Custom Digital Quilting with Q-Matic: The 1984 Sampler Quilt Continues

 Happy Easter and Passover to all those celebrating this weekend!  I quilted this block over a week ago and wanted to jot down what I learned before I completely forget what I did.  Doesn’t the green airplane look great with the swirly computerized quilting design in the background, but not crossing over the airplane itself?

Q-Matic Masking Tool for Airplane Block

Of course there are quilters out there who could freehand quilt those swirls and spirals just as beautifully as the computer, but sadly I am not one of them.  ;-)  Since a computerized long arm machine is like a talented but blind quilting assistant, it’s necessary to precisely program and “mask out” the areas where you do and do not want the design to be stitched by physically moving the machine along the patchwork seams and clicking at the points to map out boundaries that the computer can follow.  This is a slow process, as I learned when I did it on this earlier block in the same quilt:

Also Done Using Q-Matic Masking Tool

Looks great, but I learned a lot about what NOT to do with that block!  I set up that circles and spirals as a repeating design right across the block as though it was an edge to edge design going across a whole quilt, mapped out the tumbling blocks appliqué, and told the computer to just stitch it all at once.  Then I watched in horror as the many many stitches went in to create beautifully round circles and spirals balls, but every time the machine encountered a seam line it stitched back and forth multiple times to travel to the next stitching line.  There were jump stitches all over the place that I had to go back and trim and way too many places where the design stitched securing stitches.  Not only is this a less tidy look than I hoped for on the back, but it took me a good hour after I’d finished stitching to clean it all up and trim all those jump stitches from both sides of the quilt.  Very discouraging!

Move Over: A Modern "Klimt" Strip Quilt Finish for Julia + A FMQ Refresher for Rebecca

And now, back to our Regularly Scheduled Programming...  Look at this beautiful Move Over quilt that my client Julia brought me for quilting a few months ago!  Back in the Summer when I was quilting this, the staggered strips of turquoise blue in this quilt reminded me of ocean waves crashing on the shore -- the white strips were the foam.  But now, with all the snow getting dumped on the Northeastern United States, I see a blizzard in Julia's quilt, and the black and white polka dots are snowflakes!

Julia's 60 x 77 Move Over Quilt with Rolling Waves E2E

Move Over is a pattern by Mari Martin for Connecting Threads that is available as an instant download here.  It's a beginner-friendly pattern that would go together quickly for a more experienced quilter, and I can envision it looking great in a mix of red, green and white fabrics for the holidays.  I quilted this for Julia with Rolling Waves E2E, a digital design that can definitely suggest waves as the name implies.  On Julia's quilt, this quilting design in conjunction with the straight line "bars" and irregular speckled polka dot fabric also reminds me of a recurring motif in Gustav Klimt's fabulous Art Nouveau paintings from early in the 20th century:

Bildnis Emilie Flöge by Gustav Klimt, 1902, Wien Museum

See those wavy lines with swirls in the woman's dress?  

Wild Animal Kingdom, Quilters' Edition: A Wolf, a Lion, and a Realignment Tip for Tricky Pantos

Good morning, friends!  I'm so excited that I can finally share this incredible Wolf Abstractions quilt with you, pieced by my client Mary who blogs at Quilting Is In My Blood.  Isn't this amazing?!  Mary made this quilt as a surprise 50th birthday gift for a dear friend.

60 x 65 Wolf Abstractions, pattern by Violet Craft available here on Etsy

Mary used the Wolf Abstractions foundation paper piecing pattern designed by Violet Craft to piece this stunning quilt.  You can find the pattern on Etsy here (affiliate links).  I suggested 40 weight Omni matte polyester thread in Cream so the thread would blend into the fabrics in the wolf's face and contrast softly with the dark gray background fabric.  The batting is Quilters Dream 80/20 and the quilting design is Sound Wave by Jessica Schick.

Megan's Vintage Kaffe Fassett Shot Cottons + Curly Weave E2E Equals Magic!

 I don't normally post a client's post before they get it back from me, but my client Megan was so excited by the "teaser photos" I emailed her of her finished quilt that she gave me permission to post them right away.  If she loves this quilt now, I can't wait until she sees it in person because it is just unbelievably soft and cuddly and even more gorgeous in person than it looks in the photos!

