Quilt Decor, Stonefields Paper Flowers Appliqué Prep + Hexie Basting Preferences

I have a happy little snippet of renovation progress to share today!  Behold, my in-progress laundry room.  Can you tell a quilter lives here?

Limestone Mosaic Installed Over Laundry Sink

From a distance you might think it's wallpaper, but it's a honed limestone mosaic tile.  It was a splurge but I was helpless to resist (and my husband was foolish enough to send me to the tile showroom unsupervised).  The tile crew installed this on Thursday and it still needs to be grouted.  That brown paper is covering up and protecting my soapstone counter (same color as the dark gray/black squares in the mosaic) and a laundry sink directly beneath the window.  The window trim is only primed right now; it will be painted the same color as the crown molding and the cabinets once the tile installation is complete.  The painters also taped plastic over the window glass.

The tile installers pointed out to me ahead of time that the mosaic pieces are imperfectly cut and the points don't all meet up precisely, but I knew that already from the sample board in the showroom.  Surprisingly, this doesn't bother me -- it's kind of like an old patchwork quilt made out of stone.  I will see this mosaic wall every time I come into my house through the garage and it will make me smile.  💗

 

Imperfections Up Close, Mosaic Installed But Not Grouted

The installers planned and laid out the whole wall on the floor before they started installing.  

Sharon's La Passacaglia Millefiori Quilt, Laundry Room Makeover + My Workshop Project Pivot

Good morning and Happy Thursday, coming to you from the Severe Weather Epicenter of Hurricane Helene!  Okay, so I’m not exactly in the epicenter of the storm…  But this is our first hurricane since moving to Florida and it’s very nerve-wracking for me!  I bought a bunch of bottled water, stocked up on nonperishables, and now I’m biting my nails, listening to howling winds outside and getting nervous every time the power blips the lights off for a couple of seconds.  We’re nowhere near where storm surges or flooding or houses getting swept into the ocean is expected, but I still worry about losing power (Air conditioning — it’s still really hot here!  And refrigeration for our food!  And being able to cook!  And omigosh, why didn’t I think of asking my husband to hook my espresso machine up to an old treadle machine or something?).  EEK!!!  But the power and the air conditioning is on right now, my son is baking brownies and they smell amazing, my dog is snoring peacefully, and my husband is watching some football show on the television.   All is well in this moment and we’ll deal with anything tomorrow brings when it gets here.  So instead of watching the weather channel, I’ve decided to share a beautiful La Passacaglia Millefiori quilt with you that I quilted for my client Sharon last December, one of the last quilts before disassembling my long arm for the move to Florida.  

Sharon used the pattern from Willyne Hammerstein's Millefiori Quilts book available on Amazon here (this post contains affiliate links).  La Passacaglia and the other Millefiori quilts in the book have been very popular, and I found both acrylic templates for traditional hand piecing and foundation papers for English paper piecing this quilt on both Amazon and on Etsy.  

Sharon's 70 x 81 La Passacaglia Millefiori Quilt

What really intrigued me about Sharon's version of La Passacaglia is her restrained palette of neutrals and how that gives the quilt a completely different look from the brightly multicolored quilts many others have made with this pattern.  Her fabrics remind me of sandy beaches strewn with pale peach and cream seashells and sand dollars and I thought it was spectacular.  I loved the quilt top immediately, but Sharon thought her finished quilt top was a little bland for her taste, not as exciting as she'd envisioned it.  That's why I always ask clients what they like best about their quilt and whether there's anything they wish they had done differently or could change.  Knowing how Sharon felt about her quilt, I suggested an elaborate clamshell quilting design to inject textural drama into her quilt.  I used Quilter's Dream Wool batting for several reasons: it's very lightweight so it prevents a heavily pieced and weighty quilt top like La Passacaglia from turning into a super heavy quilt, the additional loft helps ease in the fullness that can be common with hand pieced quilts, and the loft of wool creates maximal dimension and texture.  I quilted it with matte, thin So Fine thread in color Pearl to ensure the quilting stitches would blend into her fabrics without upstaging the intricate piecing.  

