LAL#3: The One Where Rebecca Finally Finishes a Quilt, but Doesn't Love It Anymore

 Happy Tuesday, friends!  Welcome to another Long Arm Learning linky party!  I actually have a finished (long arm quilted) quilt to share with you today, my FIRST finished quilt of 2020 -- and yes, I do know how pathetic that is to be finishing my first quilt of the year in mid-August.  My Sermon Scribbles quilt is FINISHED, as in quilted, labeled, bound, washed, and photographed!  

I started piecing this in November of last year, and loaded it on my frame for quilting in April, just as this crazy pandemic lockdown was settling in.  From beginning to end, this silly quilt has taken 9 months to complete.  Like the gestation of a child, for crying out loud.

We were taking these photos just past 6 o'clock, with the sun sinking in the sky, and the light was kind of electrifying -- the quilt doesn't look quite so fluorescent in real life!  Here's a shot of the same quilt indoors, spread across the bottom of my bed with morning light flooding in from the window:

See?  Not nearly as bright as it looked outdoors.  By the way, I'm disappointed by the extent to which my custom quilting was minimized by the shrinkage and crinkling that happened in the first washing.  A single layer of Quilter's Dream Cotton Select batting was not enough to do justice to 5 months' worth of custom quilting.  For your reference, here's what this quilt looked like prior to washing, fresh off the frame:

And now I can understand more clearly why quilters use a batting with more loft, or even a double layered batting, for heavy custom and heirloom quilting.  Live and learn!  This quilt lost approximately 8% of its length and width from heavy quilting takeup and from shrinking in the wash.  On the positive side, any wobbles or wiggles in my quilting that I wasn't happy with certainly aren't going to be noticed now.  And I still got the benefit of practicing all of those different quilting motifs, even if you can't really see them in the finished quilt.  This would have been an excellent candidate for an edge to edge pantograph quilting design, IF my objective in making it hadn't been furthering my free motion quilting practice.

The truly weird thing is that I don't know what to do with this one, now that it's quilted.  The colors are all wrong for it to live anywhere in my house -- it doesn't go with any of our bedrooms and, at 54" x 70", it's not bed sized anyway.  It's all wrong for my traditionally decorated living room and family room.  It wasn't meant as a gift for anyone and it's too big to be a baby quilt for a shower gift.  So this is my first Completely Useless Quilt Going Straight Into Storage!

54" x 70" Sermon Scribbles

Nothing But the FAQs, Ma'am:

Ah, well -- here are the stats we quilters always want to know about a quilt:

Name: Spirit Song Sermon Scribbles

Size: 54" x 70" Throw

Pattern: Traditional 8" Airplane blocks, no pattern used

Fabrics: Mostly from stash, with a Kaffe Fassett border print

Batting: Quilter's Dream Cotton Select

Thread: Superior MonoPoly for SID; everything else is Superior So Fine #50 in the needle with Bottom Line in the bobbin

It took me three days to bind it, and yes, I'm happy with how my binding came out.

Here's what the back of the quilt looks like, post-washing:

If I Had This Quilt to Do Over?

What would I do differently, if I were to make this same quilt again?

• I would rotary cut my HSTs instead of using the AccuQuilt GO! HST triangle dies
• I would quilt this with a much simpler design since the heavy piecing and dizzying array of prints makes it hard to see the quilting anyway.  This would be a great candidate for an edge to edge (E2E) pantograph design
• I would have used a single thread color for the whole thing, something like a pastel pink or yellow Glide, to reduce the hassle of thread color changes -- and so the quilting would show up better when all is said and done
• I would have used either an 80/20 blend batting or a wool batting, something with minimal shrinkage and more loft to show off the quilting design better
• I would have made sure all of the fabrics in the quilt had been prewashed and preshrunk prior to using them in the quilt, because the use of so many unwashed precuts surely factored into the amount of shrinkage and puckering that happened with this quilt as well.  Again, not a bad thing necessarily -- I like the crinkly shrinkage with certain quilts, but it's working against my quilting in this particular quilt
• I would have done the more elaborate quilting designs in the background fabrics, where they would show up better, rather than on the busy pink and orange print fabrics, where they disappear

But I won't be making this quilt again, because I've fallen a bit out of love with it, now that it's done.  What I can say is that I'm very glad I decided to make a quilt top out of fun, cheerful fabrics for the sole purpose of practicing quilting on it.  It's been far more fun than endless practicing on muslin, and I've learned a lot with it!