Megan pieced this striking quilt using vintage Kaffe Fassett shot cotton stripes (affiliate link -- you can still find these on Etsy!) that she's had in her stash for awhile, and when I saw the pictures of her quilt top I was instantly smitten by the way her unexpected cool turquoise sashing and binding fabric contrasted with the mostly warm, autumnal tones of her striped fabrics. So much energy and life in this pairing, don't you agree?

68 x 78 Shot Cotton Swatches Quilt with Curly Weave E2E Quilting

I was delighted when Megan decided to go bold with her choice of quilting design, playing up the modern vibes instead of going with something "safe."  

Sarah's Chevron Memory Quilt, Lazy Day Quilt Progress + Pineapple Nostalgia Quilt Back from the Cleaners

Good morning and happy Tuesday, friends!  I have so much to share with you today, so let's dive into it.  First up is a lovely, snuggly flannel-backed Chevron Memory quilt that my client Sarah made in remembrance of her grandmother.

Sarah's Chevron Memory Quilt

70 x 90 Chevron Memory Quilt with Filigree E2E Quilting

Sarah pieced this quilt while working through the flood of emotions following the sudden passing of her beloved grandmother, incorporating some of her clothing into the quilt top and pieced backing as well as new fabrics with novelty print themes that reminded her of her grandmother.  We chose the Filigree pantograph design because it reminded Sarah of her grandmother's lace tatting and I knew it would give Sarah the loosely quilted, old-fashioned feel she wanted for this project.

Sarah's Pieced Backing, Flannels and Regular Wovens, with Filigree E2E quilting

Okay, so when Sarah first reached out to me about this quilt, she warned me that it was only her second quilt ever when she started it three years ago, that it was "full of flaws" and learning experiences, etc.  I was bracing myself for there to be challenges for me to work around -- and then this beautifully pieced top and pieced backing showed up in the mail.  

Behind the Scenes: Digital Custom Long Arm Quilting With Q-Matic on a Judy Niemeyer Quilt

Good Morning, Happy Friday, Happy Labor Day Weekend, and Happy September!  It was in the fifties this morning in Charlotte, which felt GLORIOUS after the sweltering hot Armpit-of-the-South weather we've had for the past few months.  Fall is my favorite time of year and it can't get here soon enough!

Custom Digital Quilting Fit for a Prismatic Star Queen

Sneak Peek of the Custom Feather Quilting Under My Needle

I've spent more time quilting in the studio than sitting at the computer lately, so I have lots of things I could be sharing with you.  Today, I thought folks might like to see a custom quilting project that I'm working on for a client right now and learn a little bit about what goes on behind the scenes when custom quilting with digital designs.  Spoiler alert: the process is not as automated as you might expect!  Here's my client's quilt top, prior to being loaded onto my frame;

Auditioning Threads for Mildred's 91 x 91 Prismatic Star Queen Quilt Top

My client Mildred pieced this gorgeous Prismatic Star Queen quilt top using one of Judy Niemeyer's Quiltworx foundation paper piecing patterns.  

It's FINALLY Happening: My Giant Pineapple Log Cabin Quilt is On the Frame for Quilting!

Some of my long-time quilting friends out there thought this day would never come, but there's no going back now -- I loaded my pineapple log cabin quilt last night and the quilting will commence TODAY!

Loading My Massive California King Pineapple Log Cabin Quilt at Last!

Here are the answers to the most common questions I've gotten about this project over the years:

1. I paper pieced the blocks using a free foundation pattern that I downloaded from Fons & Porter here, but after taping just one block together I took it to my local FedEx shop and printed single page copies on their large format printer.  Although the foundation paper piecing pattern came from Fons & Porter, it's not their design -- it's a pattern for reproducing an antique pineapple log cabin quilt from the collection of the International Quilt Study Center.  You can see that quilt here.
2. The blocks finished at approximately 17 3/4".
3. The fabric strips are cut at 1 1/2" wide since I'm paper piecing, but the finished width of the strips is 3/4"
4. Each block contains 97 pieces, and each block is taking me roughly SIX hours to piece.
5. This quilt is for my own California King bed that measures 72" wide by 84" long.  It's a deep pillow top mattress, so I planned my quilt top to be 120" x 120" to ensure that even after the shrinkage of quilting and washing, the quilt will still completely cover the mattress when it's on my bed.
6. I started this project in June of 2014, SEVEN years ago!

Bring On the King-Size Quilts: My Q-Matic is Finally Here!