Detail of Faceted Clams E2E in So Fine Thread, Color Pearl

By the way, fairly heavy quilting like this is not just for looks -- there's a functional benefit.  Hand pieced seams aren't always as strong as machine pieced seams, but heavy quilting secures and reinforces the patchwork seams, protecting them from stress damage throughout the life of the quilt.  Whenever someone grabs or tugs at a quilt with heavy quilting, they are pulling on all three layers of the quilt together (pieced top, batting and backing).  When someone grabs or tugs at a minimally quilted or hand tied quilt, they often grab hold of just the quilt top layer, causing those fabrics to wear and tear and the patchwork seams to pop prematurely.  Heavy quilting doesn't need to result in a stiff quilt as long as the batting is soft and supple and you use a thin, pliable thread for the quilting.

FrankenWhiggish Rosebuds, Michele's Log Cabin Stars Quilt, Laundry Room Makeover, Swedish Pancakes + A 21st Birthday Celebration

Good Morning, Quilty Peeps!  As you can see by my way-too-long blog post title, I have lots of ground to cover today.  First things first, I am happy to report that I've finished prepping ALL of the remaining broderie perse rosebuds for my FrankenWhiggish Rose blocks, they are all glue-basted in position on the blocks, and the hand stitching to secure them is in progress.  That's right; I have a portable hand stitching project again FINALLY!

All FrankenWhiggish Rosebuds Are Prepped and Ready for Stitching!

In case anyone is interested in what's in my portable hand stitching "toolbox" for this project:

• YLI 100 wt silk thread in color 256, matched to the rosebud fabric
• Bohin size 12 Appliqué Needles (these are the only ones I've tried that don't bend or break on me)
• Colonial Needle Company Leather Thimble Pad stickers (I use one on my right pointer finger to help grab the needle and pull it through the fabric, or to protect my fingertip when I need to exert a little pressure on the back end of the needle to force it through a spot where the glue dried stiff)
• Thread Heaven (no longer available) or Thread Magic thread conditioner to help prevent snarling and knotting -- I don't need it when I'm using silk thread, but I have it in my hand stitching kit because it's a big help when I'm hand stitching quilt bindings with cotton thread
• My new 2.75 magnification sewing glasses from Warby Parker, so I can thread the eye of my needle and see how many threads of fabric I'm grabbing with each stitch
• That nail file in my kit is actually for my fingernails, because often I'll discover some little scratchy spot at the edge of a fingernail while stitching when the thread gets hung up on it
• Not pictured, I also have a tube of Neutrogena Hand Cream in my hand sewing kit and another one in the drawer next to my sewing machine.  I like this kind because it's not greasy, has no fragrance or dye, and a tiny drop goes a long way to just barely moisten my fingertips so I can get a better grip on what I'm stitching without gooking it up with lotion
• Either my Apliquick 4" Microserrated Scissors (pictured) or my Gingher Spring Action Thread Nippers (preferred if I'm just clipping thread and not trimming needle turn appliqué shapes while stitching).  If I'm planning to take my hand stitching kit on an airplane, I'll swap out for a cheap thread clipper (in case Airport Security confiscates it and throws it away) with a pack of dental floss that I could use as a backup thread trimmer in a pinch

(Those are affiliate links, by the way).   You probably won't see much of FrankenWhiggish for a couple weeks while I'm stitching the rosebuds to the blocks because, if you've seen one of my blocks get rosebuds, you've seen them all!  My Seven Sisters pattern and templates finally arrived from Australia and I'm planning to start on that project in September.

Instead of sharing FrankenWhiggish, I thought I might share some of the backlog of long arm quilting clients' quilts that I haven't posted about before, like Michele's version of Emily Dennis's Log Cabin Stars quilt.  Here's a teaser to whet your appetite; we'll return to this quilt later in today's blog post:

Michele's Log Cabin Stars Quilt, Pattern Available here

...And Now, Hand Stitching the Machine Embroidered Quilt Label

Appliqueing the Label to the Quilt Back Prior to Binding

So remember the label for my Tabby Mountain quilt that I designed in my Bernina v8 Designer Plus embroidery software and stitched out on my B 750QE sewing machine?  I designed and stitched out the label back in March, and stuck it on my design wall until the quilt was finished.  

