Upcoming Zoom Workshop With Maria Shell, "Making Prints Out of Solids" + Picasso Landscapes: Out of Bounds Exhibit

You guys, I am SEW excited to be taking a 2-part Zoom workshop this month with quilt artist Maria Shell!  And there are still a few spaces available in the class in case any of YOU would like to join me, from wherever you are in the world!  But hurry if you're interested -- Maria will be lecturing at the guild meeting tomorrow night and the class will probably sell out once members see her work and hear her speak.

Maria Shell, "Making Prints Out of Solids" Workshop September 9th and 16th

This workshop, "Making Prints Out of Solids -- Lines, Tracks & More" is being offered by the Charlotte Quilters Guild and I helped our Programs Director set this up months ago when I was still the guild President, before moving to Florida.  I believe there are still spaces available and registration has now opened up for nonmembers.  At just $50, this is an absolute steal for a two-part workshop with a teacher of this caliber.  The workshop will be conducted via Zoom from 7-9 PM Eastern Standard Time on Monday, September 9th and Monday, September 16th, and you can register here.  There is no kit or pattern required for the class; you just need a copy of Maria's book Improv Patchwork that is available on Amazon here (affiliate link).  

So...  I have the book, I read the book, and I'm nervous about cutting without rulers (!!!) but excited to give it a try and see what happens.  My homework to prepare for class was to put together a palette of solid colors to work with, all pulled from my stash, and prewash half yard pieces of each color.  Here's what I have so far, subject to change of course.  I did have to dash out to JoAnn's for a half yard of brown fabric: 

My Fabric Pull for Maria Shell's Workshop

I have lots of other options littering my worktable, too.  Who knew I had so many solids tucked away in those fabric bins?!

Ride a Yellow School Bus to the Art Museum!

One of the chief attractions of being my own boss is setting my own schedule.  The downside of that is more late night and/or weekend work sessions, but it also means I don't need anyone's permission to take the afternoon off so I can chaperone a second-grade field trip to the art museum like I did yesterday.

Anders' class was one of the first student groups to tour the Mint Museum Uptown, which just opened in Charlotte, North Carolina in October of 2010.  We were confined to the fourth floor on our hour-long tour but we still felt rushed.  The students and adults alike could have spent a whole day at the museum without running out of things to see.

One of my favorite exhibits was this early 20th century wool bathing costume, complete with suede-bottomed, cotton sateen bathing shoes.  The Mint Museum displays this getup adjacent to an Impressionist beach painting from the same era depicting people wearing bathing suits very similar to this one. 

Can I just tell you how much I LOVE this bathing suit?!  Maybe not in wool, but the black is very slimming, and no more bikini waxing and no more situps necessary for a beach-ready body.  This suit was considered very daring at the time due to the low neckline and bare arms.  Oh, how times have changed...



Philip the Fair by Kehinde Wiley, 2006, Oil & Enamel on Canvas

 This painting was another of my favorites.  It's on loan from a private collection and it had a sign that read, "No Photography Except for Rebecca" (I swear!).  The artist is Kehinde Wiley and although I'd never heard of him before yesterday, I looked him up online and I really love his work.  He uses the technique, scale, and composition of traditional Western European portaiture, but instead of powerful white men in powdered wigs, his subjects are minority men in everyday urban street garb.  These portraits are intended to invite discussions about power and powerlessness, race, and cultural inheritances, but they are also just plain fun.  I love how the man in Philip the Fair seems to be coming out of the floral wallpaper, plucking a dainty little flower.

I'm about as far from an urban minority man as you can get, but I'd love it if someday Wiley could paint my portrait.  I'd like it to be a spoof of Jacques-Louis David's portrait of Madame Récamier, except that I'd be wearing my husband's sweatpants and thermal T-shirt, I'd have a messy ponytail instead of an elegant hairdo, and I'd be holding a big Starbucks coffee cup. 

Madame Récamier by Jacques-Louis David, 1800

I took the picture of that David painting when I was at the Louvre in Paris last year -- Now, back to the Mint Museum Uptown in Charlotte, North Carolina!


Einstein, 1988, by Judy Fox, Terra Cotta & Casein Paint

 This sculpture was Anders' favorite exhibit.  The artist is Judy Fox, who creates life-size ceramic portraits of historically significant people, but depicts them as small children.  According to the wall plaque, this baby Einstein sculpture is meant to convey the childlike "innocence and fearless curiosity" of Nobel Prize-winning physicist Albert Einstein.  

Still, it's more than a little alarming to come around the corner in the museum and see a life-size, very realistic looking naked baby apparently sailing through the air!

Another exhibit that the students particularly enjoyed was this huge sculpture by Danny Lane incorporating different types of glass, steel, mirror, poplar burl wood, and LED lights. 



Threshold, 2010, by Danny Lane



Side View of Threshold



Anders checks out Pacific Rose 1997, an included glass sculpture by John Kuhn



Realm of Dream 2007, by Binh Pho, Turned & Carved Box Elder, Paint, Gold Leaf & Dye

 The peacock feather motifs on this vase by

Binh Pho reminded me of my friend, interior designer, author, & fabric designer Jackie Von Tobel. 

If you live in the Charlotte area, I strongly recommend you check out the Mint Museum Uptown.  If not, go explore the museums in your neck of the woods.  I wasn't expecting much from our art museum since Charlotte is such a small city, but I was pleasantly surprised.  And if you live in a big city like New York or Chicago and you have never visited your art museum, shame on you! 

New Paintings from Santa Fe Artist Michael Kessler



I love the new paintings contemporary artist Michael Kessler has been working on, including this one that was recently installed in a gallery in Hawaii. Kessler's work is a fine example of the complexity and emotional richness that can be achieved through abstract art. The greens he's working with have captivated me -- there's something familiar about this color, like a faraway memory I just can't put my finger on. This painting in particular reminds me of fractured memories in the subconscious, dream sequences that you're trying to put back in order. I wish I could see this in person!

To see more of Kessler's latest works, check out his blog here. The exhibit in Hawaii opens on December 18th.