Today's big news is that my Q-Matics computer robotics that has been backordered since May finally came in and was installed on my machine yesterday!

Q-Matic Computer is Here, Up and Running on My 13' Long Arm

Now I can finally get to the Queen size quilts in my queue whose makers have been waiting so patiently.  I can now quilt anything up to 120" on my 13' Big Girl frame (Bernina calls it the Large frame, but I am calling it my Big Girl Frame after being restricted to the dinky little 8' frame at the Bernina store that couldn't handle anything bigger than a Twin).  Not only can I get caught up with larger customer quilts now, but I'm finally going to quilt my enormous 120" x 120" California King pineapple log cabin quilt -- if I can only make up my mind about how to quilt it!

It took my dealer about 5 hours to install my Q-Matic, and I managed to piece two more blocks for my Retro '80s Building Blocks sampler quilt while he was working in my studio.

Progress on my Sampler Quilt Project

Since my Featherweight was still set up from the LeMoyne star blocks I made last week, I chose two more blocks containing Y-seams (in the original Moda Modern Building Blocks quilt, these were made with flying geese units, but I redrafted them to have fewer seams).

Julie's Positivity Quilt for the Mercyful Quilts QAL

Good Monday morning and Happy August, y'all!  I'll get to my goals for the fresh week and shiny new month later in this post.  First, I want to show you this beautiful Positivity quilt, pieced by Julie Kennedy of Julie's Quilts & Costumes, and quilted by Yours Truly:

60 x 80 Positivity Quilt for Mercyful Quilts QAL

"Positivity" is a FREE pattern from Preeti Harris of Sew Preeti Quilts, available here.  Preeti and Bernie Kringel of Needle & Foot are currently sponsoring a QAL (quilt-along) using this pattern to create donation quilts for Bernie's Mercyful Quilts charity benefitting dying patients and their families at Mercy Hospital in Sacramento, California.  Those participating in the QAL, which runs through September 5th, are encouraged to either ship their completed quilts to Bernie or else donate them to local charity.  Although I didn't have time to piece a top for this effort, I was glad to collaborate with Julie in support of this worthy cause.

Positivity Quilt Pieced by Julie, Quilted by Me

One of the things I love about Preeti's Positivity pattern is that, although there's nothing explicitly religious about the plus sign design to non-Christians, Christian patients and their loved ones will see the plus sign as a cross -- a reminder of the promise of resurrection, which makes this quilt both physically and spiritually comforting.  I love the color palette Julie chose, too.  The blue crosses/plusses against the warm neutral background fabrics is calm, soothing, and organic, like earth and sky and water.  

The White On White Bailee Quilt, Final Reveal!

Today's post needs to be a quickie because I have a full day ahead of me, but I just had to share pictures of how that white-on-white "pieced whole cloth quilt" turned out.  My client picked it up yesterday and she'll be surprising her mother with it when she flies out to see her tomorrow.

The "Pieced Whole Cloth" Quilt, Bound and Ready for Gifting

My client is thrilled with how this project turned out and I can't wait to hear about her mom's reaction to the quilt.  This is supposed to be the white on white quilt that she always wanted but couldn't have because of her messy kids and dogs.  I think we nailed it, don't you?

56 x 68 Finished Quilt with Bailee Quilting Design

It's so hard to get pictures that do justice to the quilting when it's white thread on a white background.  

The Pieced Whole Cloth Quilt, Part I: Q-Matic Loves Karlee Porter Designs (and So Do I)!

OH MY GOSH, you guys -- I have died and floated off to quilting heaven!!!  Look what I started quilting yesterday for one of my clients:

Karlee Porter's Bailee E2E Design, Quilted on Bernina Q24 with Q-Matic

This quilt is a gift for my client's 80-something-year-old mother, who says she "always wanted a white-on-white quilt but she could never have one because she had kids and pets."  So my client pieced a very plain quilt top from large squares of assorted white and ivory solids and textures, and told me that "the quilting needs to be the star."  Now, in case you are wondering what is the best way to become my Best Friend Forever, it is DEFINITELY by telling me that my quilting gets to be the star of your quilt!  💕

Setting the Design Up in Q-Matic

When I purchased this particular design for my collection, I didn't think I'd ever actually stitch it out as an edge-to-edge design like this.  I was thinking I'd stitch single repeats of the design motif on plain alternate blocks for custom quilting.  The level of detail in this design is insane and it would be completely lost on a print fabric or busy piecing.  