Machine Embroidered, But Sewn to the Quilt Backing By Hand

There is a fatigue that sets in near the end of the quilting process, a desire to just be DONE WITH IT already, and I think that's why so many quilters don't label their quilts at all.  They want to "just get it done," and plan to add a label "later," but then they get excited about a new project and later never comes.  I try to combat that tendency by getting my label ready BEFORE I start quilting, so that it's ready to go as soon as I trim the finished quilt.

Hand/Machine Wash COLD Gentle, Dry Flat or Tumble LOW, DO NOT OVERDRY!

This quilt does have a wool batting, so I've included care instructions on my label.  I don't want to scare off my gift recipient from using her quilt with overly involved care instructions, but the main points to convey are washing in COLD water instead of warm, GENTLE cycle if machine washed (less vigorous agitation and a less aggressive spin cycle) and to avoid overdrying the quilt.   I used this batting on my son Lars's Drunken Dragons quilt several years ago and, even though I confess that I have not always followed those care instructions myself, that quilt is aging nicely.  The wool batting is warm and snuggly and has a nice drape, even with a densely quilted quilt, and I can tell as I'm hand stitching the label that it's a great batting for hand quilting as well.  My needle is just gliding through it like a hot knife cutting into a stick of butter. 

I like to put my quilt label in one of the corners of my quilts so that only two sides of the label need to be appliqued to the quilt backing.  The other two sides will be secured by the binding stitches.  That helps to ensure the label won't ever fall off the quilt (although my hand stitches are spaced as close together as machine stitches, so they're pretty secure).  

One funny thing -- I'm using 60/2 cotton embroidery thread to applique the label to the quilt backing, and it feels like I'm sewing with ROPE now that I've grown accustomed to using YLI silk thread for needle turned applique!  

I did end up having to buy binding fabric, but I found a pretty purple fabric at my local Bernina dealer 5 minutes from my house rather than having to travel to my not-quite-local quilt shop (also a Bernina dealer, coincidentally) that is between 40 minutes and an hour and a half away, depending on whether I hit rush hour traffic on the Interstate.  I wish my local Bernina dealer carried more fabric inventory, and more contemporary fabric lines (Tula Pink, Kona and Bella Solids, Kaffe Fassett), like the faraway dealer does.  Anyway, today I didn't need a whole bunch of different fabrics; I just needed ONE fabric that would complement the fabrics in my quilt for a binding, and I'm glad I found it at my Bernina dealer's shop.  It's so nice to walk in and be greeted people who treat me like family and call me by name.

Eagerly Awaiting Binding!

And now, here it is nearly 9 PM, and I have prewashed/preshrunk my binding fabric but haven't yet cut and joined the strips, let alone sewn it to my quilt.  

So obviously, my To-Do for Tuesday has got to be BINDING THIS QUILT!  And that's it, folks, because whenever I try to come up with a list of weekly goals for this linky, I just end up feeling badly about not reaching them.  ONE goal, that's all: Just the binding!

I'm linking up with: 

• ·       To-Do Tuesday at Stitch ALL the Things: http://stitchallthethings.com
• ·       WOW WIP on Wednesday at www.estheraliu.blogspot.com

Nitpicking: Because Design is In the Details

Somewhere in my computer, there is a much better picture of this island backsplash in which you can see that this backsplash on the left was cut about 1/8" shorter than the adjacent backsplash on the right.  Those who know me will understand that, once I discovered this, I was driven to distraction by it.  It looked like a dark line between the backsplash and the raised bar countertop, and it stared me in the face and mocked me while I made my morning lattes.  If I could find the picture I was looking for, perhaps you would understand why this was so unacceptable to me.  Perhaps not -- but sweating the details is what I do for a living, and I spent too much money on the new countertops to be disappointed every time I look at that seam.