And Now, Tuesday's To-Do List:

Last Week's To-Do List:

• Finish that 15" orange block with the flying geese for Anders' sampler quilt
• Trim the edges of my Sermon Scribbles quilt
• Applique my label to the back of Sermon Scribbles
• Make binding for Sermon Scribbles, machine stitch to front of quilt & hand stitch to the backing
• Wash Sermon Scribbles and take that quilt out for a photo shoot!
• Piece backing for tumbler outreach top (next in line for quilting!)

Wow -- I actually did pretty good with my list last week, didn't I?!

This Week's To-Do List:

• Piece backing for tumbler outreach top pictured above (next in line for quilting!)
• Load tumbler quilt on frame
• Select pantograph and thread (Do you have suggestions for a thread color and/or a good beginner-friendly pantograph design for this quilt?  If so, please comment away!)
• Quilt tumbler quilt

I'm linking this post up with the To Do on Tuesday linky party over at  Home Sewn By Us.  I'm also linking up with the following "finish!" parties, since I finally have a finish to share:

·       Whoop Whoop Fridays at Confessions of a Fabric Addict

·       Peacock Party at Wendy’s Quilts and More

·       Finished Or Not Friday at Alycia Quilts

·       Off the Wall Friday at Nina Marie Sayre

·       TGIFF Thank Goodness It’s Finished Friday, rotates, schedule found here: http://tgiffriday.blogspot.ca/p/hosting-tgiff.html

But I'm also inviting YOU to link up, right here and right now, with your latest machine quilting post for Long Arm Learning!  This linky will be open until midnight on Friday, with a new linky opening up every Tuesday morning.

You are invited to the Inlinkz link party!

Click here to enter

Spirit Song Quilt: Are We Done Yet? (NO). But Blocks On the Move is Ready to Debut at Quilt Show!

My progress on the Spirit Song Dress Code quilt has slowed way down because I'm at a tedious point in the construction.  After spending so much time planning my mix of colors and prints in my design software, I barged ahead with my piecing without bothering to create  a pressing plan...  So now as I'm joining the 4" inch Birds in the Air blocks together to form the large 16" composite blocks, none of my seam allowances "nest" where the blue triangle points touch one another.  As you can see in the completed block below, that happens EIGHT times in every single block.  Therefore, every time I'm joining two units together with blue triangles that need to touch, I've got six layers of fabric stacked up on one side of those triangle points and only two layers of fabric on the other side, and the nasty little triangles want to slide apart as they pass under the presser foot, and even pinning them is a vicious business involving savage stick pin wounds and a fair amount of swearing.  UGH. Therefore it's taking me a lot longer than expected to join 16 four inch units into one 16" block -- about 2 hours or more per block, including pinning, stabbing myself with the pins, seam ripping, fudging, swearing, pressing...

Block 6 of 12.  This is Getting Tedius.

I left this project in Time Out for a week while focusing on the needs of our new puppy, but I started piecing again a few days ago and I'm feeling better about it now that I'm past the halfway point!  

Yesterday I decided that, for the remaining blocks, I should just bite the bullet and stitch every one of the blue points together by hand first before machine stitching the rest of the seams.  I think it's the only way to get them to line up precisely without shifting when that mountain of bulk passes under my presser foot, and that hand tacking up front will save me a lot of time in the long run, ripping and restitching over and over again!  

NOTE TO SELF: ALWAYS MAKE A PRESSING PLAN FOR THE WHOLE QUILT BEFORE I START PIECING IT!

The best explanation of how and why to create a pressing plan is in Donna Lynn Thomas's book Quiltmaking Essentials 1: Cutting and Piecing Skills.  When I'm looking at a quilt block, or an entire quilt that I've designed on the computer, trying to decide the best way to press seams in order to get crisp points, matched seam intersections and a flat quilt top free of speed bumps, I always consult this book for a refresher.  Highly recommended!

I should be back to smooth sailing with nesting seams at every intersection once I'm assembling those big blocks into rows, if I can only get the rest of these stinking blocks pieced together...

Eight 16 inch Blocks Completed, Four Left to Piece

The Spirit Song quilt was meant to be a "quick detour" project, just to try out the Accuquilt GO! half square triangle dies, before loading and quilting my Jingle appliqué quilt.  And here we are, several months later, with nothing finished and one more work-in-progress!