TGIFF is At My Studio This Week! Modern Scrap Petal Garden Baby Quilt

 Hello, and happy (almost) Friday! I'm delighted to be hosting this week's TGIFF (Thank Goodness It's Finally Finished) Friday linky party, because I am head over heels in love with this sweet modern baby quilt that I just finished quilting for a client.  

36 x 42 Scrap Petal Garden Baby Quilt with Jessica's Abacus Chevron E2E

The machine appliqué pattern for this quilt is called Scrap Petal Garden, from Cabin in the Woods, and it's available on Etsy here if your local shop doesn't carry it.  I love the fresh, bright flower petals against my client's low-volume background fabrics, don't you?  I know everyone loves the before and after quilting photos, so here's what the top looked like before quilting:

The High-Tech, Low-Tech, Good News and Bad News Update

Happy Sunday, Happy Independence Day to those of you in the United States, and Happy July, everyone!  Today's post will be a smorgasbord of high-tech and low-tech excitement that has accumulated over the past week.

The Charlotte Modern Quilt Guild hosted a Zoom lecture with Canadian quilter Libs Elliott a few days ago, which was fabulous!  Libs is best known for her use of computer code to generate random geometric designs for modern quilting.  She shared that her parents were antique dealers and that she'd discovered and fallen in love with old quilts at auctions and estate sales.  As she related her journey from trying to replicate traditional patchwork with hardly any instruction through creating ideas of her own on paper and then trying to figure out how to make a quilt that looked like her sketches, I really appreciated her spirit of adventure and the way her style and her process have evolved over time.

Enjoying Libs Elliott's Lecture on Quilt Design with Computer Code

I got some good news last week, and I got some bad news.  Good news first!  I found a buyer for my APQS machine, a quilter from Northern Minnesota who was delightful to talk to on the phone.  She will be driving over 1,300 miles come and pick up the machine this week, and I wish her a safe and smooth journey!

Bad news: I already sold the IntelliQuilter computer robotics that I had on my APQS Millennium, because my Q-Matic computer robotics for the Bernina was supposed to be here at the end of June.  Well, guess what?  The Q-Matic is now pushed back until at least August, due to the global shortage in microchips.  😧 Yikes!  That means I can't stitch any digital edge-to-edge quilts for another month!  My Bernina dealer, Creative Sewing & Vacuum, has graciously offered to let me use their demo Q24 machine at the store for computerized quilts that  I need to get done in the meantime.  The only catch there is that, to conserve floor space in the shop, their demo Q24 is set up on the smallest 8' frame and the widest quilt that will fit that frame is about 71".  Not big enough for the queen quilts in my queue!  I had a customer's baby quilt that needed to get done, though, so I brought it over to quilt it with Q-Matic at the store.  I can't show you this quilt quite yet -- the client is picking it up on Wednesday -- but I'm hosting TGIFF Thank Goodness It's Finished Friday this week and I'll show it to you then, okay?  Pinky promise!  For now you just get this little tantalizing glimpse:

Borrowing My Bernina Dealer's Demo Q24 with Q-Matic

Studio Tour: Let There Be Light! And Also, Thread! Upgrades From My Sweetie

You guys, I am SO EXCITED about the wire cable track lighting that my husband installed above my new Bernina long arm last night!  I LOVE IT! 💕💕💕

Wire Cable Track Lighting Installed Above My New Q24

The Bernina Q24 has plenty of bright LED lighting along the throat of the machine head itself, but I wanted the entire length of the frame lit up from one side to the other so I can inspect each section of a quilt as I'm advancing it on the frame.  Bright task lighting enables me to find and remove any pet fur or stray threads before they get quilted in, and makes it easier to notice things like open seams that my hopping foot could catch in if I didn't see them ahead of time.

Bright Lighting Helps Me Spot Problems Like This Open Seam

That photo above with an open seam was my own kaleidoscope quilt, by the way -- I am not a perfect piecer, either!  (When I see something like that as I'm quilting, I like to mark it with a hand stitched tailor tack in contrasting thread so it's easier to find it later when I want to hand stitch that spot closed).

Free-Motion Quilting with My New, Snazzy Quilt Beast: Meet the Bernina Q24!

Now that the vintage Corn & Beans quilt has been repaired and returned to its owner, I finally had a chance to start playing with my new Bernina Q24 long arm machine yesterday.  I am in Quilting Heaven!