Bernie remembers that, during installation of the countertops, an adjustment was made to lower the island countertop slightly for the sink installation, and he thinks they may have already cut the left backsplash when the counter was sitting higher because the backsplash on the right was cut second and it fits perfectly.  In the end, however, too short is too short.  Tile Collection sent a repair technician out to change the caulk from translucent to white in hopes that the gap would be less noticeable, but no dice.  I asked for that backsplash to be replaced with a new one cut from the leftover pieces of my granite slab, and Tile Collection obliged.

The tricky thing about this is that initially, backsplashes are cut from adjacent parts of the stone so that the movement or pattern in the stone flows as uninterrupted as possible from one piece to the next.  Since the countertops adjacent to the backsplash were already installed in my home, the fabricator wouldn't have them in his shop as a reference when cutting the new piece.

My solution: Crayons to the Rescue!

I have a roll of heavy white butcher's paper in my sewing room that I use for making patterns, and I used it to make templates of my countertops indicating where the major veining patterns were located.  While I was doing this, my husband was looking at me like I was a wild-eyed crazy woman. 

I took pictures too, naturally, and those were invaluable for showing which colors I needed to have in various places.  I took my pictures to the granite fabrication shop along with my paper patterns, which I laid out right on the leftover piece of granite and found a place where the veining lined up even better than on the original backsplash.

Isn't that fabulous?  SO much prettier than before.  Scroll up and look at the original backsplash again.  I wasn't wild about the Big Black Blob on the original piece, and this one matches perfectly with all the beautiful golds and greens in exactly the right places.  I should tell you that in order to get this perfect piece of backsplash, they had to cut my little strip of stone right in the center of the remnant at about a 45 degree angle, which pretty much ruined a large remnant that they could have sold to another customer for a sink vanity or table top -- and to their credit, no one batted an eye.  I love these guys!  Everyone has great customer service before you sign the deal and stroke the check.  It's really important to me to know that my workrooms and suppliers are willing to go the extra mile for me at the end of the job, making adjustments and corrections until everyone is satisfied with the installation.  I highly recommend Tile Collection to anyone in the Charlotte, North Carolina area for stone countertops or tile work.

The same day that the backsplash was replaced, they also installed my red laundry room sink with its little granite counter.  Bernie and the installers were joking around that my sink is so big, all I'm left with is a granite sink frame instead of a countertop.  Whatever.

This little countertop was also cut from the remnants of the CD Volcano slab we chose for our kitchen.  After I butchered one of the two remnants for my Backsplash of Dreams, this was the only piece left that was big enough for the laundry counter and splashes.  It would have been nice if there was a smattering of the red and green in this piece, but the red ties in with the leftover kitchen fabric that will eventually be used for a little valance on the window in this toom to tie everything together and cheer up my laundry room.  The red enameled cast iron sink was special-ordered from Kohler, and it's the exact shade of red in my fabric (Monado in Havana colorway from Vervain).

The faucet is going to be the Venetian Bronze Delta faucet that I bought for my kitchen about a year ago, but the plumbing isn't connected yet.  Also, there is a nasty fluorescent tube light fixture in the laundry room that is going to have to go.  It casts a horrible sickly light and makes my colors look gross.

Hood Classic Globe from Rejuvenation Hardware

I really like the new Hood pendant with caged glass from Rejuvenation Hardware, so I think I might get that one for the laundry room.  It's based on industrial styles that were common from 1910-1920, and the wire cage served the useful purpose of containing broken glass if the globe should shatter.  It comes in 12", 14", or 18" diameter and uses a single 300 watt bulb.  I just think it would add a nice splash of personality and character, complement the dark bronze and opal glass fixtures in the kitchen beyond, yet it's a simpler, more functional style that's better suited to a workspace like a laundry room. 

-- Ooh, wouldn't it be fun to rip out the perfectly serviceable tile floor in the laundry room, and replace it with vintage-style 2" hexagonal mosaic tile like this?