Meanwhile, Thoroughly Modern Millie (my APQS Millennium longarm machine) is going to be awakened from her deep slumber within the next day or two, because I need to quilt and finish a couple of 16" mini quilt tops that other guild members made to contribute to the Blocks On the Move program I'm launching as Community Education chair of the Charlotte Quilters' Guild.  (I got this idea from Donna Shervington's blog where she mentioned making a 16" block for the Modesto California Country Crossroads Quilters' Guild Blocks on the Move program).

One of Two Blocks On the Move Displays Built by Bernie

Loisann and husband Sig, the geniuses behind the Country Crossroads Quilters' Guild in Modesto, have been so unbelievably kind and generous, providing detailed plans and photographs of exactly how their display units were built so that my handy husband Bernie could recreate them for our Charlotte Quilters' Guild in North Carolina.  Pictured above is one of our two display units, designed to hold mini quilts of 16 to 16 1/2" square.  Because these displays will be set up and left unattended in public spaces, the quilts are mounted with sleeves on dowels that screw into the sides of the display unit and you can't get them out without a screwdriver -- that will significantly reduce the chance of mischief/theft of the beautiful donated mini quilts.  Isn't that COOL?!  We're going to "debut" our Blocks On the Move display at our upcoming Carolina Lilies Annual Quilt Show on March 6-7.  

My Husband Bernie, Fixer of Longarm Machines and Builder of Quilt Displays

The idea behind Blocks On the Move is to move this display throughout the city, setting it up for a month at a time at venues such as assisted living facilities, libraries, hospitals, museums, etc.  I think this will be a great way to raise awareness about who we are and what we do in the community.  Readers who are members of quilt guilds, I'd love to hear what YOUR guild does for community education -- please share those great ideas in the comments!

To-Do List for Tuesday:

This week I'm hoping to accomplish the following:

• Finish piecing all of my Spirit Song blocks
• Quilt the two 16" Blocks On the Move flimsies that were pieced by another guild member
• Go through all of the tax receipts (blech!) and fill out my accountant's tax prep packet
• Work on an assignment that's due March 1st for a seminary class I'm taking

Well, that puppy isn't going to nap all morning -- if I want a shower today, I'd better get off the computer and do that right now!  Have a wonderful week.
I'm linking today's post with:

MONDAY

·       Design Wall Monday at Small Quilts and Doll Quilts  

·       Monday Making at Love Laugh Quilt
         BOMs Away Katie Mae Quilts  

TUESDAY

·       Colour and Inspiration Tuesday at Clever Chameleon

·       To-Do Tuesday at Home Sewn By Us

WEDNESDAY

·       Midweek Makers at Quilt Fabrication

·       “WOW” WIPs on Wednesday at Esther's Blog

THURSDAY

Needle and Thread Thursday at My Quilt Infatuation

Spirit Song Blocks Nearly Completed, Only 38 Blocks to Go

So, in the midst of my sadness over losing my dog to cancer, I have not yet loaded the Jingle quilt that I was planning to start quilting between Christmas and New Year's.  That is a challenge that requires more positive energy than I could muster right now.  Instead, I've been piecing more of those Birds In the Air blocks for my Spirit Song Dress Code quilt, which is a total tangent (squirrel) from the projects I'd intended to be working on and finishing right now, but it's cathartic.  I had intended to use these HST blocks as leaders and enders, but the bright colors and frustration-free simple construction are cheering me up.  I think to myself, "I'll just go up to the studio and sew for 15 minutes," and then two hours slips by without my noticing it.  Just what I need right now.  And so the collection of blocks on my design wall has grown to this:

Spirit Song On My Design Wall: Only Three More Rows to Go

To recap, this project is made up of traditional 4" Birds In the Air blocks and I designed the layout and scrappy color scheme in EQ8 quilt design software as an experiment.  

 

My objective was to design a simple quilt that could be made with my Accuquilt GO! dies, so each block is comprised of three 2" finished HSTs (Accuquilt die 55393) and one 4" finished HST (Accuquilt die 55031).  