First Free-Motion Stitches on my New Q24

This is a preprinted practice panel that I bought from Lisa Calle when I took her long arm quilting workshop in Paducah in 2019.  My Q24 was delivered with a full bobbin's worth of orange thread, so I threaded her up with a cone of So Fine thread, color Orange Julius in the needle for the maiden voyage.  I haven't done any free motion quilting at all for nearly a year, having been so focused on learning that IntelliQuilter computerized quilting system, so I'm a bit rusty -- but I just love how  this machine handles for free motion work.

Giverny Kaleidoscope Quilt Finish + Big Birthday Surprises: A Bernina Q24 is Coming Next Week (APQS Millennium + IntelliQuilter For Sale)!

Today's post is a long one; I have three things to share with you.  

1. Graduation Quilt Finished Early!

First things first, my lovelies -- I put the final stitches in the binding of Anders' high school graduation quilt last night.  I finished it EARLY, y'all -- graduation isn't until Tuesday, and Quillow Sunday at church is on June 6th.  Woo hoo!!  This was my One Monthly Goal for May, and it feels good to hit the finish line with several days to spare!

70 x 90 Giverny Teleidoscope Graduation Quilt for Anders

I really love how the ombre backing fabric came out, too:

Giverny Teleidoscope Ombre Backing

I ended up doing a 1/2" finished width binding on this quilt because it seemed more proportional to the oversized kaleidoscope blocks than my usual 1/4" binding.  As for the size, it came out right at 70" x 90" before washing it, and I used 100% cotton batting so I'm bracing myself for some shrinkage to happen in that first wash.  I had intended for the quilt to be a little larger, but it will be fine.

Spirit Song On the Frame, ALMOST Ready to Quilt... Of Partial Floats, Frame Design and Texas Hold 'Em Brackets

Spirit Song Quilt On the Frame, Top Fully Floated

Good morning, Happy Thursday, Happy Easter, and Happy Passover!  The Spring holidays have been different for sure this year, haven't they?  I got this far with loading my Spirit Song quilt on Easter Sunday before sitting down to dinner with my family, but then I had to switch gears and figure out how to sew a face mask for my son to wear to work at the grocery store for his 6 AM shift on Easter Monday.  I've been working on making more masks for the rest of my family for the last few days, while Spirit Song looked at me mournfully from across the room, whimpering "PLEASE come and quilt me!!!"

59 x 75 Quilt Top Loaded Sideways, Ready to Go

[Holy moly -- I did not realize how badly my DIY PVC light bar was bowing in the center until just now, looking at the photo!  There was a slight bowing from the weight of the light fixtures when my husband Bernie first installed it a couple years ago, but it has gotten significantly worse!  Bernie has promised to replace the PVC pole with steel and possibly upgrade the light fixtures themselves, so stay tuned for a "DIY Light Bar Version 2.0" post one of these days...  It works for now, and changing it is a project for another day when there is no quilt on the frame!]

Loading a Quilt on My APQS Machine, Fully Floated Quilt Top Method with Texas Hold Em Bracket & Quilt Top Roller Removed

Since there are long spans of time between loading quilts on my frame (while I'm busy doing piecing, applique, sewing face masks, learning choir music, puppy training, parenting, or trying in vain to get "caught up" with laundry...), I find myself wanting a quick refresher each time I'm FINALLY ready to get a quilt on the frame again.  It's not a difficult process by any means; I'm just not yet at the point where I can do this with my brain on "autopilot."  Seriously -- it is much faster (and easier on my back, knees, neck, and fingers!) to load a quilt on a longarm frame than it is to crawl around on the floor or bend over a table, basting the quilt layers together with safety pins spaced 4" apart for quilting on a sit-down machine!  My loathing for pin basting was a primary motivator for moving up to the longarm machine.

The video tutorials from APQS and others on YouTube that walk you through loading a quilt are great in the very beginning, but now that I just need a quick review of one or two things the videos seem to take forever to get to the part I want to see again.  So this post is my own personal photo reminder of "how did I do that last time?"  And I'm giving myself this link to the APQS Blog post where they review the basics of loading a fully floated quilt top here.  Wish I'd found that right away on Sunday, before rewatching an hour and a half of videos to get the information that I could have gotten in 2 minutes from rereading the blog post!  As always, I encourage any readers who are more experienced longarm quilters to share their own best practices and suggestions in the comments.  I have learned SO MUCH from all of you.