Merola Tile Old World Hex with Dot from Home Depot



I'm not even going to suggest that to Bernie; I can't risk a mutiny.  Still, IF I was going to do it...  I like the way this particular background tile ties into my granite, but not so much the black dots.  The dots would need to be a more subtle contrast for me, maybe more of a golden/rust/brownish color on the same spectrum as the golds in the drapery fabric and the tones of the cabinetry.  So it would probably have to be custom-ordered instead of conveniently purchased from the local Home Depot. 

At some point, you just have to say that enough is enough and call it "done."  For now...  ;-)

Woo Hoo -- Kitchen Granite Installs Tomorrow!

Look how busy my sweetie has been!  The new sheet rock is up and ready for the backsplash tile, light rail molding has been installed on the bottoms of the existing cabinetry, and the back of the kitchen island has a coat of the elusive Burnt Umber stain that the builder used on the original cabinetry.  It still needs brown glaze and a satin finish oil-based varnish or polyurethane, but I'm very pleased with how well the new carpentry blends in with the old.  As much as this remodeling project has spiraled out of control, at least we were able to keep the existing cabinetry!  Well, mostly we kept the existing cabinetry...

After ordering the new wine fridge (and 50+ bottles of wine to fill it up with), we discovered that the base cabinetry in the butler's pantry was only 20" deep rather than the standard 24" depth that our wine fridge was designed for.  So Bernie spent the better part of a day ripping out the old cabinet, removing the door casing, and building this new 24" deep cabinet that will accommodate the wine fridge on the left, and the copper bar sink on the right.  I need to order a new drawer front and pair of cabinet doors in the same profile as the existing cabinetry, but we don't need to have those before the granite can install.  Tile Collection graciously sent a guy back out to redo the template for this area.  I'm lucky they hadn't cut the stone yet!  Bernie and I were both saying we should have known better.  I think our subconscious wino selves knew the cabinet wasn't deep enough, but suppressed that knowledge in order to get the wine fridge anyway.  I know all about that psychology stuff because I used to watch Frasier before it was cancelled. 

There it is, all stained up with the wine fridge installed.  Bernie had to run water over to this area for the sink as well as for my plumbed espresso machine (the filter is for my espresso machine, too), and I finally convinced him to move an outlet and a light switch so I wouldn't have to reach behind the coffee machines to turn on the undercabinet lighting, and so the machine cords will be as inconspicuous as possible, plugging in directly behind where the machines will sit.  So this "how about we put the coffee machines in the butler's pantry" idea ended up being pretty involved.

Oh, and one more thing: Up until a few days ago, this ugly plastic utility sink lived in my laundry room.  My husband liked to use it for cleaning paint brushes, muddy boots, watering cans, etc.  I never knew what might be splattered in this sink, so I never dared to use it for soaking stains out of the laundry -- this sink probably would have done more harm than good because it was always dirtier than the laundry I wanted to soak in it.  Bernie should really have a work sink out in his garage, and I should have a clean, attractive sink in the laundry room that can safely be used for laundry.  This laundry room is off the kitchen and the door is usually opened, and it has wall cabinets above the machines that match the kitchen cabinetry.  There's no reason the laundry room can't be an attractive extension of the kitchen, especially since there's enough leftover CD Volcano granite from our slabs to do this little countertop in the laundry room, and the not-so-old existing Venetian Bronze kitchen faucet can be reinstalled for the new laundry sink, too.  We're even going to be able to reuse one of the drawer fronts and cabinet doors that came off the dismantled former butler's pantry cabinet.  The only thing I needed to buy was a sink...

Didn't Bernie build me a beautiful laundry cabinet?  Now they can template for the counter top, but the new sink probably won't be here for several weeks because I had to custom order a RED ONE!  :-)

The granite installers are supposed to be here first thing in the morning, and we're finally ready for them!  By this time tomorrow, all of the Baltic Barf countertops will be gone and the CD Volcano will be in its place, hopefully looking as amazing as I have envisioned.  I can't wait!

