an interior
designer for ten years (long story) even though I majored in history and didn’t
take a single art or design course in college.
I’m a stay-home mom right now, and that’s definitely what’s best for me
and my family, but I would go nuts if I wasn’t making anything. So much of what I do disappears as soon as it’s
finished. I clean the bathrooms, but
next week they will be dirty and I will have to clean them again. I wash the same laundry week after week, shop
for the same groceries, pay the bills and feed the dogs, pack lunches, cook the
dinners and wash the dishes, and while all of that work is important, none of
it is lasting. I have wiped so many noses over the years, changed so many
diapers, and read so many bed time stories, and I’m fortunate to have been physically
present for all of that for my sons -- but the accomplishments of my children
belong to them and not to me. I create because
a quilt stitches together the fleeting memories of what was going on in my life
in the year the quilt was made, honoring the most insignificant, ordinary days
with permanence. That process doesn’t
stop when the final stitch secures the quilt binding, either. Once the quilt is on the bed, it soaks up memories
of all the bed time stories we share, the lost teeth left for the tooth fairy,
the rowdy sleepovers and the Nintendo DS hidden under the pillow. A well-made quilt lasts a long time if
properly cared for. Maybe one of them
will someday outlast me!
4.
How do I work?
As I said, I
only spend a few hours each week actually sewing anything. I spend more time in “Research and
Design Phase” than I do actually stitching. I don’t
have many opportunities to take classes, so I read and reread a lot of quilting
books, blogs, and magazines to get ideas and learn new techniques. I also love “speed dating” quilts on
Pinterest. While my husband is watching
some awful show like Naked and Afraid or Fast 'N Loud Gas Monkey Garage, I zip through
Pinterest and repin every quilt, photograph, or whatever catches my eye,
quickly and without overthinking it – just anything that jumps off the screen
at me. Then I go back through my virtual
bulletin boards to analyze my pins and look for common threads. For instance, after reading Judi Madsen’s
Wide Open Spaces book about contemporary heirloom quilting designs for negative
spaces in quilts, and then analyzing the quilts I’d been pinning on Pinterest,
I realized that many of the traditional and contemporary quilts I most admired
had more contrast and used more solid fabrics than I had been using in my own
quilts. I looked at my fabric stash and
realized that I was buying lots of diva print fabrics and hardly any neutral or
“supporting actor” fabrics to balance out and contrast with those divas. That’s how my bear paw project came about, as
I challenged myself to buy plain old solid white fabric for the backgrounds and
cut up a bold, large-scale print floral fabric from my stash in small enough
pieces that the print itself is lost and it becomes more like abstract splashes
of color against the white ground: |
| Anna Maria Horner Fabric, Chopped Up for my Bear Paws |
Most of my
quilts are Fake Scrappy, in that I emulate the effect of true vintage and antique
thrifty scrap quilting by purchasing an enormous variety of brand-new fabric
and then hacking it all into "scrap" pieces with my rotary cutter. I do this for several reasons. First and foremost, it’s because the greater
the number of fabrics in the quilt, the less likely I am to get bored with the
project before it is finished. I also
think it makes the finished quilt more interesting when you have the initial
impact of the overall quilt viewed from a distance, and then upon closer
inspection you have an additional level of detail as you discover each of those
unique individual fabrics that make up the whole. I do make a point of incorporating scraps
from earlier quilts as much as possible, because those fabrics carry a lot of
meaning for me and it’s very satisfying to make that deliberate connection
between this year’s quilt and the quilt from seven years ago. Finally, even if I’m not doing a scrappy
thing, I never choose all of the fabrics for a quilt from one manufacturer’s
collection and I could never make anything from a kit with all of the fabrics
preselected for me. Maybe it’s the interior
designer in me creeping back in, but I need to pick out all of my own fabrics. For years I made a living selecting combinations
of colors, fabrics, and furnishings for other people. Sometimes my clients gave me carte blanche,
but other times I had to compromise a design that I was in love with in order
to accommodate a client whose taste differed from my own. Hand picking each and every fabric that goes
into my quilts is my favorite part of the whole process.
Because I
work so slowly and my finishes are few and far between, I’m heavily invested in
each project and I challenge myself to explore new techniques with each
one. Now that I have the EQ7 quiltdesign software I will probably spend even more time on the design phase, trying
out different settings and arrangements on the computer screen ahead of time to
ensure that the design I commit to stitching into reality is really the best concept
that I was able to conceive.
Whew – I made
it! And to think I was worried that I
wouldn’t be able to think of anything to write.
If you’re a new visitor to my site for the blog tour, thanks for
stopping by. I’ve really enjoyed
learning about the creative processes of other quilters on the Around the World
Blog Tour, and I’m really looking forward to hearing from the two quilters I’ve
tagged for next Monday, November 10th: Kerry of Simple Bird Applique Studio and Wendy Sheppard of Ivory Spring.
Kerry of Simple Bird Applique Studio creates
intricate, spectacular applique quilts that take my breath away. I have just been in awe of her as I’ve
watched her “Friends of Baltimore” quilt (designed by Sue Garman) near
completion. Kerry is a quilting teacher
and that comes through in her blog, where she walks you through her process from
fabric selection through the bumps and hurdles, right on down to the
binding. Kerry also designs original
applique patterns that are available in her online store.
Wendy Sheppard of Ivory Spring is another quilter who has really inspired me. Her long-running “Thread Talk” blog series
has been a valuable free-motion quilting resource for many beginners, myself
included. Her tutorials for free-motion
quilting on a domestic sewing machine are better than most of the quilting
books on my shelves. Over the years, I’ve
watched Wendy grow as a quilting teacher, commercial pattern designer, and
cheered for her as her quilts have graced the covers of countless
magazines. I am delighted that Wendy has
just published her first book, Recreating Antique Quilts. I am really interested in learning about how
the creative process of quilting is different for quilters like Wendy, for whom
quilting is a career as well as a creative outlet.
I'm linking up with Anything Goes Monday, guest hosted today by Helen over at Till We Quilt Again, WIPs on Wednesday at Esther's blog, WIP Wednesday at Freshly Pieced, and with Design Wall Monday at Patchwork Times. Thanks again
for stopping by. Happy stitching!