APQS Texas Hold 'Em Bracket In Place of Quilt Top Bar

As you can see in the photo above, I've completely removed the quilt top roller bar from my frame and replaced it with the APQS Texas Hold 'Em Bracket (that little partial pole that enables my hand brake to function properly without the quilt top roller bar on the frame).  I took the quilt top roller bar off because:

1. I had not been using it, since I am (so far) getting good results fully floating my quilt tops (rather than pinning the bottom of the quilt top and rolling it up on the quilt top bar).
2. The position of the quilt top roller bar on the APQS frame gets in my way, especially if I'm quilting with rulers.  Since that bar sits up above the surface of the quilt, it lifts my left wrist at an uncomfortable and ergonomically icky angle when I'm holding rulers in my left hand, whereas WITHOUT that bar I can hold my ruler with my wrist in a straight, neutral position.

See How the Quilt Top Roller Lifts My Elbows and Shoulders?

The photo above is from 2017, right after I got my longarm machine, and I have solid yellow fabric loaded for practice (partial float, so it IS pinned to and rolled up on that quilt top roller).  If I had been using quilting rulers, my right hand would still be on the right handle of the machine, but my left hand would be reaching over the quilt top bar to hold the ruler flat against the surface of the quilt.

Quilt Top Roller On the Frame, Not Doing Anything But Still in My Way

Then, in the photo above of my Tula Pink Disco Kitties quilt, you can see how the design of the APQS frame puts the quilt top roller in your way regardless of whether you're using it or not.  Compare that to the design of the Bernina longarm frame, pictured below.  At the front of the machine, you still have the backing roller bar right at the level of the quilting surface.  But instead of the quilt top roller bar sitting above that, Bernina put the quilt top roller bar BELOW the backing bar -- a much better design for custom quilting from the front of the machine.  Note that, if I was quilting mostly edge-to-edge paper pantographs from the back of the machine, or mostly computerized quilting, the position of the APQS quilt top roller bar would be just fine and possibly easier to reach for a partially floated top, or for smoothing batting each time the quilt is advanced.  I've never actually quilted a whole quilt on any other frame but my APQS Millennium frame, and these are the kinds of preferences that you can't really discover when you're test driving a quilting machine at a dealership or show booth.  

Quilt Top Roller On Bernina's Q24 is Positioned BELOW Backing Roller

So now of course, I'm curious -- are there any disadvantages to this frame style that I'm not aware of?  Bernina Q24 owners, how difficult is it to load a quilt on your frame?  Does that bottom quilt top roller pivot so you can get to the batting between the layers when advancing your quilt?  Any drawbacks?  Those of you who have owned different brands of longarm machines over the years, and those who currently own Bernina, Innova, A-1, HandiQuilter etc., I'd love to hear how those manufacturer's frame designs make certain aspects of the quilting process easier or more challenging for you.  Let me know in the comments!

Meanwhile, back to my Millie.  I bought a set of zippers for my leaders right away when I bought my longarm a couple years ago, but haven't gotten around to installing them yet.  Hence my old school pinning continues -- I've kind of gotten the hang of it and, with my slow-as-molasses creative process, I am not loading quilts so frequently that the zippers would save me that much time right now.  

Lining Up Top Edge of Quilt Top With Stitched Horizontal Reference Line

Again, reminders to self here: The top edge of my batting was ragged and uneven when I laid it out and smoothed it over the loaded backing fabric, ensuring that I had it centered and there was sufficient batting length hanging down at the front of the frame to accommodate my entire quilt.  Then, engaging the horizontal channel lock (a feature I couldn't live without!), I quilted a perfectly straight horizontal line across the top through the batting and backing fabric.  I left the blue variegated King Tut thread I'd been playing with on the machine for that,  because I've made the mistake in the past of stitching this visual reference line with monofilament thread and it is not so easy to line up the top edge of my quilt top to an INVISIBLE reference line!  After stitching that perfectly straight reference line, I carefully trimmed away excess batting approximately 1/2" above the stitched line to eliminate uneven bulk when the quilt rolls up and to reveal where my pins are positioned (I'm slightly less likely to stab myself with pins that I can see).