Spilling the Dirt on Earthy-Crunchy Laundry Powder

Okay, I'm not your average tree hugger.  You should know that up front.  Oh sure, I care about the environment as much as the next girl.  I saw that Wall-E movie about how humanity might have to evacuate the Earth if we turn it into a giant garbage dump, entirely devoid of life, and I don't want that kind of future for my children or my grandchildren.  While searching the internet for a nice still shot of Earth-as-garbage-dump from the Wall-E film, I was horrified to find images of parts of the world that already look like the Wall-E film, in real life.


Garbage City, a real place outside of Cairo in Egypt, as photographed by Bas Princen

But until fairly recently there has been a separate subculture associated with "going green," the legacy of the hippie tree-huggers or whatever, and I have not been a member of that group.  I would hesitantly venture into the local Earth Fare organic supermarket from time to time, and find an alternate universe populated by women wearing biblical sandals with socks, carrying hemp diaper-clad babies in handmade, hand-dyed slings, and they have all brought their own reusable fabric grocery totes made out of organic fabric that was handwoven by a collective of indigenous lepers somewhere, with all proceeds donated to saving the rainforest...  Okay, I totally made up that part about the lepers, but you get the idea.  I felt very conspicuous at Earth Fare, self-conscious about my leather purse, my frivolous attire, and my ignorance of the complexities of natural foods, vegetarianism, cruelty-free cosmetics, and environmentally-friendly cleaning products. 

I couldn't even find half of the groceries on my list, and the things I did find seemed outrageously overpriced.  Take laundry detergent, for instance.  I pay $5.99 for a box of Arm & Hammer fragrance-free powdered laundry detergent at the regular grocery store, but there was no Arm & Hammer detergent, or any other recognizable brand, to be found at Earth Fare.  Instead, similarly-sized boxes of laundry powder with brand names I'd never heard of cost as much as $14.99.

Well, in a desperate time crunch, with no laundry soap at home, no clean clothes to wear, and no time to get to a "normal" store to buy laundry detergent any time soon, I broke down and bitterly forked over $14.99 for a box of Biokleen Premium Plus Laundry Powder.  The outside of the box claimed that I would get 54 loads as opposed to the 46 loads I supposedly got from a box of Arm & Hammer.  The box also informed me that it contained no phosphates, no chlorine bleach, and no "fillers."  I have no idea what phosphates and fillers are, and at this point I thought the "no chlorine bleach" part just indicated that this laundry product was safe to use on dark colored loads.  I just hoped this weird stuff would actually get the clothes clean and I wouldn't end up throwing out the whole box.

I got the box home, opened it, and was shocked to find what looked like an instant lemonade mix scoop inside instead of the regular-sized scoop I was used to.  Look at the two side-by-side:

 I was incredibly skeptical about this laundry powder, but after using this product for about a month, I'm a convert.  My clothes are coming out just as clean, and I'm using between 1/4 to 1/5 of the amount of laundry soap that I was using before, so this "expensive" environmentally-friendly laundry product is actually much less expensive than the Arm & Hammer brand, or Tide, or Cheer, or any of the other mainstream detergents.  It turns out that the claim of 46 loads on the Arm & Hammer box is based on small loads, for which you're only supposed to fill the big green scoop to the first line.  Of course they give you the mammoth scoop because they want to encourage people to use more soap so they have to buy more faster.  The Biokleen claim of 54 regular loads or 108 high efficiency (front-loading washer) loads is based on filling their scoop all the way to the top for a full sized load in a conventional washing machine, or halfway up for the HE washing machines. 

I still haven't had a chance to figure out what phosphates are and why they are bad for the environment, or why chlorine bleach has become an enemy of the planet, but I definitely get that when one box lasts four or five times as long, there is less packaging, less waste headed to landfills, and less pollution transporting that product to market.  I would also like to point that, now that I am saving money by switching to environmentally-friendly laundry powder, I have freed up additional grocery funds which can now be allocated towards my favorite guilty Earth Fare splurge: a little $8 block of Ski Queen Gjetost, a caramelized brown Norwegian goat cheese that no one in my family eats except me.  I make little cracker sandwiches with whole grain Wheat Thins when I don't have time for a real lunch.  Mmm...