50 x 66 Design Rendering Created in EQ8

I used the EQ8 design printout as a rough guide as I was choosing fabrics for this project, since the virtual fabrics loaded in my software are similar to but not identical to the actual, physical fabrics in my studio stash.  I ended up not using as much purple in the real quilt and my little blue triangles are true blues rather than teals as in the design rendering, but I still love how accurately the software tool helps me predict what a quilt will look like BEFORE I cut into any fabric.  EQ8 gives me super powers!

Yes, I spent some time fiddling around on the computer before I came up with this design that I liked enough to commit to making it, but I tried out lots of different color options and layouts before settling on this one.  Without the software, I would have been making the first idea that I came up with, the one that I did NOT like when I previewed the design in my software.  It takes so much time to cut, piece, and quilt a project from beginning to end.  Even without factoring in the cost of materials, the software is my most valuable quilting tool because it ensures I'll never again get 3/4 finished piecing a quilt top and realize that the color/value/scale aren't working the way I envisioned it in my mind.

Piecing WIPs on My Design Wall: Spirit Song and Beware the Ishmaelites Sampler

You can see the scale better in this photo for how much I've got done and the size of the finished quilt.  I know that the seam allowances between all of those 4" blocks are going to shrink this down dramatically.  If I feel like it's too small once the top is assembled, there are always borders, right?  The huge blocks off to the right are for an in-progress FPP (foundation paper piecing) project, my Beware of the Ishmaelites Queen sampler quilt for my younger son's bedroom.  The last quilt I made for him was for his Twin size "big boy bed" when he turned two, but now that he's 16 years old and 6' tall, he needs a bigger quilt for his BIGGER boy bed!  Hah!  I'll return to piecing that quilt after I finish the Spirit Song blocks and clear away the debris of pink/peach/coral fabrics that have taken over my cutting table.

To make the 50" x 66" throw size like my EQ8 rendering, I need two more blocks to complete those partial rows near the bottom plus three more rows of twelve blocks each, for a total of 38 more blocks.  I have already started chain piecing all of the remaining blocks so I should be able to finish them today.  Then I'll fine-tune my layout, borrowing my sons' and husband's eyeballs to help me check for balance and avoiding two patches of the same fabric placed adjacent to one another.  I don't know how I'll quilt it yet, though.  I think it would be a perfect candidate for a lovely computerized edge-to-edge design, but my longarm machine isn't computerized and it won't be computerized any time soon.  Wouldn't this one be perfect?  It's called "Dave's All That Jazz" and it's available from Urban Elementz here.

Dave's All That Jazz Digital/Paper E2E Quilting Design from Urban Elementz

Dare I attempt another paper pantograph on this one?  Dave's All That Jazz is available to order as a paper pantograph, but it's definitely not in the Beginner/Easy category.  My initial experiments with paper pantographs taught me that following the paper pattern with a laser light is not as easy as it looks!  Stay tuned...

OMG: One Monthly Goal(s)

It's a new year, and that makes it a great time to try something new with goal setting.  I'm going to set THREE goals each month, one for Piecing, one for Quilting, and one for Garment Sewing (something I'd like to do more of this year!).

• JANUARY PIECING GOAL: Complete Spirit Song Dress Code Quilt Top
• JANUARY QUILTING GOAL: Load Jingle BOM Christmas Quilt Top and Begin Custom Quilting
• JANUARY GARMENT SEWING GOAL: Set up a dedicated garment sewing work station in my former guest room.  I don't have room in my quilt studio to be working on garments and long-term quilt projects simultaneously, so I'm thinking about setting up a separate cutting table, ironing board, serger and cover stitch machines in the spare bedroom along with the dress form.  That way everything is ready to go for quick mending, alterations, or whatever knit dress or top I might want to whip up...

I'm linking up today's post with:

·       Needle and Thread Thursday at My Quilt Infatuation  

·       Whoop Whoop Fridays at Confessions of a Fabric Addict

·       Beauty Pageant at From Bolt to Beauty

·       Finished Or Not Friday at Busy Hands Quilts

·       UFO Busting at Tish in Wonderland

·       One Monthly Goal at Elm Street Quilts

Tentative Quilting Plan for Jingle and More Spirit Song Birds In the Air

Alright, you guys -- my #1 priority quilting goal for the month of December is to get as much of this Christmas themed Jingle project quilted as I can.  It's not loaded on my frame yet, but here's what I've accomplished since I posted about it a few days ago:

• Located a package of Hobbs 80/20 Cotton/Poly batting in my stash that can be cut down for this quilt
• Ordered and received a package of Quilter's Dream Wool batting to layer over the 80/20
• Located the 108" wide backing fabric and prewashed it in HOT water to shrink it as much as possible (all of the blocks in this quilt had to be soaked repeatedly in boiling hot water with Dawn dish detergent due to a dye bleed, so I'm certain that most of their shrinkage has already taken place)
• Reviewed my notes from the longarm quilting workshops I took with both Lisa Calle and Judi Madsen during Spring Quilt Week in Paducah earlier this year
• Ordered and received a new ruler gadget from Lisa Calle's online shop to assist with stitching in the ditch around all of this applique
• Started a tentative custom quilting plan on my iPad in the Notes Plus app -- I just import the photo to the app from my iCloud photos, stretch it to fill the page, and then I can sketch quilting designs directly on the photo as you see below:

Tentative Quilting Plan for Jingle Quilt

Cool, huh?  I know quilters have a lot of different ways they try out quilting motifs on a quilt, like dry erase markers on vinyl, etc., but doing it on my iPad means I can doodle through a gazillion options whenever I have some down time.  What do you think so far?  I like those ruler work designs that I put on the inner setting triangles and I know that if I mark them carefully, I should have no trouble executing them on the longarm.  The feathers in the outer setting triangles I'm not so sure of.  I think I'd have to mark them all ahead of time and follow the marked lines to avoid the dreaded String of Ogre Toes look, but if I can do that successfully on a practice piece, I might give it a go on the real quilt.  Otherwise/instead, I'll do one of those piano key things where every other stripe is filled in (I tested that idea out on some of the red setting triangles near the top).  I don't know how well the yellow "ink" shows up on your screen, but all I did for the center medallion is come up with reference points to make a giant X behind the applique, so I can break that area up and do one fill inside the X and a different fill design in the V-shaped areas outside of the X.  Not sure what either of those fills might be, but I'll definitely have to mark the big X prior to loading the quilt.

I picked the doodling "inks" based on what would show up on the photo, but I'm actually planning to use Superior's Antique Gold Metallic thread on those red and green setting triangles if all goes well.  I'll use monofilament for all of the stitch in the ditch between borders, blocks, and around the applique, and an off-white shade of So Fine for the background fills behind the applique.  I think I want to get some lighter weight Bottom Line thread to put in the bobbin with my metallic and monofilament threads, and I don't have any of that on hand, so that's on my To Do list for this week:

1. Locate my Superior Bottom Line thread color chart and select bobbin colors to coordinate with quilt backing (for monofilament), metallic threads, and possibly for background fills as well.  Order cones of thread from Superior.
2. See whether I already have an arc template for the spine of those triangle feathers.  If not, figure out what size I need and order it.
3. Test out feather design on sample quilt
4. Mark medallion X and feather spines on quilt top
5. Load the Jingle quilt on the frame!

Meanwhile, I spent some time sewing up some more Birds In the Air blocks for my Spirit Song Dress Code quilt today:

121 Blocks Complete out of 192 Needed; 71 Blocks to Go

This one is also reminding me of pink lemonade.  I know it's obnoxiously bright, and I don't care.  If I can just finish the blocks, I can clean up the giant fabric mess and refocus my attention on the longarm machine.  I keep telling myself that, and then I say I'll just sew a couple more of these HSTs and then I'll stop...

Well, I've got church in the morning and then we'll spend the entirety of Sunday afternoon returning Son the Elder to his college campus.  It was a very low-key but restful Thanksgiving holiday at our house -- just what the doctor ordered!

I'm linking today's post with:

SATURDAY·       UFO Busting at Tish in Wonderland

SUNDAY·

       One Monthly Goal at Elm Street Quilts: http://www.elmstreetquilts.com/  

·       Oh Scrap! at Quilting Is More Fun Than Housework http://quiltingismorefunthanhousework.blogspot.com

MONDAY

·       Design Wall Monday at Small Quilts and Doll Quilts  

·       Monday Making at Love Laugh Quilt

·       Moving it Forward at Em's Scrap Bag

·       BOMs Away Katie Mae Quilts  

TUESDAY

·       Colour and Inspiration Tuesday at Clever Chameleon

·       To-Do Tuesday at Home Sewn By Us