Quilt Top Not Attached to Any Canvas, Not Rolled Up -- Just Smoothed and Basted to Batting+Backing

I've marked the center of my backing fabric with a dark pencil mark on the selvage (it gets trimmed away anyway) and there's a corresponding white chalk mark (barely visible in the photo but I could see it well enough in real life) indicating the center of my quilt top.  I match those centers and then smooth the quilt top onto the batting, working my way out from the center and keeping the edge of the quilt top aligned with the blue stitched reference line:

Straight Top Edge, Centers Aligned

This batting was a few inches longer than my backing fabric, but I waited until after loading it to trim it on the frame to eliminate the possibility of an "I-cut-it-twice-and-it's-still-too-short" situation.  I've loaded my 59" x 75" quilt top sideways (so I can see and quilt more of it at once and have fewer stops/starts for advancing the quilt), so that excess batting length was excess WIDTH on the frame, extending beyond the edges of my backing fabric.  Once I had the quilt top in place, centered and straight, I carefully trimmed the batting excess on the sides so that it's just inside the backing fabric where my side clamps will attach.  I still have plenty of excess batting and backing at the sides of the quilt where I can throw down a scrap of fabric to do practice stitching and tension tweaking throughout the quilting process.

59 x 75 Spirit Song Quilt Top Fully Floated, Ready to Quilt

At this point, I stopped to change my needle from the 4.5 size that I like for King Tut 40 weight cotton thread to the 3.5 size that I like for ultra-fine Monopoly invisible monofilament thread.  I rethreaded the machine with Monopoly, did some test stitches off to the side in the extra batting/backing area, and adjusted my top tension as well as my bobbin case tension (TOWA gauge reading of about 150 for my Bottom Line bobbin thread is where I finally was happy with my stitches, top and bottom, with monofilament in the needle -- this is a smidge lower than the 170-200 range that Superior recommends for Bottom Line).  

Excess Batting and Backing is Great For Testing Stitch Quality

And then, happy with my stitches, I through a scrap of fabric that was pieced from strips down and did a quick refresher practice of stitching in the ditch.  

When Tension is Just Right, Monofilament Looks Like Perfectly Color-Matched Thread

I love how monofilament hides the boo-boos, when my stitching line accidentally veers across a seam line and it would be oh-so-painfully obvious if I'd used any other thread.  See below -- the camera is zoomed way in on this shot; that's why the quilting cotton fabrics look like burlap:

Monofilament Looks Like Blue Thread on Blue, But the Mistake Disappears Like Pink Thread on Pink

Happy with those stitches on the top, I lay a couple sheets of paper on top of the quilt (to block light shining down through the needle holes) and crawl under the quilt frame with a flashlight to see what the stitches look like on the backing side of the quilt.  

Magnified Backing View Showing Starting Tension (Top Left) and ending tenion (Bottom)

I can feel the REALLY bad tension by running a fingernail along the stitching line to see if my nail catches along little loops or nubs of top thread that is being pulled too far to the backing side, but I want to actually see the stitching on both sides with my eyeballs to fine-tune the tension before I start stitching on my actual quilt.

So today, I'm ready to actually baste down the top and side edges of my quilt and start quilting in the ditch (SID=Stitch In the Ditch).  I'll use my vertical and horizontal channel locks to ensure that the quilt top edges, as well as vertical and horizontal seam lines within the quilt, are perfectly straight (or as straight as possible if they weren't pieced perfectly straight to begin with) before I stitch them down, but (aside from the blue border seams), the only seams I'll be SID are diagonals shown in green below:  

Green Lines Indicate Where I'm Planning to SID

One More Important Note to Self: Even though I've removed the quilt top roller bar from my frame, which makes it look like I have a much bigger working area to quilt in, the machine still can't come any closer to my tummy when the machine throat hits the takeup roller at the back of the frame.  

This Is As Far Forward as Millie Can Go Before Her Throat Hits the Takeup Roller at the Back of the Frame

I remember from my last quilt that, without the quilt top roller on the frame as a visual reference, I repeatedly misjudged how far I could quilt towards myself before the machine throat hit the back roller, resulting in a smooth curved line of stitching that suddenly turned in into a straight line veering off to the right or left.  

There's a Six Inch "Dead Zone" From the Backing Roller to the Furthest Point the Machine Can Stitch

All the way across the frame, there's a 6" "Dead Zone" between the inside edge of the backing roller and the furthest point that my 26" Millennium machine can reach to stitch.  Ergonomically, that means that the area where I CAN move the machine for quilting is 6" farther away from my body than it needs be, due to the design of the APQS frame.  This makes me want to measure the "dead zone" on other model frames, especially the Bernina frame, to see whether my quilting area would be closer to my body with those machines for more comfortable quilting that puts less stress (from reaching) on my shoulders, neck, and upper body.  But I'm not planning on buying a different longarm machine any time soon, especially with the whole world's economy suddenly sucked into the black hole of COVID-19!  

So, for the time being, until I get better at eyeballing how far towards myself I can stitch before I need to stop and advance the quilt, I'm planning to address this challenge in a couple of ways: I can either run a horizontal line of basting stitches right at that "invisible wall," or I'll slide the machine across the quilt without stitching and put little chalk marks, pins, or something else that I can see to remind me of where my machine's needle can and cannot reach. 

Once again, this blog post has dragged on and on -- and I didn't even show you any of my cute little face masks!  I'll save those for another day, because I'm dying to start quilting Spirit Song.  

My one and only To Do for Tuesday goal this week is to complete the monofilament SID quilting on Spirit Song. 

Anything else that happens is pure gravy!

And now, for those of you who have been patient enough to stick with me throughout this long and boring blog post, you get rewarded with PUPPY PICTURES!  Here's a picture of Samwise the Brave at 5 1/2 months, wearing his cute little Julius K-9 Powerharness with custom Velcro patches that say "ASK TO PET ME" on one side and "SAMWISE" on the other:  

Sam in His Julius K-9 Power Harness with Custom Patches

I bought Sam's harness from our wonderful local pet supply store, but you can also get one directly from the manufacturer's U.S. distributor on Amazon here.  You can also order the custom patches from the manufacturer through Amazon here.  It is so hard to get a picture of this squirmy little guy that isn't blurry!  

Samwise the Kissy-Face Rottweiler Puppy

He weighs 67 pounds now and he has an awesome personality -- super friendly, loves animals and people of all sizes, all colors, and all ages, yet when there's a really bad storm like we had on Easter Sunday this courageous little Rottweiler puppy stands his ground and BARKS BACK at sky when the thunder booms -- he's fearless!  It's so funny, and much better than trying to calm a dog who has thunderstorm anxiety (Been there, done that with the golden retriever we had when we were first married).

Side View.  Why Aren't We Going Anywhere, Mommy?  Enough With the Pictures!!

I love this harness for Sam.  It's designed for working dogs (police, search and rescue, service dogs etc.) so it's durable, comfortable, and doesn't restrict his movement.  There's a handle that can be buttoned down if he was running off leash, to prevent the handle from catching on branches in the woods, but otherwise the handle is a much better way to get control of him when he needs to be held back from our 9-year-old dog who isn't always feeling as frisky and playful as Sam is.  And that big ring just below the handle clips onto a seatbelt adapter tether for the car.  Now I can take Sam with me in the back seat of my convertible, knowing that if he sees an interesting family of geese when I'm stopped at an intersection, or if I have to slam on the breaks or, God forbid, get into an accident, my dog will not go flying out of the car or strangled by a tether or leash attached to his collar.

I like this harness so much that I ordered one from Amazon for Great Aunt Lulu as well:

Lulu's Harness, Coming Soon from Amazon for My Favorite Rottie Princess!

How cute is that?  She'll have patches that say her name on one side and "ASK TO PET ME" on the other side, just like Sam's harness.  Lulu is a huge people-lover whose favorite thing on Earth is meeting strangers who want to pet her -- but she's a 98 pound, full-grown Rottweiler, so people can't tell she's friendly just by looking at her.  Bernie mentioned to me that, when he takes the puppy to Lowe's or to the Auto Zone store, everyone comes over to pet him, but when he takes Lulu, people seem to assume that she's not friendly and keep away.  They say that clothes tell a lot about a person, and I think that's true for dogs as well. I'll be interested to see whether Lulu gets more attention from strangers when she's wearing her pink "Flower Child" harness!  

Our 9-Year-Old Rottie, Princess Lulu: "I'm Not Bad; I'm Just Drawn That Way"

I'm linking up today's post with:

·       To-Do Tuesday at Home Sewn By Us

·       Midweek Makers at Quilt Fabrication

·       Wednesday Wait Loss at The Inquiring Quilter

·       Needle and Thread Thursday at My Quilt Infatuation